The Little Friend: Donna Tartt

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The Little Friend: Donna Tartt

The Little Friend: Donna Tartt

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For the rest of her life, Charlotte Cleve would blame herself for her son's death because she had decided to have the Mother's Day dinner at six in the evening instead of noon, after church, which is when the Cleves usually had it. The ending is an ambiguous one; there are no firm solutions, nor resolutions, but the glimmer of hope the readers are left with offers a somewhat fitting finale to this fast-paced tale of woe. About The Little Friend The Little Friend is audacious, implausible and enchanting. As with the best 19th-century novels, it is indulgently expansive, as cluttered and overstuffed as Harriet's rambling house. At times, one becomes aware of the strain behind the style: the novel has little of the lightness or real fluency of The Secret History. Tartt never hurries. She is not afraid of scenes intended less to further the action than simply to create mood or deepen character." - Jason Cowley, New Statesman Bad Guys Play Pool: The local pool hall is supposedly the center of all low-life activity in Alexandria.Danny resolves to steal some of his own family's drugs and use them to buy his way out of town. Danny knows that drugs were hidden by his brother, after the failed shipment, in a water tower where they are also discovered by Harriet who throws them into the water. Farish becomes increasingly deranged by the consumption of his own product and violently forces Danny to take him for a drive. Danny drives towards the water tower where he fatally shoots Farish. Like The Secret History, it's thrilling stuff, and viscerally involving; but at the same time, like The Secret History, emotionally unengaging." - Thomas Jones, London Review of Books WH Smith Literary Award | Book awards | LibraryThing". www.librarything.com . Retrieved 2019-10-11. Aerith and Bob: In spite of not being a fantasy universe it does manage to pull this: there are characters named Edith, Charlotte and Harriet but there are also characters named Farish and Loyal. Nevertheless, she has some interesting things to say about the American south, if more the south as a concept than the south of her home. "There's a horrible ethos in rural southern poverty that it's dumb to do well, it's stupid to succeed, and that people will laugh at you," she says. (This is superbly demonstrated in The Little Friend in the character of Gum, grandmother to the white, troubled, trailer-park family, the Ratliffs, and one of the most memorable monsters in recent literature. She stops her grandson from going to college and says things like, "My diddy said it was something wrong with any man that'll sit down in a chair and read a book." She also complains about having to do jury service because "nigger stoled a tractor" and adds chillingly: "In my time, we didn't have all this nonsense about a big trial.") Tartt continues: "Unfortunately, there's a big anti-intellectual strain in the American south, and there always has been. We're not big on thought. And it's worse for women, because it's always worse for women, frankly."

The death has a devastating impact on the family, and their dead brother still casts a shadow over the two girls years later: Christianity is referenced throughout the book in the form of snake handling preachers, Baptists, and Mormonism, as well as an epigraph attributed to Saint Thomas Aquinas. At times humorous, at times heartbreaking, The Little Friend is most surprising when it is edge of the seat scary." - USA Today

As to the book's title, its meaning is dramatically (?) revealed near the conclusion -- but is obvious almost from the get-go. For Harriet, who has grown up largely unsupervised, in a world of her own imagination, her brother is a link to a glorious past she has only heard stories about or glimpsed in photograph albums. Fiercely determined, precocious far beyond her twelve years, and steeped in the adventurous literature of Stevenson, Kipling, and Conan Doyle, she resolves, one summer, to solve the murder and exact her revenge. Harriet's sole ally in this quest, her friend Hely, is devoted to her, but what they soon encounter has nothing to do with child's play: it is dark, adult, and all too menacing. But Robin: their dear little Robs. More than ten years later, his death remained an agony; there was no glossing any detail; its horror was not subject to repair or permutation by any of the narrative devices that the Cleves knew. And—since this willful amnesia had kept Robin's death from being translated into that sweet old family vernacular which smoothed even the bitterest mysteries into comfortable, comprehensible form—the memory of that day's events had a chaotic, fragmented quality, bright mirrorshards of nightmare which flared at the smell of wisteria, the creaking of a clothes-line, a certain stormy cast of spring light.”

I’m Lucy, an award-winning book blogger, bibliotherapist and writer with a passion for brilliant books, independent bookstores, literary travel and book festivals around the world. The Literary Edit is your guide to the beautiful world of books. Harriet's family is a weak but prominent presence in the book: the slightly unhinged sister, the lost mother, the absent father (living far away with his mistress), the aunts and grandmother. Foregone Conclusion: At several points it is mentioned that Harriet will remember a certain day or event for the rest of her life, meaning readers know she will survive the events of the book.There are none of the aesthetic sweeteners of The Secret History here, none of its beautiful people and elegant plotting. In some ways it feels like a deliberate reaction to Tartt's first work. If The Secret History had one striking fault, it was the way the violence occurred so easily, even stylishly. There is a great deal of violence in The Little Friend, and it is executed in a very different style: bloody and unglamorised, with apparently endless repercussions of guilt and misery. And booze. I tell her that I've heard that, despite her size, she takes a drink better than any man (and it's pretty disappointing that she won't drink with me). "That's kind of funny," she says. "I don't know if that's true or not. I don't know if that's necessarily a compliment." (She knows it is.) Then she says - and you get the feeling she can already see this in big type, a modern-day Dorothy Parker - "I like a glass of whiskey in the winter, I like a gin and tonic in the summer, I like a glass of champagne anytime." Always telling new stories about herself, she reminds you of F Scott Fitzgerald, who let it be known that, as a great social climber, his first word was "up" and that he admired James Joyce so much that he once said he would jump out of a window to prove it: the writer as personal myth-maker. Although, as she says, an untrivial approach to work doesn't mean she doesn't like trivia in her personal life. Shoes, for example; twice during the lunch she exclaims, "I'm just spying your shoe! What a great shoe!" Or clothes; she is famously perpetually well-dressed. One former classmate said, in a much quoted line: "If you went to her room at 4am, you'd find her [Donna] sitting at her desk, smoking a cigarette, wearing a perfectly pressed white shirt buttoned to the top, collar studs, trousers with a knife crease.") It is, in fact, notable for how stunted in age many of the characters are, with others clinging (desperately) to the past.)



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