Oricon Album Chart Book: Complete Edition 1970–2005 (in Japanese). Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9. Canadian album certifications – The Rolling Stones – Beggars Banquet". Music Canada . Retrieved 11 June 2016. Easlea, Daryl (2007). "The Rolling Stones Beggars Banquet Review". BBC Music. Archived from the original on 9 January 2016 . Retrieved 11 March 2016. Photography, Barry Feinstein. "Barry Feinstein Photography". Barry Feinstein Photography. Archived from the original on 3 March 2021 . Retrieved 18 February 2021. Tougher, wiser and growing into a leader, Mills carried the combined experiences of 4AD and Beggars Banquet into the digital age. “Ivo led me into a less ‘establishment’ view of music as a business,” says Mills, who now realises that, in his early years, he’d been influenced too much by outside professional advice. “Ivo showed me how relationships with artists can work on a symbiotic level, with shorter contracts and fewer obligations – more of a partnership. And he also showed us the importance of being determined about artistry, of being a perfectionist, of refusing to let commercial issues get in the way of the art.”

In many respects, then, Beggars has been an answer to the record crash. With branches in New York, Los Angeles, Ontario, Paris, Hamburg, Milan, Brussels, Amsterdam, Athens, Beijing and Tokyo, the Beggars Group is now a global operation plugged into the world’s best independent distributors and record shops. Beggars was already a big hitter; but Adele’s gazillion- pound success over the last decade has certainly helped ensure that both XL and the parent company will remain flush for years to come. Beggars Banquet ranked 185th greatest album by Rolling Stone magazine". Rolling Stone. Archived from the original on 17 October 2020 . Retrieved 1 October 2020. Gibbs, Christopher Henry. "Beggars Banquet" (PDF). Archived (PDF) from the original on 4 November 2021 . Retrieved 18 February 2021. Swedishcharts.com – The Rolling Stones – Beggars Banquet". Hung Medien. Retrieved 22 December 2022.Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. a b c d e f g h i DeCurtis, Anthony (17 June 1997). "Review: Beggars Banquet". Rolling Stone. New York. Archived from the original on 31 January 2002 . Retrieved 9 July 2013.

a b "Beggars Banquet ranked 39th greatest album". Acclaimed Music. Archived from the original on 27 February 2021 . Retrieved 30 November 2020. The Rolling Stones returned to their blues roots in 1968 on Beggars Banquet, albeit in a radical new way, which was immediately acclaimed as one of their landmark achievements. The introduction of legendary producer Jimmy Miller refocused the band with enthralling results. Egan, Sean (2013). Keith Richards on Keith Richards interviews and encounters (1sted.). Chicago: Chicago Review Press. ISBN 978-1-61374-791-9. A strong acoustic Delta blues flavour colours much of the material, particularly Prodigal Son and Jagger and Richards’ No Expectations.

It was released once again in 2010 by Universal Music Enterprises in a Japanese-only SHM- SACDversion and on 24 November 2010 ABKCO Records released a SHM-CD version.

Beggars Banquet was first released in the United Kingdom by Decca Records on 6 December 1968, and in the United States by London Records the following day. [20] Like the band's previous album, it reached number three on the UK Albums Chart, but remained on the chart for fewer weeks. [21] The album peaked at number five on the Billboard 200. [22] a b Unterberger, Richie. " Beggars Banquet – The Rolling Stones". AllMusic. Archived from the original on 7 May 2021 . Retrieved 12 June 2021. Austriancharts.at – The Rolling Stones – Beggars Banquet" (in German). Hung Medien. Retrieved 22 December 2022.Brown, Phill (July 2000). "Phill Brown, Recording the Rolling Stones' Classic, Beggar's Banquet". tapeop.com. TapeOp. Archived from the original on 19 July 2016 . Retrieved 27 July 2016. Also in 2002 the Russian label CD-Maximum unofficially released the limited edition Beggars Banquet + 7 Bonus, which was also bootleged on a German counterfeit-DECCA label as Beggars Banquet (the Mono Beggars). Just finished playing this all the way through right out of the sleeve. Flat, quiet and static free. This is an excellent reissue. It is about as good as can be. I've been recently listening to my 2nd pressing copy The Rolling Stones - Beggars Banquet, in fact right before playing this new version. This is maybe better. The timing is correct on this pressing. Before 2008, there was a recording speed error when the masters were first made and it went out uncaught until then. It was 47 seconds longer than it should have been. So the pitch is slightly different. I had already changed my rip of the The Rolling Stones - Beggars Banquet to the correct time so I have already heard the difference before now. Not earthshakingly different, but noticeable when playing with the different speeds on an A / B studio comparison.

I would spend most days driving to all of the shops, while Peter managed Earl’s Court.” Two tiny rooms in the basement served briefly as an office, but in 1980, they moved to a room above the shop, no more than 20 by 12 feet. “There were often up to eight of us, somehow entertaining potential signees and listening to their demos. For years, my chair was a propane-gas cylinder.” Davis, Stephen (2001). Old Gods Almost Dead: The 40-Year Odyssey of the Rolling Stones. New York, NY: Broadway Books. ISBN 0-7679-0312-9. Karnbach, James; Bernson, Carol (1997). The Complete Recording Guide to the Rolling Stones. Aurum Press Limited. ISBN 1-85410-533-7. To finance his three months in court, Mills had to dip into 4AD’s cash reserves, but felt so guilty about it, he gave half of the label’s shares to Watts-Russell. In March 1990, the judge ruled in Mills’ favour: “You could see this enormous weight being lifted from Martin’s shoulders,” recalled Watts-Russell. “In the pub afterwards, we all had tears in our eyes.” But then, just a year later, another crisis hit when Rough Trade’s distribution system collapsed. For scores of indies such as 4AD, hundreds of thousands of pounds were lost in debt, threatening a tidal wave of bankruptcies across Britain’s music business. As indie bosses screamed in endless crisis meetings, Mills and others calmly won majority support to set up a new distribution company, RTM, whose profits paid off everyone’s debts within 18 months. Walsh, Christopher (24 August 2002). "Super audio CDs: The Rolling Stones Remastered". Billboard. p.27.For an idea of what kind of weird and wonderful talent has recently emerged from around these five campfires, just think The White Stripes, The xx, M.I.A., The Libertines, Kurt Vile, Vampire Weekend, Cat Power, Antony And The Johnsons, Alabama Shakes, Bon Iver, Sleaford Mods, FKA Twigs, Future Islands, The Lemon Twigs, Warpaint… But probably the most poignant symbol of all, is that in the decade when EMI was carved up and sold to Universal and Sony, the world’s most popular artist, Adele, was on the Beggars flagship, XL Recordings. Yes folks, our pop icons may be dying, but the future of British independent music is looking up. Elliot, Martin (2002). The Rolling Stones: Complete Recording Sessions 1962–2002. Cherry Red Books Ltd. ISBN 1-901447-04-9.