Sanford, Jay Allen (July 14, 2008). "Pussycat Theater History: When Cathouses Ruled CA (NEW!), plus Confessions of a Local Pornographer, the Mafia & Deep Throat, and more". San Diego Reader . Retrieved January 11, 2020. production's use of primary hues to generate an exaggerated sci-fi look. Reds, blues, and yellows are hearty throughout, and skintones are natural, with locations to match vivid bedroom antics. Spinelli also experiments with editing and abstraction, looking to slip into the psychological playground more inviting pinkness than the Blu-ray presentation. Whites are ideally balanced, and highlights are tasteful. Delineation is exact. Grain is satisfactorily The initial Blu-ray release of "Sex World" was impressive, bringing the feature to HD with care and definition, rivaling a theatrical presentation. With the

a b c d "Sex World (LTD) – Vinegar Syndrome". Vinegar Syndrome. Archived from the original on January 11, 2020 . Retrieved January 11, 2020. Rabkin, Leslie Y. (1998). The Celluloid Couch: An Annotated International Filmography of the Mental Health Professional in the Movies and Television, from the Beginning to 1990. Scarecrow Press. p.367. ISBN 978-0810834620.a b Carper, Steve (2019). Robots in American Popular Culture. McFarland & Company. p.214. ISBN 978-1476670416. Sex World (stylized as SexWorld) is a 1977 [note 1] American pornographic science fiction film directed by Anthony Spinelli and written by Spinelli and Dean Rogers, from a story by Spinelli. It stars Annette Haven, Lesllie Bovee, Sharon Thorpe, Desiree West, and Amber Hunt. The film primarily takes place at a fictional resort known as Sex World, where individuals can live out their secret sexual desires and overcome their inhibitions with the help of android sexbots. [2] [3]

Purcell, Natalie (2012). Violence and the Pornographic Imaginary: The Politics of Sex, Gender, and Aggression in Hardcore Pornography. Routledge Research in Cultural and Media Studies. Routledge. p.65. ISBN 978-0415523127.

With such a vast number of characters running and playing around, SEX WORLD risked becoming just a long series of sex scenes with little time left for plot development. Fine filmmaker that he was, Weston effortlessly managed to sidestep this probability by encouraging his talented cast to make love in character. Too many people still seem to think that just because the sex is for real, and instinctively we all know how great that can feel and how it can make you forget all that is going on around you, surely there can be no room for any acting left, as if an actor's capacities were somehow magically zapped away at the moment of penetration. My spelling it out should prove once and for all just how ludicrous that notion really is. Sadly, even critically acclaimed yet occasionally explicit art-house movies like Marco Bellocchio's DEVIL IN THE FLESH or Patrice Chéreau's INTIMACY have done little to alter that perception for the average viewer. a b Shedroff, Nathan; Noessel, Christopher (2012). Make It So: Interaction Design Lessons from Science Fiction. Rosenfeld Media. p.300. ISBN 978-1933820767.