This is one of my favourite stories - I loved the BBC adaptation when I was younger. So, it was impossible to resist when I saw this book in the local Library sale. Whatever you decide, I think you will enjoy this story. And if you do, there are plenty of others by Helen Cresswell. Have a look at:

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She finds herself drawn by some deep and secret force to the sundial in the grounds of old Belton House which she immediately knows, by instinct, is also a moondial. Now, really, there is no such thing as a moondial for telling the time with because the moon, unlike the sun, does not always follow the same path through the skies. But a sundial cannot work during dark moonlight hours, so the ordinary rules of time don't apply when the sundial is working as a moondial. That's how this time travel story works.

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Moondial, a children’s book written by Helen Cresswell, was jointly published in October 1987 by Faber and Faber and the National Trust. The story is set in 1985 Belton village and at Belton House. My first reading of this enchanting novel, in preparation for the 2017 Newark Book Festival and the panel discussion on Nottinghamshire's literary heroes. A legacy of Helen’s book is the Moondial Trail which she worked on with the Learning and Community officer at Belton House. The trail begins in the west courtyard, going through the entrance into the garden. School parties are encouraged to use their senses along the trail. Standing on the north terrace the path to the sundial lies ahead. Going through the church gate the trail reaches the icy corner of the tower and Tom’s headstone, before going onto the Orangery and the fountain in the pool of the Italian garden. This trail helps children experience the garden as the author and Minty did.

Moondial | Faber Moondial | Faber

The narrative both in the novel and the adaptation doesn’t offer a clear resolution or straight-forward explanations and appears to deliberately leave us with a fair degree of ambiguity. Even director Colin Cant admits being puzzled by the scripts and having to explore their meaning further. There’s a genuinely spooky, haunting feel to Moondial , and whilst perhaps modern viewers may turn away from a six-part adventure because of the pacing, the story is never less than interesting and raises plenty of questions in the mind of the viewer. Not all are always answered, and perhaps this is no bad thing – viewers don’t always need to be spoon-fed. This is a complex, layered story rather than your typical runaround adventure which caught the attention of children: some even being interviewed for the BBC’s Take Two programme to voice their opinions. Paul Stone also appeared, answering questions from Phillip Schofield on whether the serial was too scary for younger viewers. The moondial, for example, is the central device from which all the twists and turns of the story and furiously stoked, but do we ever find out how or why it does what it does? Like hell we do! Okay, there's a brief discussion between Minty and World about 'moontime', which attempts to broach the subject but this is sadly smothered by vague notions. And Miss Raven's appearance in the modern day is an exciting twist, but, If you want to know how they achieve it, you will have to read the book for yourself, but I can tell you it isn't as straightforward a solution as you might think. I'm not even sure if you will think it's a happy ending, but the children seem pleased enough. Children’s drama in this era was thought-provoking and intelligent, with real care and attention made during the productions. The BBC seemed to go to great lengths to produce high quality programmes that made children think, entertained them and which didn’t belittle them. Like most other drama of this period, Moondial was made entirely on videotape (with quite a bit of day-for-night recording too), but this doesn’t detract from the quality of the storytelling and the series still manages to stand up to scrutiny today. Cant resists the temptation to go overboard with special effects (which would undoubtedly date any production), with only minimal use of video effects. Even the day-for-night material has a slightly unsettling quality to it, due to the images having been slightly colour desaturated.It features children from three different time periods – Minty of the 1980s, Tom from the 1860s and Sarah from the 1770s. Moondial, a ‘time shift within a time shift’ centres around the sundial in the gardens of Belton House. As 2017 marks the thirtieth anniversary of Moondial, an exhibition loaned by the Cresswell family has been on show in Belton House’s library. Most of the points I'm giving this book are from my childhood self - it was my favourite, and a book that really inspired my writing. It's so strange and atmospheric and mysterious. Faber & Faber was founded nearly a century ago, in 1929. Read about our long publishing history in a decade-by-decade account. The series was released on video in 1990, and reissued in 1995, but only in a shortened "movie edit". This was released on DVD in 2000, but has long since been deleted. The full episodic version was released in 2009 by Reader's Digest and later re-released on DVD by Second Sight in May 2015.

