Hambourg, Maria Morris, et al. Irving Penn: Centennial (exhibition catalogue). New York: Metropolitan Museum of Art, 2017. Irving Penn: Resonance. With introduction by Pierre Apraxine and essays by Matthieu Humery and Vince Aletti. Palazzo Grassi. Venice, 2014. Gross, Jozef. "Miracles from the Modern Master." British Journal of Photography 137 (January 11, 1990): 137. There was nowhere to study couture, so, once Japan permitted travel abroad on a tiny budget, he went to Paris in 1965 for a course at the Chambre Syndicale de la Haute Couture, and interned for Guy Laroche and Hubert de Givenchy. The important Parisian education, though, was the student protests of 1968, revolting against the haute-bourgeoisie, usual customers for couture. Miyake sided with the students, wanting to make clothes, both wilder and more useful, for ordinary people, unconstrained by age, size, gender or fit. Penn, Irving. Le Bain: Dancers’ Workshop of San Francisco (exhibition catalogue). Paris: Maison Européenne de la photographie, 1997.

Penn, Irving. Irving Penn, Other Ways of Being: 100 Photographs, 1948-1971 (exhibition catalogue). New York: Pace/MacGill Gallery, 1990. Without Penn’s guidance, I probably could not have continued to find new themes with which to challenge myself, nor could I have arrived at new solutions,’ said Miyake of the unique collaboration, which was celebrated with an exhibition ‘Irving Penn and Issey Miyake: Visual Dialogue’ at 21_21 Design Sight in Tokyo in 2011. Numerous other exhibitions have celebrated Miyake’s work, including ‘Is Fashion Modern?’ at MoMA, New York; ‘Manus x Machina: Fashion in an Age of Technology’ at the Metropolitan Museum, New York; and ‘Radical Fashion’ at the V&A, London; as well as a major retrospective at The National Art Center, Tokyo. I told the people at the home to which I had been evacuated, “I want to go home,” and they gave me lots of hard, dry biscuits. I headed home alone to search for my mother.Irving Penn: Portraits in a Corner, 1948, Fraenkel Gallery, San Francisco, December 5, 1991–January 11, 1992. Dahomey, 1967: Photographs by Irving Penn, Museum of Fine Arts, Houston, October 16, 2004–January 17, 2005. Traveled to: Maison Européenne de la Photographie, Paris, January 14–March 14, 2004; Nihon Mingeikan, Tokyo, August 21–September 26, 2004. Liberman, Alexander. The Art and Technique of Color Photography: A Treasury of Color Photographs by the Staff Photographers of Vogue, House & Garden, Glamour. New York: Simon and Schuster, 1951.

Prodger, Phillip. Face Time: A History of the Photographic Portrait. London: Thames & Hudson, 2021: 168, illustrated. Irving Penn: Photographs (on Assignment for Vogue), Fay Gold Gallery, Atlanta, February 27–March 31, 1981. Still Life: Irving Penn Photographs 1938–2000. With introduction by John Szarkowski. Boston: Bulfinch Press, 2001.Parry Janis, Eugenia and Wendy MacNeil, eds. Photography within the Humanities. Danbury, N.H.: Addison House Publishers, 1977.