Have You Eaten Grandma?

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Have You Eaten Grandma?

Have You Eaten Grandma?

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The publishers provided an advanced readers copy of this book for reviewing purposes. All opinions are my own. Ok, forget that. We’re starting off with the bad stuff in this book. Because it’s mostly bad. The bad Lies, lies, lies This book is a total delight; witty, informative, educational and funny. I would recommend it to everyone and advise they always have a copy nearby for reference. Listening to the Today programme on BBC Radio 4 this morning, every one of eight consecutive interviewees began their first answer with either the word ‘Well’ or the word ‘So’. It’s so annoying – and, well, unnecessary. (p. 237) It is steered mostly towards UK English so, while the author does cover American English and the differences between the two, I'm not sure how well it would go over with a non British reader. I also felt some sections were a little too long although this isn't really an issue if you're dipping in and out or skimming through to the parts you're most interested in (or have the most problems with).

I love that this book is written for current society and that the author holds to conventional rules and still embraces modern language. From text speech and new abbreviations and initialisations, to the mistakes make in Tweets or statements by past or current politic leaders, as well as the embracing of gender neutral language. My particular favourite is the new ROFL (rolling on floor laughing) for older generations, ROFLACGU (rolling on floor laughing and can’t get up). Lol. The subject of the sentence is absolutely not the person or thing doing the action – that’s the agent and that’s a semantic analysis. The Subject is a term for syntactic analysis and we figure out what it is in a few different ways. But guess what? The subject of a sentence in English can be a noun phrase, a prepositional phrase, a finite clause, a non-finite clause – all kinds of stuff. Again, just a peak into a linguistics book or a grammar would clear this up for Brandreth. But I guess it’s too much torture. An informal guide to punctuation, spelling and good English for the twenty-first century Strong Words

This is my guide to that minefield. When it comes to punctuation, spelling, and the use of English in today’s world, I’m here to tell you what’s right, what’s wrong, when it matters, and when it doesn’t. This hilarious companion to 21st century language is perfect for anyone pedantic about punctuation or scrupulous about spelling.

But this is another common trope in these language-hating books. They claim that good grammar equals happiness. What they don’t say (because I don’t think they realize it) is that what they really mean is if everyone spoke and wrote like the author, then the author would be happier. Because the author hates other people for the way that they use language. And the author can see no other solution to this problem then getting everyone else to change. Hence, the language hating book that you’re reading. Brandreth isn’t even original with this idea. Here’s an earlier example of the grammar = happiness nonsense from N. M. Gwynne, another person who hates language. I’ll admit that I love languages and therefore find the subject interesting. Still, I wasn’t expecting the humour, and there is plenty. Gyles Brandreth not only provides a lot of information on the English language, he does so in a very accessible manner, enticing the reader with his funny, and often cheeky, voice. As he states, the way we express ourselves is a kind of power. Acquiring it doesn’t have to be a hardship. On the contrary, it can be entertaining, as seen in the following poem. Try reading it out loud :0) I’m going to start off with good stuff in this book. Then we’ll move on to the meh stuff and end with the garbage fire material.A former Oxford Scholar, President of the Oxford Union and MP for the City of Chester, Gyles Brandreth’s career has ranged from being a Whip and Lord Commissioner of the Treasury in John Major’s government to starring in his own award-winning musical revue in London’s West End. A prolific broadcaster (in programmes ranging from Just a Minute to Have I Got News for You), an acclaimed interviewer (principally for the Sunday Telegraph), a novelist, children’s author and biographer, his best-selling diary, Breaking the Code, was described as ‘By far the best political diary of recent years, far more perceptive and revealing than Alan Clark’s’ ( The Times) and ‘Searingly honest, wildly indiscreet, and incredibly funny’ ( Daily Mail). He is the author of two acclaimed royal biographies: Philip Elizabeth: Portrait of a Marriage and Charles Camilla: Portrait of a Love Affair. In 2007/2008, John Murray in the UK and Simon & Schuster in the US began publishing The Oscar Wilde Murder Mysteries, his series of Victorian murder mysteries featuring Oscar Wilde as the detective. I am passionate about the English language. It’s the richest language in the world. It’s our heritage—and our hope. All the research shows that the better the English you speak and write, the happier and more successful you will be. People with better English get better jobs because they write better CVs and communicate more effectively in interviews. People who punctuate poorly and spell badly get lower marks in examinations—and in life. People with better English are more likely to secure the partner of their dreams because (the research shows) when it comes to wooing, words are more important than looks, money, or sex appeal. People with better English are healthier and live longer because they can understand and communicate better with doctors, nurses, and caregivers. Good English makes all the difference. And, alarmingly, good English is under threat.



  • Fruugo ID: 258392218-563234582
  • EAN: 764486781913
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