Meine GLXD Receiver, sind laut Datenblatt immun und können auch direkt per XLR angeschlossen werden, wenn Phantomspeisung anliegt, ohne dass sie Schaden nehmen. A man wanted to do a Bob Dylan song (I forgot which one), when he was done, he looked at me and said "wow, I can actually hear the guitar and harmonica". Needless to say, he was impressed. And this was a song he's sang at other places. Apparently, those other speakers didn't bring out the details, harmonics, and nuances in the music like the Evolve 50 does. Using the DSP menu it is possible to select between four specific voicings: Music, Live, Speech and Club. I used the Live setting for my main tests as I wanted to see how the system performed as a live PA and this setting has the flattest response. There’s an overall three-band EQ with a sweepable mid offering a range of -12 to +6 dB, with the mid sweepable between 200Hz to 12kHz. The user can store and name (up to 12 characters) five custom DSP presets. In addition to adjusting delay and activating phantom power, the LCD also indicates the status of the system’s built-in limiter, showing when it is triggered. Should you push the levels too far and incur clipping, this is also flagged up on the display. Onboard Bluetooth technology allows you to configure, control, and monitor up to 6 systems simultaneously

The system really did only take seconds to assemble, with the finished column feeling solid and stable — add a power lead and a signal input or two and you’re up and running. The mixer doesn’t include effects so most users will probably need to plug in an external mixer or voice processor, as I did for my live gig test, but if you’re happy to keep things clean and don’t need more than two mic inputs plus a music feed, then the built-in mixer works fine. The system consists of a 15 mm wooden, ported, powered subwoofer enclosure that houses a 12” subwoofer capable of a functional frequency output down to 37 Hz. Aufbau - ist innerhalb von 1ner Minute erledigt. Keine extra Kabel vom Sub zur Säule nötig. Alle Anschlüsse gut zugänglich.Klar, das ist eine spezielle Preisklasse - für mich jedoch auf Jahre gesehen die Anschaffung auf jeden Fall wert. The processing engine allows for easy setup via four presets (Music, Live, Speech, and Club), three-band EQ, five user-programmable presets (Store and Recall settings), output delay, phantom power (+15V), visual monitoring of limiter status, input level control and meters, and master volume control to ensure optimal gain structure. When I added the second system and ran them as a stereo rig, I was convinced that I’d easily have enough level to run an average band gig in a club or pub. Unfortunately because of the remaining Covid restrictions at the time of testing I wasn’t able to find a live event for a proper road test, but I did take the two Evolve 50M units outside and run them at almost full chat for a while with a wide range of recorded material. The mids and top end carried well (over a mixture of hard standing and grass), and the balance stayed fairly constant over a reasonable distance. Even the two 12‑inch subs managed to keep up and pushed out a decent level, certainly more than I’d have expected given their size and weight, and the sub output level can be controlled independently for achieving the best sound balance. The only way to test PA systems is to use them for real, and I would have been very happy to take these along to a smaller‑scale gig and run a live band through them, but for the special circumstances. As a pair at front of house it’s a real miniature line‑array rig with a clear, powerful, focused sound... Designed to deliver an uncompromising combination of light weight, lowprofile looks, and superior ElectroVoice audio quality, the EVOLVE 50 sets a new performance standard for powered column systems. Wir haben für unser Orchester mit ca. 20 Musikern eine leicht zu transportierende Anlage mit gutem Klang gesucht, welche ohne zusätzlichen Mischer auskommt.

Es bietet uns eine gute Ausgangsposition für weitere „Soundexperimente“ mit dem eingebauten Dynacord Mixer und weiteren Mikros. I would whole Heartly recommend the Evolve 50 over any other comparable line array system out there. In fact, I would recommend it over most conventional speakers as well. Portable column-style sound systems have been around for many years, but US veterans Electro-Voice may have just perfected the art. Für einen normalen kleineren Konzertbetrieb (bis 50-100) Zuhörer ist eine EV Säule absolut ausreichend. Bei größeren Veranstaltungen werden wir unser zweites EV Säulensystem koppeln. Legendary EV audio quality via eight 3.5inch full range drivers and a 12inch subwoofer, powered by a three channel amp for high output. Cutting edge components and tuning provide full sized sound in a super streamlined, plug and play format. Wide, even coverageThe ported sub that provides the foundation for the system is built from 0.75-inch ply and houses a 12-inch speaker protected by a perforated steel grille. Three handles are provided for ease of carrying, which is welcome as the sub weighs a hint over 20kg. All the amplifiers and mixing facilities are built into the sub and I’ll look at those in detail shortly. Column Inches Pure, accurate Electro‑Voice audio performance in a sleek new form factor. The perfect choice for DJs, mobile entertainers, bands, singer/songwriters and any venue where high‑output portable sound is needed — no other column system currently available sounds as good, looks as good, or is as easy to use. Acoustically powerful, aesthetically discreet: column sound evolves to the next level. Easy Transport & Setup Hier war ich am meisten gespannt und bin begeistert. Auch mit nur einer Säule lässt sich ein Saal 10m x 15m + Bühne super beschallen.

Rember, when Bose first introduced the line array system, it had no competition. And it got away with charging those ridiculous over inflated prices. People paid those prices since there was nothing else like it on the market. But now there is. Most manufacturers now offer a line array system. And most of them like Electro-Voice, RCF, Maui, Yamaha, etc. offer a lot more, better sound, and are priced much lower. The carry bag houses the speaker array itself and a spacing section or pole that sits between sub and top speakers. Putting the three pieces of the Evolve 50M together is extremely easy — it takes longer to unzip the carrying case and remove the array and pole than it does to connect them together. I particularly like the magnetic assist feature, mainly because it obviated the need for any heavy‑duty mechanical or electrical coupling which, on some systems, can present problems when trying to pull the pieces apart. The EV system works really well and it’s hard to imagine an easier method that would actually work. As far as I can tell, the array section can’t be coupled directly to the base unit, so the spacer pole has to be used. I believe that a shorter section is available as an optional extra, and this would be useful in some applications, for example if the Evolve 50M were being used as a close‑up monitor for say, piano, or for small‑group AV applications. All in all, assembling the Evolve 50M is about as clumsy‑proof and easy as it gets, short of having a built‑in robot pop out of a little hatch and do it for you. The Mixer Need a new PA system? This handy bundle comes with two Electro Voice Evolve 50 Portable Column Arrays as well as subwoofer covers and cables for both! Here's what Electro Voice say about the EV Evolve 50 Portable Column Array Active PA System:Die Bedienung und das Mischen ist per App-Steuerung über Bluetooth in ca. 15 bis 20 Meter Entfernung zur Box kein Problem. Man hat so die Möglichkeit aus dem Orchester heraus noch eine Feinabstimmung vorzunehmen. Ergonomically designed handles on both the array and the sub to enhance portability. Angled interface gives user easy access to make adjustments and connections on input panel. Real PA performance