Soft cover. Condition: As New. 1st Edition. Book is as new, excellent. Large format. 303pp with colour illustrations. Soft cover. Condition: Fine. 1st Edition. Book is in fine condition. Excellent. Large impressive volume. 303pp with colour illustrations. Please support DH80 by making a small donation to this resource, spreading the word online...or even both! So that is an advance on the past of a sort. And for such a restless innovator, so mindful of art history in everything he makes, this is surely a necessity. To take up a genre beloved of old and modern masters, Sunday painters and about half the entrants to the Royal Academy show every summer is to join a tradition. The question is what to make of it in personal and aesthetic terms, how to renew it.

David Hockney: A Bigger Picture - Studio International David Hockney: A Bigger Picture - Studio International

Livingstone, Marco; Drabble, Margaret; Barringer, Tim; Salomon, Xavier; Comer, Stuart; Gayford, Martin Beitrage von Tim Barringer, Edith Devaney, Margaret Drabble, Marco Livingstone, Martin Gayford, Xavier F. Salomon; As well as free entry to all of our exhibitions, Friends of the RA enjoy one of Britain’s most respected art magazines, delivered directly to your door. Though even here, among the skeletons of dead trees, the high-pitched purple and orange gives a kind of luminosity that just clears those blues away. Auflage, Ausstellungskatalog vom Museum Ludwig Köln, mit zahlreichen Abbildungen, 303 S., Quart, sehr gutes Exemplar, illustrierter Original-Pappband,A detailed discussion of this picture, by a member of the Tate Gallery's Conservation Department, is to be found in Completing the Picture (op.cit.). Part of it was based on written replies by the artist to a questionnaire. Extracts from this essay concerning the painting's style and subject matter, but also to a certain extent the techniques employed, are reprinted below. They want to enjoy the artist’s products – as one might enjoy the milk of a cow – but they can’t put up with the inconvenience, the mud and the flies.” paintings made and shown on iPads were displayed showing the transition from winter to summer on Woldgate in the East Riding of Yorkshire. Using the app Brushes the artist replaced the traditional sketchbook with the digital medium. A near fine book without inscriptions in a very good unclipped wrapper with shallow chipping to the head of the spine. Light loss to the corners and a little to the spine tail. Some creasing and a little soiling to the rear panel. Certainly David never stands still. He also actively likes the battle with a medium and its limitations. One of my favourite phases of his art were the paper pools, a medium that was probably the most tyrannical of any of the many he’s taken on, involving the moulding of coloured paper pulp into one-off images. The iPad has been the source of an incredible volume of great images and as vivid as so many of them are, my only doubt is that the medium offers too little resistance. I expect to be proved wrong.

David Hockney: A Bigger Picture – review - The Guardian

The exhibition was one of the most popular in Spain in the summer of 2012. It listed first in El Mundo’s list of 12 exhibitions to see that season. [2] On 29 December 2012 when El País released their annual top ten exhibitions of the year, [3] an important index in the Spanish art world, they listed it second only to Edward Hopper’s exhibition the same summer at the Thyssen-Bornemisza Museum.He is a natural communicator, a ready and charming talker. This is one of the reasons, in addition to the power and accessibility of his work, why he has lived from quite early in his career in the public eye. By the late 1960s he was a star, and famous far beyond the art world. He had achieved a dubious position, which he once described as “the curse of popularity”. To function as an artist, he needed time and quiet; space in which to think and draw. His solution has been to create a small community around him… more in the manner of a Renaissance or Baroque master with assistants. 17 And he cannot stop, cannot keep still. There is not just Yorkshire to get down, but the seasons as well. A wall of sweet midsummers followed by a wall of yellow harvests followed by felled logs in autumn and bare glades in winter. A nice spot of painting in the sun (it never rains) and then home to tea; it sometimes feels as complacent as it looks. Forgotten the title or the author of a book? Our BookSleuth is specially designed for you. Visit BookSleuth

David Hockney RA | Royal Academy of Arts David Hockney RA | Royal Academy of Arts

RA Exhibitions 2 months ago “I only do something if I’m afraid of it, because that’s the whole point” – an interview with Marina Abramović Whether you’re looking to buy art online or seeking info on selling your work or art competition dates MoMa’s a good place to be. How record-setting art auctions are ruining the old neighborhood" commentary on The Washington Post The brushwork is lithe, running riffs on past art from Seurat's screens of pointillist dots to Matisse's buoyant stripes. The majestic scale accords with the ancient cycle of death and rebirth. The colour appears meaningful – gold against marigold, wintry blues, ochre and magenta producing optical flares – and has not yet become a sore point.Square Quarto hardcover, green cloth boards, green tooled lettering to spine, decorative tooling to front board, illus prelims, 301pp., NEAR FINE, in illus d/w, NEAR FINE. Craigie Aitchison – Two important exhibitions overlapped recently in England: the first was in Kendal, in the English Lake District, and the second at the Royal Academy in London. Exhibition organised by the Royal Academy of Arts, London in collaboration with the Guggenheim Museum, Bilbao and the Museum Ludwig, Cologne. Sponsored by BNP Paribas. Tourism Partner: Welcome to Yorkshire. Media Partner: The Times.

David Hockney: A Bigger Picture | Exhibition | Royal Academy

Royal Academicians in China, 2003-2005' was conceived to coincide with the Royal Academy's remarkable exhibition, 'China: The Three Emperors, 1662-1795', which presents imperial treasures of the Qing Dynasty. The superb exhibition draws on the collections of the Palace Museum, Beijing, and focuses on the artistic riches of China's last three emperors. It is a spectacular exhibition, and a great credit to the Royal Academy for their organisation of it, and to the team of scholars and curators involved. The cover art of the Mr. Oizo album Stade 2, by the artist So Me, is a deconstructed reinterpretation of Portrait of an Artist (Pool with Two Figures). [21]

Nicole Eisenman: What Happened

Soft cover. Condition: Fine. 1st Edition. Book is in fine condition. Excellent. Large format. 303pp with colour illustrations. Also included is 'An introduction to the exhibition for Teachers and Students' 24pp booklet. David insisted I filmed single-handedly, so there’s an intimacy and clumsiness to these recordings, something I echo in my commentaries to the films.