My gut reaction to a lot of the book is a sort of incredulous "why don't you talk to someone?" And while I understand that Rusty is being thrust into the lingering auras of fading Victorian attitudes when she meets her grandmother and attends school, her mother, Peggy, is shown as becoming one of the "new women" who emerged after WW2, having had to take over men's jobs, and beginning to encroach on men's roles in society as well. Yet whenever Rusty tries to talk to her she reverts to the Victorian attitudes of her in-laws (possibly also her parents). These two different aspects to Peggy don't seem to mesh as well as they could, and, although it drives the plot forward, it does feel a little strained at times. Her ambition was always to become an actress. After three years of study at the Rose Bruford College of Speech and Drama, she spent two years at Marcel Marceau's L'école Internationale de Mime in Paris. From there she launched into a professional acting career and spent a few years touring all over the country - from Scotland to Devon and then Yorkshire - working in repertory companies, taking any part she could. Michelle's worst stage part was playing Orinoco in The Wombles musical. All this time she had been secretly writing stories. When she was 24 she became interested in children's books, and decided to write one herself. But it doesn't fell like home. Rusty's mother is like a stranger, her little brother doesn't know her and why does the food taste so bad? Rusty just can't get used to the rigid rules and rationing and her strict new boarding school. I couldn't remember how the story ended, though, so reading it felt new to me. Even though I remembered the main part of the plot, I found myself engrossed in the story and wanted to see what would happen next.

Audio Book - Michelle Magorian Audio Book - Michelle Magorian

I probably read it nearly twenty times. I used to love stories about this kind of time period - I think it was about then that I'd seen the film 'A League of their Own', (and like when I watched Titanic and turned into a mini historian on the subject of the real sinking) I got really into that time period. The ongoing struggle between Rusty being all for women's rights and education and her disdain for her mother's interest in cars was frustrating at times. On her return, her family seem like strangers. Her mum is a part time mechanic, her brother wasn't born before Virginia left for the US, and he becomes instantly jealous of her. Her dad is still serving in the war on her return. Virginia's mum, Peggy, had been evacuated to Devon and loves the Estate, and the home she and her friends have created during their time together. No one seems to understand Rusty, except the fun loving old timer, Beatie, who owns the house. Soon though, Virginia is sent to boarding school, and with her mother and brother, must readjust to their life before the war. Their former house is ruled by an unkindly grandmother, who dotes on Virginia's father, and disregards Peggy and her children for a myriad of reasons. At boarding school, Virginia is rejected by her peers for 'showing off' (very Enid Blyton), and by her teachers for being behind in her studies, although she was a good student in the States. About halfway through, Virginia finds a place in which she can unleash her creativity, which leads to the compelling ending.Ivy The other woman resident in Beattie's house, Ivy has a little girl of Charlie's age and her husband is Missing Believed Killed. Ivy marries an American GI who was a friend of Uncle Harvey but during the novel her husband is found in a POW camp, making the second marriage void, despite Ivy being heavily pregnant with her new husband's child. This was a situation that did happen quite often during the war, when one partner was presumed dead and their spouse moved on, only to discover that they were alive years later and that their new union wasn't lawful.

Back Home - Penguin Books UK

Modern readers will think that the best, indeed the only, way forward would be divorce, something Rusty mentions to her secret friend Lance in relation to his parents. Rusty doesn't seem at all phased by the idea, perhaps due to her American upbringing. Lance, on the other hands, evinces all the horror that the contemporary Brit would feel at the allegation. This is at once a necessary interlude to indicate to the reader the impossibility of separation at the time, and a well constructed contrast between Rusty's American ideas and Lance's enforced Britishness. Michelle Magorian was born in Portsmouth, Hampshire, [3] and is of Irish descent, her father William Magorian being from County Down, Ireland [ citation needed] She lived in Singapore and Australia from age seven to nine. As a child she spent as much time as possible in the Kings Theatre, Southsea. One day Rusty meets a boy, Lance, from a nearby school who was also a US evacuee. She discovers that Lance lived in the same town as her US grandparents, the Fitzes. For the first time since returning to England Rusty feels happy and connected with someone who understands what she's going through. Unfortunately, talking to boys is strictly forbidden at Benwood, and Rusty is severely punished. Despite this, she manages to pass a message to Lance to meet her at midnight behind her school. From then on Rusty includes Lance in her nighttime forest wanderings and the two become friends. One night they stumble upon a bombed-out cottage that has an intact, albeit bare, sitting room. Rusty dubs the room their 'cabin in the woods'. This is a great book. It might take a little while to get into, but you'll love it more and more as you read. Michelle Magorian is undoubtedly one of the pre-eminent children’s writers of historical family drama and of books set around the Second World War. She may not be a household name but that’s purely because she doesn’t write as frequently as those more obvious bestselling novelists. Just Henry is her seventh novel. Unlike some authors Magorian writes when the time is right having first undertaken considerable research, followed by a lot of thinking time before actually putting pen to paper and then there’s always the very important rewrites to polish the story. Magorian loves the research and the writing in equal measure but particularly loves writing dialogue.

