Although we feel that certain aspects of the music industry have put a strain on the recording side of things in recent years, the one thing that has remained consistent throughout has been the band's love of performing live and the ability to please the fans by giving 100% every time. This is exactly what we plan to do at these last remaining shows, making a special effort to play what people want to hear. It will be a celebration, a retrospective, a Shed Seven tour to remember. On 12 October 2019, Shed Seven played a short pre-match set prior to the 2019 Super League Grand Final at Old Trafford, Manchester. [22] Shed Seven undertook an eighteen date tour of Scotland and England in late 2009 early 2010. [19] Other dates in 2010 included V Festival, T in the Park, Greenbelt and two dates at the recently reopened Fibbers venue in September. [ citation needed] Classic Shed Seven (2005) – DVD released as part of the Universal Masters DVD Collection series, the disc contains the promo videos of 10 Shed Seven singles. Elsewhere, ‘A Matter of Time’ flows from adrenalised punky power-pop right through to epic slow-burners, complete with some special guests: Happy Mondays’ legend Rowetta contributing fervent gospel vocals to ‘In Ecstasy’, Laura McClure of Reverend & The Makers on the folky-pop of ‘Tripping With You’ and Peter Doherty, who duets with Witter on the dramatic closer ‘Throwaways’.

The final tour was a sell-out success, with the last gig played on 20 December 2003 at the Barbican Centre, in their hometown of York. One further album release did, however, come of their time at Taste: their only official live album, Where Have You Been Tonight? Live. Recorded at various destinations on tour in December 2002, the album was released in May 2003, six months before the band's farewell tour began. Despite gaining a loyal and ever-growing following of fans—sometimes referred to as "Shed Heads" [9]—the band failed to receive universal positive press attention in the UK; NME never featured Shed Seven on its cover, whilst the now defunct Melody Maker did so once. [3] Post-split [ edit ] Album releases [ edit ] The trio enlisted a new line-up for the album, calling upon drummer Rob ‘Maxi’ Maxfield ( Audioweb) and keyboardist Tim Willis ( Ian Brown). The album was produced by the Grammy Award-winning Youth ( The Verve, Pink Floyd) at El Mirador Studios in Andalucia, Spain, before being completed by leading mixer Cenzo Townshend ( Florence + The Machine, Inhaler).The Phantom Horns (featuring Gary Barnacle and John Thirkell) – horns, brass on "Going For Gold" and " Getting Better"

They belonged to the post- Smiths wave of British musicians such as The Sundays and Marion, with a sound relying heavily on complex guitar arpeggios often in a minor key, and wailing vocals. At the height of their popularity between 1994 and 1999 they had fifteen Top 40 singles [1] and four Top 20 albums in the UK. [2] The band officially broke up in 2003, but reformed for a greatest hits tour in July 2007. [1] Shed Seven continued to play shows around Britain periodically until releasing a new studio album in 2017 with the announcement of Instant Pleasures. a b c d "Shed Seven reform for Greatest Hits tour". NME. Archived from the original on 12 October 2012 . Retrieved 27 April 2009.A Maximum High spent a total of 26 weeks in the UK album chart, [13] peaking at number 8 on 13 April 1996, [13] with the Special Edition reissue peaking at number 13. [13] Discounting the band's singles compilation which reached number 7 three years later, [15] chart-wise, A Maximum High is Shed Seven's most successful album to date. It has sold 186,325 copies in the United Kingdom as of November 2017. The band announced a Christmas tour for 2011 – celebrating the 15 years since the release of A Maximum High. The tour, entitled 'The Maximum Hits Tour' focused on their output during the A Maximum High era, and included a brass section on tour for the first time. [ citation needed] Album and EP releases [ edit ] Certainly, the tough, ultra-confident, tune-stuffed 'outfit' here are, Witter's emotional foghorn vocals apart, barely recognisable from the scruffy tykes on the flashy, but ultimately unsatisfying, 'Change Giver'. Indeed, parts of it are good enough to pass as someone else's second album: chiefly, the record The Stone Roses should have made instead of 'The Second Coming'. With five UK Top 40 entries in 1996, [2] Shed Seven had more hit singles than any other act that year, [3] the high point coming with the release of their seventh single, "Going For Gold", which entered the UK chart at number 8 on 17 March [2] and remains their biggest chart hit to date. A sold-out thirteen-date Autumn tour followed, including their debut at the York Barbican Centre. The definitive band line-up released 3 studio albums— Change Giver (1994), A Maximum High (1996) and Let It Ride (1998)—along with a greatest hits compilation, Going For Gold (1999). The release of the latter was forced upon the band by their record company, Polydor, [12] after Let It Ride failed to match the album sales of its predecessor, which sold 250,000 copies in Britain alone. [3] [13] Despite the band's reservations about issuing such a compilation so soon in their career, the album went on to sell 130,000 copies [12] and featured brand new material in "Disco Down" and "High Hopes", both intended to be issued as singles. "Disco Down" went on to become the last Banks-era hit for the band, peaking at number 13, [2] whilst "High Hopes" was sidelined by Polydor in favour of a proposed re-release of the previous single, "Going For Gold". However, the band refused to comply, leading to Shed Seven and Polydor Records parting company in late 1999; [12] In the meantime, Shed Seven will play select gigs this summer including a sold-out 6000-capacity show at Millenium Square, Leeds, on July 15th and a headline set at Party At The Palace on August 12th.