Zoom F8n Pro Professional Field Recorder/Mixer, Audio for Video, 32-bit/192 kHz Recording, 10 Channel Recorder, 8 XLR/TRS Inputs, Timecode, Ambisonics Mode, Battery Powered, Dual SD Card Slots

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Zoom F8n Pro Professional Field Recorder/Mixer, Audio for Video, 32-bit/192 kHz Recording, 10 Channel Recorder, 8 XLR/TRS Inputs, Timecode, Ambisonics Mode, Battery Powered, Dual SD Card Slots

Zoom F8n Pro Professional Field Recorder/Mixer, Audio for Video, 32-bit/192 kHz Recording, 10 Channel Recorder, 8 XLR/TRS Inputs, Timecode, Ambisonics Mode, Battery Powered, Dual SD Card Slots

RRP: £99
Price: £9.9
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Description

Recording with max. 32 bit/192 kHz as well as with 47.952/48.048 kHz formats for HD video compatibility channels to SD 1/2 192kHz sampling frequency (32-bit float/16-bit linear/24-bit linear) MAIN/SUB OUT ON, TIMECODE Int Free Run, LED/LCD brightness 60, 32Ω headphones, PHANTOM 48 V

One of the most unique features is the advanced look-ahead hybrid limiters. These custom limiters provide overload protection, no matter the source. The limiter works by adding a 1-millisecond delay. This eliminates clipping before its recorded, ensuring you capture the perfect take. The limiter is available for all 8 channels simultaneously. It provides 10 to 20dB of headroom, which is highly useful when it comes to mixing and mastering audio. Onboard high-pass filter, phase invert and mid-side decoderTime coding has also been taken to the next level. The F8N Pro includes a Temperature Compensated Cyrstal Oscillator (XCO) generating a time code at 0.2ppm for unparalleled accuracy. Zoom AutoMix lets you keep your eyes on the action by automatically adjusting the levels of your mix to reduce ambient sound. FULL METADATA ENTRY

Take your films to the next level with music from Musicbed. Sign up for a free account to listen for yourself. Accompanying the eight discrete inputs are high-end mic pres. The F8N Pro's custom microphone preamps feature a super-low noise floor. This provides optimised audio fidelity, eliminating any hiss from connected mics. The high gain (up to 75dB) allows you to record high-level sources, ideal for location recording where levels can reach high volumes. The mic/line levels are also selectable for both the XLR and TRS inputs. Advanced look-head hybrid limiters Accurate Time Code (0.2 ppm when on and up to 0.2 ppm when powered off) I/O on standard BNC connectors; dropframe/non-drop formats with JamSyncYou can also shape your sound before post-production using the handy integrated controls. Accompanying the hybrid limiters is a high-quality high-pass filter. This is included to reduce the sound of wind and unwanted outside noise. Phase inversion and mid-side decoding is also included for maximum compatibility and performance value. Versatile file formats and meta data Zoom AutoMix lets you keep your eyes on the action by automatically adjusting the levels of your mix to reduce ambient sound. channels to SD 1 48kHz sampling frequency (32-bit float/16-bit linear/24-bit linear) MAIN/SUB OUT OFF, TIMECODE OFF, LED/LCD brightness 5, 32 headphones, PHANTOM OFF

A perfect 24 bit system has a theoretical dynamic range of 141dB (it's often quoted as 144dB, but that's without dither, which isn't a good idea...). However, the very best 24-bit converters are struggling to achieve more than about 122dB in practice at the moment. This multi-preamp/converter technique gets much closer to achieving a realistic 140dB-ish dynamic range capability in the converted signal. Bit Float is a game-changer. The F8n Pro uses dual A/D converters and professional-grade preamps to capture clip-free audio –without ever needing to adjust gain. channels to SD 1/2 192kHz sampling frequency (32-bit float/16-bit linear/24-bit linear) MAIN/SUB OUT ON, TIMECODE Int Free Run, LED/LCD brightness 60, 32 headphones, PHANTOM 48 VAccurate Time Code (0.2 ppm when on and up to 0.2 ppm when powered off) I/O on standard BNC connectors; dropframe/non-drop formats with Jam Sync Three different options for power supply: 8x type AA batteries, DC power supply with Hirose connector 9-18V or 12V AC power supply (batteries and DC power supply are not included in the delivery) Three different power supply options: 8 x type AA batteries, external DC battery with Hirose connector or 12 V AC power supply (type AA batteries and DC battery not included) There are two more new functions of note. First, while the F8n still has two internal SD card slots (allowing simultaneous duplicated recordings), it is now possible to record to one internal SD memory card as well as over the USB connection to an external computer (instead of the second SD card). This increases the machine’s flexibility considerably, not least in allowing real-time streaming, for example.

Insgesamt hat das Gerät als akkubetriebener Mischer an meiner EV Everse 8 ein ganzes Grillfest mit etwa 50 Besuchern über mehrere Stunden ausreichend mit akustischer Live-Musik beschallt und damit seine Feuerprobe als netzunabhängiger Mischer mit Bravour bestanden. Accurate timecode input and output (0.2 ppm on and up to 0.2 ppm off) via conventional BNC connectors; drop-frame/non-drop formats with Jam Sync Accurate Time Code (0.2 ppm when on and up to 0.2 ppm when powered off) I/O on standard BNC connectors; dropframe/non-drop formats with Jam Sync Accurate Time Code input and output on BNC connectors (0.2 ppm in operation and up to 0.2 ppm after power off)The F8n Pro is ready for long days of filming and remote field shoots with multiple power options and high storage capacity. The F8 Control App (for iOS / for Android) lets you visually monitor signals, adjust levels, trigger transport controls, enter metadata and more from your Android device, iPhone or iPad via Bluetooth. To accommodate this new battery tray design, the timecode input and output BNC connectors have been moved up to sit horizontally alongside the 12V DC input (for the supplied mains PSU), and the 10-pin proprietary mic connector has also been raised and rotated. The F8n features a super-low noise floor (−127 dBu EIN) and high gain (up to 75 dB). Mic/line levels are selectable for both XLR and TRS inputs.



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