Moondial (1988) – Horrified Ghosts In Time: revisiting Moondial (1988) – Horrified

Who is World? How does he know stuff? Is Miss Raven really the same person as from the past? Where do the kids *go*? They clearly still stayed in their lives as there's a gravestone - how were their lives improved? Were they?Become a Faber Member for free and receive curated book recommendations, special competitions and exclusive discounts. I don't remember if I was irritated as a child reading it, but reading it now I am in no rush to read it again (and I'd been *so* excited about re-reading it!). Too many un-answered questions But Sarah is an innocent, beautiful child who has been led to believe she is evil has seemingly never been loved or accepted by anyone. At one point, Minty and Tom witness her daring venture into the daylight and trying to wash the devil’s mark from her face by the fountain in a heart-breaking scene that shows the true extent of the mental torment she has been subjected to. And all the while, as she walks the grounds of Belton House in darkness, singing her solitary song, ‘I’m weeping for a play-mate on a bright summers day’ she is completely unaware she has two mates awaiting to save her from her loneliness. Minty (Siri Neal), is a gifted child who can sense things that many cannot (this is subtlety alluded to during the opening of episode one much like the opening paragraphs of the novel although the adaptation omits the dark notion of Minty sensing a past act of suicide on the landing in her own home and realised her ability when she could hear her father’s voice even though he is dead). Neal gives Minty a rather fearless and unconventional quality to her character along with an incredibly real vulnerability having already lost a parent and is now facing the very real threat of losing the other. Moondialaired between Wednesday, 10th February 1988 and Wednesday, 16th March 1988 [4], on BBC One, closing the last part of Children’s BBC programming. It would be repeated, two years later, in the same slot with its last broadcast taking place on Wednesday, 13th June 1990 at 5:05 pm [5]. It also featured on the children’s television review and comments programme Take Two on Wednesday, 20th April 1988 at 4.30 pm [6], hosted by Philip Schofield and joined by executive producer, Paul Stone.

Moondial (TV serial) - Wikipedia

Moondial itself owes a little to some of Creswell’s earlier books, especially Polly Flint, but the whimsy is countered by a darkness and a genuine thrill at knowing that kids don’t need to have EVERY question answered because they can provide their own solutions when necessary. There’s a lovey ambiguity about the ending, about who Miss Vole and Miss Raven might be, and where Tom and Dorrie and Sarah actually go. Creswell provides some endings but also leaves other bits wildly open to interpretation which is incredibly bold and welcome in a genre where the gap between what adults what think kids want (tidy endings) and what kids actually will accept (messiness, strangeness and room to make their own endings) is often very large indeed. It’s less scary and dark than the TV version but treads a fine line between whimsy and menace during the best passages Built between 1685 and 1688 by John Brownlow (1659-97), along with the ponds and gardens, Belton House sits in the parish of Belton and Manthorpe not far from Grantham, Lincolnshire. Situated on the axial pathway is a figure of Time made from Portland stone, seated on a globe and supporting a baluster column with the assistance of a cherub. Atop this statue is a brass sundial inscribed by Thomas Wright and dating to 1725. [3] Read about the Faber story, find out about our unique partnerships, and learn more about our publishing heritage, awards and present-day activity. I spoke to one school child who went on the ‘Below stairs’ tour and experienced life as a kitchen boy. He dressed up as a servant polishing the silver in the kitchen which was used as part of the filming of the television series. He learnt that all the kitchen boys were called Tom. Tom in Moondial is the kitchen boy from the 1860s. Connecting the house to the kitchen is a tunnel with a rail for moving food to the dining room. When the kitchen boys were in the tunnel, they had to whistle or hum to stop them eating anything on the way.The series was produced by Paul Stone and directed by Colin Cant. Other cast members include Valerie Lush as Minty's aunt Mary, Arthur Hewlett as the elderly, mysterious Mr. World and Jacqueline Pearce in the dual role of the vicious Miss Vole (who seems to have lived in the 18th Century) and the present-day ghost hunter Miss Raven. Minty Cane believes she is a witch - not that you would notice to look at her - it's just that she is quite used to seeing phantoms floating about the place, and thinks it is perfectly normal. She's a pretty determined sort of person as well, which is just as well because when she goes to stay with her aunt in the village of Belton she soon senses that she has a task to do. Children growing up in the 1980s had a superb roster of drama presented to them. The BBC, in particular, seemed to be experts at crafting engaging, thought-provoking stories that kept viewers entertained for up to six weeks at a time. The corporation was able to call on all of the talents and resources that any of the adult dramas were allocated, from composers to visual effects, from set designers to costume designers, to produce some truly memorable programmes. DVD Review: Moondial (1988)". Brutalashell.com. 28 April 2015. Archived from the original on 1 May 2015 . Retrieved 2 May 2015.