a b c d "And the band keeps marching on". The Telegraph. 7 October 1999. Archived from the original on 4 June 2020 . Retrieved 4 June 2020.

richest people in Greater Manchester and These are the richest people in Greater Manchester and

a b Bolton, Rob (1 October 1999). "James — Millionaires". Exclaim!. Archived from the original on 4 June 2020 . Retrieved 4 June 2020. The perfect blend of chocolate and caramel, Millionaire’s shortbread is always a winner at every occasion, with this recipe no exception. a b c "James live on beeb.com". Beeb.com. 22 July 1999. Archived from the original on 2 August 2001 . Retrieved 4 June 2020. To make the shortbread, use a wooden spoon to combine the butter with the sugar in a large bowl until it forms a paste. Add the flour and gently mix it all together. Use your hands to work the mix until it mops up all the crumbs – you don’t need to add any extra liquid.

On The Go

Klein, Joshua (18 September 2008). "James: Hey Ma". Pitchfork. Archived from the original on 27 November 2011 . Retrieved 30 August 2011. a b Grogan, Soibahn (13 October 1999). "Millionaires". NME. Archived from the original on 24 December 2010 . Retrieved 4 June 2020. The family’s private interests and holdings include nearly 165,000 acres of rural land, a dairy farm, the Chester Grosvenor hotel, operated by Bespoke Hotels, and Cogent Breeding, the UK’s largest bull stud operation. The Gathering Sound (booklet). James. Universal/Mercury Records. 2012. 2753129. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) By this point, Davies had accumulated 26-to-27 ideas that he had worked on with Hunter, with lyrical input from Booth. [14] Davies took the ideas he had to London, where he showed the material to Brian Eno, who was positive about the songs. [15] When promoting the compilation, Glennie opted out of some live performances. During one radio session for Greater London Radio, Glennie walked out, followed by drummer David Baynton-Power, who was tired of all the in-fighting. [14] In April 1998, the band went on a tour of the UK, which was preceded by rehearsals and newly written material at Real World Studios. [4] [16] Rudge, concerned with Glennie's health, sent him a letter where he suggested to take some time off. Glennie misinterpreted this as the band trying to fire him. [17] The members met up in London, with Rudge mediating the encounter, where they worked their issues out. [18] Production [ edit ] Sessions with Eno [ edit ]

Sweet treats: James Martin’s Millionaire’s shortbread Sweet treats: James Martin’s Millionaire’s shortbread

To make the caramel filling, combine the dulce de leche, butter and sugar in a large saucepan over a medium heat. Whisking the mixture, bring to the boil (be careful as the mixture will be extremely hot). a b c d e Millionaires (booklet). James. Mercury Records. 1999. 546 386-2. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) The second single Just Like Fred Astaire followed on October 4, a week before the album. Hopes of a major hit single were dashed when the single entered the charts at a rather disappointing 14. Pour evenly over the biscuit base, cover and leave to set for at least four hours or overnight at room temperature. With his family, Hugh controls an empire that includes 300 acres in Mayfair and Belgravia along with property in Oxford, Cheshire, Scotland and Spain.

Contributors

a b "British album certifications – James – Millionaires". British Phonographic Industry . Retrieved 9 June 2020. a b "James Come Inside for December". NME. 18 July 1998. Archived from the original on 4 June 2020 . Retrieved 4 June 2020. Writing for Uncut, Nigel Williamson wrote that the record represented "forward momentum regained, in part due to the edgy tension between the rest of the band and the idiosyncratic Booth." It was a "strange, unpredictable and at times perplexing" album, which is why "it might just be the best album James have ever made." [45] Independent on Sunday said it had "big ambitions, a bigger heart and choruses that are bigger still." [31] Exclaim! writer Rob Bolton said Eno's production added "a richness and deep emotional feel to the already clever and catchy songs." [44] Time Out 's Peter Paphides found it meeting "all the criteria a reasonable man could lay down for a great album." [49] Melody Maker writer Daniel Booth criticised the "emaciated torchsongs" for ruining the album. He closed his review asking a question: "Is this album a) Complete arse, b) Not that bad really, c) Pretty good, or d) F***ing fantastic? Trust me, you won't need to phone a friend." [66] Soibahn Grogan of NME said it was "an entirely adequate, depressingly typical example" of the band's trademark: "the ordinary, the bland, the - yawn - reliability of each album." [65]