About Michelle Magorian

Guardian Children's Fiction award-winning Michelle Magorian is the author of the iconic war-time children's book, Goodnight Mister Tom. Charlie's depiction, by contrast, is a delight. A four year old boy coping with the introduction of a sister, grandmother and father he never knew he had, as well as the (to him) inexplicable disappearance of his 'Uncle' Harvey. He doesn't adapt well to these changes, and is written in the same sympathetic way as the beloved children of Little Wierwold in Goodnight Mr. Tom.

Goodnight Mister Tom - Penguin Books UK

Despite Lance and the little cabin, Rusty is still desperately lonely. Her unhappiness is compounded by the news that Beatie, who has always complained of 'ruddy indigestion', has died. Rusty and Peggy go to Devon for the reading of Beatie's will. Beatie leaves Rusty her collection of woodworking tools and leaves Peggy the house, with the condition that she's not to sell it for seventeen years and, if she does choose to sell it after that time, that she only sell it to a woman. These terms mean that Peggy cannot be forced by Roger to sell the house or put it into her husband's name, making her independent if she chooses to be. Rusty and Peggy spend the weekend in Devon and start to get to know each other a little better. Rusty discovers that her mother is actually fun and adventurous and that they surprisingly have quite a lot in common.

LoveReading4Kids Says

This covers a topic that I don't think many people are familiar with: British children who were evacuated out of the UK during WWII and sent to live in other countries for safety, in this case, America. Lance A fellow sea evacuee of Rusty's, Lance attends the boys' school near Rusty's and is also ostracised for his American accent and behaviour. He provides Rusty with a friend as he sneaks out to meet her in their cabin in the woods, admires her talent with handicrafts and they help each other with their schoolwork. Lance's parents are getting divorced and to escape the house he goes for long runs in the holidays which leads to him joining the school rugby team and being accepted by other students. This is an older kidlit title -- I've had this thing for the past year or two where I'm focused on novels and non-fiction accounts of the children who were evacuated from Britain to the US during WWII, based on a conversation that was going on with the Betsy-Tacy group. Kidlit fans may recall that Magorian is probably best known for the five-Kleenex Goodnight, Mr. Tom. In this book, Rusty, our heroine, has returned to England after living in Connecticut for most of the war years, and has a variety of difficulties adjusting to her "new" life -- feeling estranged from her mother, not being recognized by her little brother, having not suffered the rationing and shortages along with her UK peers, and generally acting too Americanized to fit in. She has a miserable time at boarding school, until she discovers how to sneak out of her dormitory and go exploring at night. The plot is snappy, if none too profound, and it's a nice look at the details of home life immediately following the war. One odd thing, which I think comes of this book having first been published in the early 1980s, is that the author has stridently included robust mentions of menstruating and bathroom use. They don't have anything at all to do with the plot, it's that thing from the 1970s and early 80s where writers for young adult audiences felt the need to hammer home the point that there is NOTHING SHAMEFUL about menstruating or using the bathroom. Now of course, it just seems jarring. Of course, I probably cannot complain too much about scatalogical focus in books, having just spent half of the previous review earnestly explaining about dog poo ... but there you have it.

Michelle Magorian - Penguin Books UK Michelle Magorian - Penguin Books UK

The Honourable Beatie Langley The Devon landlady of Peggy and Charlie, Beatie is a warm and welcome presence in the story. Kind, open minded, cheerful, perceptive and generous, Beatie gave away all of her curtains and many possessions to help the war effort – material was in short supply – and happily shared her rambling and leaky-roofed house with several women who were serving in the forces. Beatie, while never openly saying so, clearly knows about Peggy's home situation and after her death she leaves Peggy her house on condition that Peggy can't sell for 17 years nor can the house be held in a man's name, thus giving Peggy a way to escape her marriage if she wants to by preventing Roger forcing Peggy to put the house into his name. Beatie shows how some people adjusted well with proper British spirit to the trials of war. She dies of her "ruddy indigestion" which is likely to be stomach cancer.Aunt Hannah and Uncle Bruno Omsk Rusty's American host family, the Omsks embraced their role as surrogate parents, however always made sure Rusty never referred to them as 'Mom' or 'Pop'. Encouraging, kind and reasonable, the Omsks are creative and practical people who continue to send Rusty letters and presents. Armistice Day: A Collection of Remembrance - Spark Interest and Educate Children about Historical Moments