Brown, Peter; Gaines, Steven (2002) [1983]. The Love You Make: An Insider's Story of the Beatles. New York, NY: New American Library. ISBN 978-0-4512-0735-7. Nothing really in particular, the rest doesn't stand out as too much, although I'm not too fond of 'The Inch Worm' Paul’s best post Beatles sounding music was from 1970-1975,with this being his last true great album.After this he wrote some good music but he never wrote the same great quality music again for some reason. amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;gt;&amp;amp;amp;lt;br /&amp;amp;amp;gt;&amp;amp;lt;br /&amp;amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;<br />
Wenner, Jann S. (14 May 1970). "The Beatles: One Guy Standing There, Shouting 'I'm Leaving' ". Rolling Stone. Archived from the original on 5 April 2015 . Retrieved 20 March 2015.

a b Kent, David (1993). Australian Chart Book 1970–1992. St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;gt;&amp;amp;amp;lt;br /&amp;amp;amp;gt;&amp;amp;lt;br /&amp;amp;gt;&amp;lt;br /&amp;gt;&lt;br /&gt;<br />
Top Albums/CDs – Volume 13, No. 14_15". RPM. 6 June 1970. Archived from the original (PHP) on 17 March 2014 . Retrieved 3 May 2012. Castleman, Harry; Podrazik, Walter J. (1976). All Together Now: The First Complete Beatles Discography 1961–1975. New York, NY: Ballantine Books. ISBN 0-345-25680-8. Music Albums, Top 200 Albums & Music Album Charts". Billboard. Archived from the original on 15 August 2013 . Retrieved 31 August 2011.

Madinger, Chip; Easter, Mark (2000). Eight Arms to Hold You: The Solo Beatles Compendium. Chesterfield, MO: 44.1 Productions. ISBN 0-615-11724-4. Pairing two quintessentially British pop icons together, Sir Paul and beloved fictional spy James Bond, "Live and Let Die" was not just a smash hit that reached the top slot on two of the three major U.S. charts at the time, but was also the first James Bond theme to garner an Oscar nomination (it was also nominated for a Grammy in 1974). Les Albums (CD) de 1970 par InfoDisc" (in French). infodisc.fr. Archived from the original (PHP) on 9 February 2012 . Retrieved 4 May 2011. Hertsgaard, Mark (1996). A Day in the Life: The Music and Artistry of the Beatles. London: Pan Books. ISBN 0-330-33891-9. Although the 1968 animated feature Yellow Submarine was intended as the last of three Beatles films owed to United Artists, [67] the band themselves appeared only briefly at the end of the film. [68] By mid 1969, the threat of possible litigation between the Beatles and United Artists led to director Michael Lindsay-Hogg preparing Let It Be for a cinema release, [66] rather than for airing as a television special as originally planned. [69]There are makeweights, for sure: Eat at Home, Smile Away, 3 Legs. But when the music coheres, you can hear the same boundless sensibilities that defined the long medley on Abbey Road, and a talent who could make magic out of the most unlikely ingredients. The three albums to listen to next The Official UK Charts Company: ALBUM CHART HISTORY". Archived from the original on 17 December 2007 . Retrieved 17 December 2007. I was like a professor in his laboratory. Very simple [set-up], as basic as you can get... Even now that album has an interesting sound. Very analogue, very direct. [22] Larkin, Colin (2006). The Encyclopedia of Popular Music (4th edn) . New York, NY: Oxford University Press. ISBN 0-19-531373-9.

I nearly had a breakdown. I suppose the hurt of it all, and the disappointment, and the sorrow of losing this great band, these great friends... I was going crazy. [13] I do not at all disagree with most people when they say this is Paul's masterpiece after The Beatles. However, I will have to add that Paul had a fair few of these 'masterpieces'. This is just the most obvious one. It definitely qualifies as the best Wings album, and is so very close to his best overall. But of course, you can guess that by now. Maybe John was right. Maybe the Beatles were crap. The sooner I get this album out and get it over with the better. [62]

'Live and Let Die'

George Durbalau (5 December 2011). 1001 Albums You Must Hear Before You Die. Octopus Publishing Group. ISBN 9781844037148 . Retrieved 26 April 2012. Notwithstanding its author credit, this authorised view of its subject’s 1960s is so heavy on quotations and personal insights that it’s almost a work of autobiography. Strong on his songwriting and central place in London’s counterculture, as well as the Beatles’ split. InfoDisc: Tous les Albums classés par Artiste > Choisir Un Artiste Dans la Liste". infodisc.fr. Archived from the original on 28 December 2010 . Retrieved 3 May 2013. Swedish Charts 1969–1972 (in PDF-files)" (PDF) (in Swedish). Hitsallertijden. Archived (PDF) from the original on 14 October 2012 . Retrieved 8 May 2013. Not one of my favorites, but I've never really said anything against it. His first album of the 90s is a solid album for sure, and one that has some great songs on it. They're probably not, but the 'feet' on the front cover have always looked like 'hands' to me, but that is just a little niggle with me. I, again, would have liked to see a double album with this as it probably would be more remembered overall, and there definitely was enough material if he released a second disc. Recommended, but not highly.

Pretty overrated, probably the most overrated he's released. People call this as one of his masterpieces, a Wings high point and, sadly, I can see why. 'Silly Love Songs' and 'Let 'Em In', the latter not one of my favorites, are why. Two accessible, easy to remember anthemic songs. I have to be fair here though, it is still a pretty good album. Silly Love Songs is a highlight, as well as 'Warm and Beautiful' and 'She's My Baby'. This album is also notable for having a song composed and sung by EVERY current member of the band. That includes Linda. Her song isn't terrible at all, but it doesn't fit on here at all. Jimmy McCoulough's song is the best of the Wings's contributions, as well as the drummer's surprisingly emotional 'Must Do Something About It'. It is good overall, but there is a lot I'd recommend over it.Badman, Keith (2001). The Beatles Diary Volume 2: After the Break-Up 1970–2001. London: Omnibus Press. ISBN 978-0-7119-8307-6. Huntley, Elliot J. (2006). Mystical One: George Harrison – After the Break-up of the Beatles. Toronto, ON: Guernica Editions. ISBN 978-1-55071-197-4.