Short Fiction: Orientations, 1899; The Trembling of a Leaf: Little Stories of the South Sea Islands, 1921; The Casuarina Tree: Six Stories, 1926; Ashenden: Or, The British Agent, 1928; Six Stories Written in the First Person Singular, 1931; Ah King: Six Stories, 1933; East and West: The Collected Short Stories, 1934; Cosmopolitans, 1936; The Favorite Short Stories of W. Somerset Maugham, 1937; The Round Dozen, 1939; The Mixture as Before: Short Stories, 1940; Creatures of Circumstances: Short Stories, 1947; East of Suez: Great Stories of the Tropics, 1948; Here and There: Selected Short Stories, 1948; The Complete Short Stories, 1951; The World Over, 1952; Seventeen Lost Stories, 1969. It is perhaps inevitable that none of the other characters rise quite to the same level of interest as Larry although Sophie comes close, but it is difficult to tell whether that is due to her actually being an interesting character or leading the most interesting life of any character other than Larry. Her is a tragic narrative and the tragic narrative is almost always more fascinating than the narrative of those who simply orbit around a romantic figure like Larry Darrell without full understanding or appreciating him. That is by design as well. Somerset Maugham may not be considered one of the great literary artists to ever walk the land, but his ability to craft a story that reads exactly the way it should is almost unparalleled. The Razor's Edge study guide contains a biography of W. Somerset Maugham, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

Razors Edge Royal Exchange | Hair Salon in Central Retail Razors Edge Royal Exchange | Hair Salon in Central Retail

I FEEL it right to warn the reader that he can very well skip this chapter without losing the thread of such story as I have to tell, since for the most part it is nothing more than the account of a conversation that I had with Larry. I should add, however, that except for this conversation I should perhaps not have thought it worthwhile to write this book.”Established in 1970, the Razors Edge brand has been catering to Manchester's diverse clientele for over 40 years. A key part of their long standing success is their passion for progression, with their staff keeping up to date with the latest trends to make sure you remain at the forefront of fashion. They also use high quality products and brands such as Redken, L'Oréal and ghd to provide a premium service, ensuring glamorous looks and a long lasting finish. Priding themselves on their creativity and talent, Razors Edge leave you with beautiful, confidence boosting hair with every visit. The novels brought Maugham acclaim and recognition both from a general audience and from the intelligentsia. Among common readers, he was perhaps the most successful English novelist of the twentieth century, and, as Samuel Johnson pointed out, the common reader is not often wrong. Yet, it must be admitted that Maugham’s detractors, such as Edmund Wilson, present valid criticism: One expects a serious artist to exert an important influence, either thematic or formal, upon his medium. The symphony was forever altered by Ludwig van Beethoven; no similar statement can be made about Maugham and the novel. He sought to tell a story with clarity and grace, to embody a set of attitudes and values, and to entertain his readers with insights into character and life. The Razor’s Edge is not simply Maugham’s finest novel, however; it is easily one of the best novels of all time. I freely admit that I am an evangelist for this particular book, having read it every year since 1985. When I’m finished I give that copy to someone who has never read it and buy myself a new copy. Some have seen the 1946 film adaptation starring Tyrone Power, which was fairly true to the book, and almost 40 years later Bill Murray attempted an ill-conceived film version that, while not stellar, is ultimately what introduced me to the novel. Neither film comes close to the greatness of the novel.

The Razor’s Edge Study Guide: Analysis | GradeSaver The Razor’s Edge Study Guide: Analysis | GradeSaver

