Benson, Denise (21 September 2014). "Then & Now: Industry". Denise Benson . Retrieved 10 February 2021. Anderson, Tammy L. (2009). "Understanding the Alteration and Decline of a Music Scene: Observations from Rave Culture". Sociological Forum. 24 (2): 309–311. doi: 10.1111/j.1573-7861.2009.01101.x. JSTOR 40210403. Short excerpt from special on German "Tele 5" from Dec.8, 1988. The show is called "Tanzhouse" hosted by a young Fred Kogel. It includes footage from Hamburg's "Front" with Boris Dlugosch, Kemal Kurum's "Opera House" and the "Prinzenbar". The American electronic dance music scene is one of the earliest, and rave culture has its roots in the " circuit parties" and disco clubs of the late 1970s. These were scattered in cities large and small throughout the United States, from Buffalo to Cleveland to Aspen, Colorado. Cities like Chicago, Detroit, Miami, and New York City soon saw the rise of electronic music genres foundational to rave culture, such as house music, techno, and breakbeat. American ravers, like their UK & European counterparts, have been compared to the hippies of the 1960s due to their shared interest in non-violence and psychedelia. [95] Rave culture incorporated disco culture's same love of dance music spun by DJs, drug exploration, sexual promiscuity, and hedonism. Although disco culture had thrived in the mainstream, the rave culture would make an effort to stay underground to avoid the animosity that was still surrounding disco and dance music. The key motive for remaining underground in many parts of the US had to do with curfew and the standard 2:00 am closing of clubs. It was a desire to keep the party going past legal hours that created the underground direction. Because of the legality, they had to be secretive about time and place. The perception of the word "rave" changed again in the late 1980s when the term was revived and adopted by a new youth culture, possibly inspired by the use of the term in Jamaica. [12] Acid house (1980s) edit Rave – Juiz de Fora – MG, featuring bright psychedelic theming common at many raves

A sense of participation in a group event is among the chief appeals of rave music and dancing to pulsating beats is its immediate outlet. [43] [44] Raving in itself is a syllabus-free dance, whereby the movements are not predefined and the dance is performed randomly, dancers take immediate inspiration from the music, their mood and watching other people dancing. Thus, the electronic, rave and club dances refer to the street dance styles that evolved alongside electronic music culture. Such dances are street dances since they evolved alongside the underground rave and club movements, without the intervention of dance studios. These dances were originated in some 'scenes' around the world, becoming known only to ravers or clubgoers who attempt to these locations. They were originated at some point that certain moves had begun to be performed to several people at those places, creating a completely freestyle, yet still highly complex set of moves, adaptable to every dancer change and dance whatever they want based on these moves. Many rave dancing techniques suggest using your body as an extension of the music, to loosen up, and let the music flow through the body to create a unique form of movement. Hitzler, Ronald; Pfadenhauer, Michaela; Hillebrandt, Frank; Kneer, Georg; Kraemer, Klaus (1998). "A posttraditional society: Integration and distinction within the techno scene". Loss of safety? Lifestyles between multi-optionality and scarcity (in German). p. 85. doi: 10.1007/978-3-322-83316-7. ISBN 978-3-531-13228-0. Ambient, minimalist& computer music – Brian Eno, Mike Oldfield, Harold Budd, ATB, The Orb, Biosphere Rave music may either refer to the late 1980s/early 1990s genres of house, new beat, breakbeat, acid house, techno and hardcore techno, which were the first genres of music to be played at rave parties, or to any other genre of electronic dance music (EDM) that may be played at a rave. Through the mid-1990s and into the 2000s the city of Seattle also shared in the tradition of West Coast rave culture. Though a smaller scene compared to San Francisco, Seattle also had many different rave crews, promoters, DJs, and fans. Candy Raver style, friendship and culture became popular in the West Coast rave scene, both in Seattle and San Francisco. At the peak of West Coast rave, Candy Raver, and massive rave popularity (1996–1999,) it was common to meet groups of ravers, promoters, and DJs who frequently travelled between Seattle and San Francisco, as well as Bellingham, Vancouver, Canada and Portland, Oregon. This spread the overall sense of West Coast rave culture and the phenomenon of West Coast "massives".Wu, Li-Tzy; Schlenger, William E.; Galvin, Deborah M. (September 2006). "Concurrent Use of Methamphetamine, MDMA, LSD, Ketamine, GHB, and Flunitrazepam among American Youths". Drug and Alcohol Dependence. Elsevier. 84 (1): 102–113. doi: 10.1016/j.drugalcdep.2006.01.002. ISSN 0376-8716. PMC 1609189. PMID 16483730. S2CID 24699584. Originally created by DJs slowing down gay Hi-NRG 45rpm records to 33rpm to create a trance-dance groove, New Beat evolved into a native form of hardcore techno in the 1990s with the introduction of techno records played at their original speeds or even slightly accelerated. [69] This brutal new hardcore style spread throughout the European rave circuit and penetrated the pop charts. [70] Ertl, Christian (2010). Macht's den Krach leiser! Popkultur in München von 1945 bis heute [ Turn down the noise! Pop culture in Munich from 1945 to today] (in German). Allitera Verlag. ISBN 978-3-86906-100-9. Moombahton – Dave Nada, Knife Party, Dillon Francis, Munchi, Diplo, Bro Safari, ETC!ETC!, Valentino Khan, Sazon Booya

From "The in Crowd" to the "Happy People" | Uppers Culture Lifestyle". Uppers.org. Archived from the original on 19 October 2015 . Retrieved 3 June 2015.Evans, Helen. " Out of Sight, Out of Mind: An Analysis of Rave Culture". Wimbledon School of Art, London. 1992. Includes bibliography through 1994. Goa trance / Psychedelic trance – Ajja, [107] Burn in Noise, Alien Project, Astral Projection, Electric Universe, Hallucinogen, Infected Mushroom In the 1990s, San Diego held large raves with audiences of thousands. These festivals were held on Indian reservations and ski resorts during the summer months and were headlined by DJs such as Doc Martin, Daniel Moontribe, Dimitri of Deee-lite, Afrika Islam and the Hardkiss brothers from San Francisco. They helped to create the Right to Dance movement—a non-violent protest held in San Diego and later in Los Angeles. a b c d e "Club Drugs". drugabuse.gov. North Bethesda, Maryland: National Institute on Drug Abuse. 2021 . Retrieved 17 August 2021. Characteristics edit Music edit The Roland TB-303 is a synthesizer featured in acid house music. The TR-909 is a drum machine used in techno, house and many other genres. Rave music is usually presented in a DJ set, using a mixer and turntables or CDJs.