The Official Charts Company – Cat Stevens – Catch Bull at Four" (PHP). Official Charts Company . Retrieved 24 February 2012.

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Side two contains the meat of the album. The mood here is of pessimism, terror, apocalyptic foreboding, a region of Cat's personality that we have not been shown so directly before, and his success in revealing it describes a very promising avenue for future artistic exploration. "18th Avenue (Kansas City Nightmare)," the opener, is the album's most ambitious cut and in every way its best. A vision of insanity and physical and mental deterioration, it accumulates the specific but disjunctive images of a nightmare that makes no literal sense other than forcefully embodying a premonition of metaphysical collapse. The music is also disjunctive, but brilliantly so. In the cut's extended instrumental break, Bel Newman contributes one of his best string arrangements ever, and there is stunning percussion work by Cat and Gerry Conway. In the press release for the upcoming reissue, Stevens recollects on the period: "Contrary to the spiritual nature and theme of the album, Catch Bull At Four went straight to number one and became one of my biggest commercial accomplishments. It was scary! I feared it would divert me from my spiritual goal. That's precisely why I followed it up with an album called Foreigner, which would sacrifice my newly acquired crown for a welcome return to obscurity." Simultaneous with the release of Cat Stevens' new album on A&M;, Columbia has released a pleasing first solo effort by Alun Davies, second guitarist on Cat's records from Mona Bone Jakon on.amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br /&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br 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Matrix / Runout (Variant 9): [Universal logo x 4] 07314 546 886-2 03 + 51045664 MADE BY GERMANY BY EDC G

Cat Stevens, Catch Bull at Four (Island ILPS 9206 (U.K.)/A&M SP 4365 (U.S.), 1972 - reissued Island/A&M/UMe, 2022) Fans also speak with great fondness of the simple, acoustic tale of “Boy with a Moon & Star on His Head,” in which the truth is spoken by the child, not the adults. “Children are closer to it, whatever it is, that we are from,” Stevens mused to Rolling Stone the following year. “I hate it when they are ruined by things like fashion.” amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;br 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Catch Bull at Four is the sixth studio album by Cat Stevens. The title is taken from one of the Ten Bulls of Zen. [4] The album was recorded in May, 1972 at The Manor Studio, Oxfordshire; Château d'Hérouville, Hérouville, France, and Morgan Studios, London