Mr. Maugham” reports the story as the major characters reveal it in their conversations. Isabel Bradley is in love with Larry Darrel but sensibly marries the successful Gray Maturin, only to find that after Gray loses his assets during the Depression, she and her husband and their two daughters must live on the generosity of her uncle Elliott. Larry, whose main interest in life is the study of philosophy and religion, attempts to marry Sophie Macdonald to save her from a dissolute life, an effort that Isabel shrewdly thwarts. Larry goes to a Benedictine monastery in France, later leaving it to study the Hindu religion in India. Returning from India at the end of the novel, he gives up his independent income and resolves to find work in New York driving a taxi. The Maturins move from Paris to Dallas, where Gray has secured an executive position in an oil company. The plot covers more than a decade, with the settings in France, England, and America. “Mr. Maugham,” like the young Philip Carey, seeks a pattern in the lives of those he has met, and he finds that each life in The Razor’s Edge has been a success. Even Sophie Macdonald, whose trauma caused her to seek death, found what she was seeking. Cordell, Richard A. Somerset Maugham, a Writer for All Seasons: A Biographical and Critical Study. 2d ed. Bloomington: Indiana University Press, 1969. A veteran with good connections and a sharp mind, he could easily go into business and start making big money just like his friends. To Isabel’s dismay, he turns down one good opportunity after another. In an attempt to clarify what his plans are, she asks him directly. Larry’s intention is to go to Paris and try to gain needed knowledge. He and Isabel decide to marry later. Holden, Philip. Orienting Masculinity, Orienting Nation: W. Somerset Maugham’s Exotic Fiction. Westport, Conn.: Greenwood Press, 1996.In The Razor’s Edge, the narrator becomes “Mr. Maugham,” a celebrated author and world traveler. With characters such as the urbane and aristocratic art agent, Elliott Templeton, he exchanges views and pleasantries in an attitude of amusement and tolerance. To younger characters such as Sophie Macdonald he offers sage advice. To readers he offers a variety of wry comments on the art and craft of the novel. He speculates as to why people whom he barely knows divulge their life stories so readily to him. He admits the reader behind the scenes of the writer’s study with such unguarded comments as the famous opening, “I have never begun a novel with more misgiving,” and such wry asides as “I feel it right to warn the reader that he can very well skip this chapter without losing the thread of [the] . . . story. . . . I should add, however, that except for this conversation I should perhaps not have thought it worthwhile to write this book.” Usually “Mr. Maugham” limits his involvement to conversation; his own actions, where they are noted (as when he withdraws to write a novel or takes his boat to Toulon), do not advance the plot. Occasionally, he does involve himself in the plot in some minor way. He contrives for the dying Elliott Templeton to receive an invitation to a party given by the Princess Novemali after she had deliberately snubbed Elliott, and he is on hand to identify the body of Sophie Macdonald. Life is short, nature is hostile, and man is ridiculous but oddly enough most misfortunes have their compensations and with a certain humour and a good deal of horse-sense one can make a fairly good job of what is after all a matter of very small consequence. Through the eyes of the narrator, who happens to be a minor character and a writer, we follow Larry’s both spiritual and literal journey. During one of his rare visits to Chicago, Elliot Templeton, an art dealer and the biggest snob in Paris, invites his old acquaintance, the narrator, to a lunch at his sister’s house. He meets Larry there, a young man, who immediately catches his interest.

Book Reviews, Sites, Romance, Fantasy, Fiction | Kirkus Reviews

Among the remaining novels of Maugham, one finds works of literary merit and appeal, though they represent lesser achievements. A reader of Maugham would not want to miss novels such as The Painted Veil and The Narrow Corner, which narrate suspenseful and intense conflicts. Works such as these differ from the better-known novels in several important respects. First, the Maugham persona is either absent or less intrusive. In The Narrow Corner, for example, the author’s viewpoint is usually expressed through Dr. Saunders, who lives on a Pacific island and has no literary interests or ambitions. Further, the settings are usually foreign or exotic—European or Asian rather than American or English. Instead of spanning decades, the plots narrate events that occur during a few months; novels such as Up at the Villa, for example, differ little from some of Maugham’s short stories. Philip clings to one certainty: He assumes without question that he must earn his living through some profession, and he begins to explore various unsuitable paths. He rejects the idea of becoming a clergyman, quits a career in accounting, abandons the struggle to become an artist after studying in Paris, and finally decides to pursue medicine. He does not escape hardship, for at one point he loses the money provided for his education and must work at a department store until his uncle’s death brings a small inheritance. Almost two years after, Isabel breaks off the engagement and marries Gray, who has an appropriate social position and money. Elliot and Isabel’s mother are ecstatic for Gray is everything that they wanted to see in Isabel’s husband. Soon enough the young pair becomes parents. Unlike his friends, who almost all settled down, Larry travels. Almost 10 years passes before they all meet again.Reflecting upon happiness, Philip is puzzled as to how this quality fits as a purpose in life, since his own is unhappy. He observes that happiness eludes people such as the dancers at the Bal Bullier in Paris who pursue it frenetically. Those who seek happiness through the enjoyment of art waste their lives, and those who struggle to create art seldom find happiness, even when they succeed. Yet, the paintings of El Greco suggest to Philip that the will of humankind is powerful, that life can be made meaningful through struggle. After this realization, Philip comes to understand the secret of a piece of Persian rug given him by an eccentric poet. The poet told him that the rug held the key to the meaning of life, but he refused to explain the puzzle to Philip. The solution becomes apparent to Philip years later, after much searching for it: Life has no meaning. There is no set of obligations by which a person must live, no certain path to follow. With this bleak conclusion, Philip comes to another realization: Like the weaver of the carpet, a person may choose the strands that please his aesthetic sense and make a pattern of his life satisfying to his own taste. Happiness and pain are important only as strands in the design. Though people are under no obligation to create a design, they are free to do so if they choose; or, if they reject freedom of the will, it may seem that they are free. Life for Philip, then, has purpose because he wills to endow it with purpose—a conclusion primarily existential but also in accord with Schopenhauer’s view of people’s will. The Moon and Sixpence