I’m sure many others will be able to appreciate them in a way that I was unable to. As things stand I will approach the author’s future work with caution. The following story, Small Difference, is complete confusion as a woman travels to Italy with her boyfriend and parents while also having trouble comprehending her own emotions. I have no idea what the author was attempting to say. Huma Qureshi writes the inarticulable distances between mothers and daughters, the consuming ache of longing for someone not yet kissed, the invisible, irreparable breaches in friendships or between lovers, with such pitch-perfect precision, such lightness of touch. These are stories of fierce clarity and tenderness - I loved them. -- Lucy Caldwell, author of Intimacies The writing is easy to get into, almost lyrical, and I enjoy that. I also appreciate how each story examines the different ways love can turn sour in our relationships— be it platonic, romantic, friendship, etc. Even how grief, loss, and resentment can taint love is also well explored.

I started my career on The Observer and The Guardian and worked as a reporter and features writer across consumer news, news and the life and style sections before going freelance to write my first book, In Spite of Oceans, published in 2014 by The History Press. In Spite of Oceans received the John C. Laurence Award from The Authors’ Foundation. Well told stories with well realised characters . . . Qureshi, like [Jhumpa] Lahiri, is a companionable and considered writer, and this is a collection you can read enjoyably, rain or shine. -- Shahidha Bari ― GuardianA unique tale that interweaves crime fiction with intimate tales of morality and search for individual freedom. Set across the blossoming English countryside, the stifling Mediterranean, and the bustling cities of London and Lahore, Things We Do Not Tell The People We Love illuminates the parts of ourselves we rarely reveal. In a stunning juxtaposition, Huma Qureshi utilises articulate and evocative language to communicate all the issues and concerns her characters can’t. In a sharp, beautifully executed collection of short stories, we explore the clashes of cultures, generations, and class divides with themes of love, familial relationships, motherhood, friendship, fertility, and death. A luscious debut . . Qureshi is a dab hand at yanking the rug out from under the reader. Her immersive, poignant stories - written mostly in understated prose - often have a sting in the tale . . I fell for this lyrical, moving collection and the woozy intensity that infuses many of its stories. Qureshi creates gripping plotlines and vividly drawn characters and - most importantly - she is a writer with something to say. -- Gwendolyn Smith ― i Things We Do Not Tell The People We Love is a collection full of secrets and yearnings, the gaps and silences found so often in misunderstandings and miscommunications. These stories work to fill those gaps, creating found families and belonging, and showing the sides of ourselves others rarely see . . . Qureshi's writing conveys the emotions her characters cannot . . . Each story is tightly written and closely edited, ending at the perfect moment . . . Exploring different relationships - mother and daughter, friendships, young love, spouses - Qureshi pulls apart the emotions surrounding each one, making even the darker narratives relatable and evocative. -- Terri-Jane Dow * Mslexia *

Fierce, funny and raw, this unflinchingly honest exploration of heartbreak is so much more than a book about one single break-up

Well told stories with well realised characters . . . Qureshi, like [Jhumpa] Lahiri, is a companionable and considered writer, and this is a collection you can read enjoyably, rain or shine. -- Shahidha Bari * Guardian * Huma Qureshi writes the inarticulable distances between mothers and daughters, the consuming ache of longing for someone not yet kissed, the invisible, irreparable breaches in friendships or between lovers, with such pitch-perfect precision, such lightness of touch. These are stories of fierce clarity and tenderness - I loved them. But usually, Qureshi takes the reader plausibly inside the inner recesses of characters’ hearts and minds. Premonition beautifully recalls the intensity of a first crush, developed via “a private symphony of glances”, before a bewildering first kiss leads to disaster. And she captures how such incidents can, in adulthood, seem insignificant and still life-defining. In the story, Too Much, which is possibly my favorite on the list, a daughter gradually leaves her dependent mother's life before changing her identity and disappearing entirely, leaving the mother sad and distraught. It was raw, poignant, and intellectually stimulating. Not only that— i experienced the angst of teenage love all over again; falling in love during the summer, and getting heartbroken by fall; peacefully outgrowing my friendships and leaving them in my past; encountering a past flame, and attaining closure after all these years; falling out of love from a seemingly-perfect marriage; and even the utter joy of childbirth after waiting for so long to conceive.