So in audio interface mode (both Class Compliant and using the Zoom L-20 driver), the zoom sends the individual channels (In 1 - In 20) and two more channels for the master mix (Master L and Master R).

ZOOM | ZOOM

It’s important to understand that the Mixes store only the fader settings: the Gain, Pad/Hi‑Z, Select, Channel Strip and Mute status aren’t recalled. But more settings can be stored in what Zoom call Scenes. Several settings are stored in each Scene: the fader positions (for every channel, including EFX RTN and Master); Mute status; all Channel Strip settings; the selected effect patch and parameters; and the input source selection for channels 7+8. Alkaline surely lasts longer but who doesn't get bad conscience replacing alkaline batteries every 2 hours? In 96kHz, you can only use the unit as a mixer (Recording in 96kHz might work too but I don't need it) Each of the eight input channels has its own fader, mute (but not solo) and Select buttons, and when a channel is selected you can tweak further parameters in the Channel Strip section. This has five continuous rotary encoders and a (12dB/octave 75Hz) high‑pass filter button. Each encoder is circled by 13 LEDs, but as each LED has five levels of brightness and they light in combinations you’re treated to a finer level of indication than first sight suggests. A very minor gripe is that the height of the knobs means they obscure some LEDs’ default positions (eg. centre pan) when you’re seated, with the L‑8 on your desktop. The encoders control panning, the effects send level and a three‑band EQ, comprising high (10kHz) and low (100Hz) shelves and a peaking mid band (2.5kHz). Each band can boost up to ±15dB, again in fine enough steps that you have plenty of control.The solution that I’m sure most people go with and that I’m probably going to go with is not use the L-20R’s Audio Interface mode. Rather, use another audio interface in between the computer and the L-20R and just use the L-20R as a live mixer with XLR main outs: This is a real shame considering that the Zoom L-20R is definitely an audio interface that sends the master mix. It just doesn’t happen to be over the two channels that OBS selects. As a digital mixer, the LiveTrak L‑8 is fairly simple, in that all the input channels are permanently routed to the master stereo bus. There are no subgroup buses or, other than one that goes directly to the internal effects engine, aux sends. That effects send is available to all channels except, obviously, the effects’ stereo return channel and the stereo master mix channel. However, some behind‑the‑scenes digital sophistication means that it is still perfectly possible to create and distribute different cue mixes, or send signals to external processors/effects. So basically I’m using XLR-to-TRS audio cables from the Zoom L-20R main outs into the first two channels of another interface to do my routing. Used as an audio interface, the L-8 can record full episodes directly to your computer and an SD card simultaneously. You can also live stream while recording.

LIVETRAK L-8 - ZOOM LIVETRAK L-8 - ZOOM

Step 6: Once created, a window will popup as "Properties for ZOOM_MASTER" -> Under "DEVICE" select your ZOOM Livetrak -> Leave "FORMAT" as Stereo -> Under "OBS Channel 1" and "OBS Channel 2" is where you will find every individual channel, including the Master L and Master R. Select from the dropdown menu, respectfully. Zoom L-20R] —— main XLR outs --> [2-channel Audio Interface like Zoom U24] — USB —> [Computer with OBS] I was as lost in figuring out the solution to this issue as everyone here for my ZOOM Livetrek L20 - R. This thread was a step in the right direction! Here comes the most annoying thing about this mixer (if you want to use it as a class compliant audio interface).

The main stereo mix comes out on two balanced XLRs, and that signal is duplicated on the first headphone output. It’s also available on three more headphone outputs, each of which, like the first, has a dedicated level control. These three can be switched to monitor one of three secondary mixes, Mix A, Mix B and Mix C, of which more below. The headphone amps sound clean and clear and do the job well for most headphones, though with high‑impedance models I found there wasn’t lots of gain in reserve — occasionally frustrating when I was miking quiet sources, but it won’t be an issue for most users. I think it really has no cons, with the slight exception of having only one USB port for both data and power, which I had to work around to use as my interface for Linux. Great all round unit which us exactly what I needed for recording live at gigs and at home as well as streaming The L-8 features six high performance preamps each with phantom power, a low noise floor (-121dBU EIN), and maximum input gain of +54dB.

Zoom L-8 LiveTrak - ZOOM Europe Zoom L-8 LiveTrak - ZOOM Europe

It works as a class compliant audio interface (Maschine+ recognizes it) (if you are interested in this please read the terrible part!) Designing a mixer/interface that caters to both music and podcast types in equal measure is by no means an easy feat. Both disciplines bring with them their own unique set of conventions and production requirements and it’s hard to please everybody. Thankfully, Zoom have done a more than commendable job of integrating enough of both worlds to make the L-8 a more than capable mixer on all but the most high end of applications. Musicians will be drawn to it by its simplicity and minimal power requirements, podcasters will be impressed by its technical thoroughness and ease of use. Zoom’s preamps are famous for a good reason: they’re transparent, powerful and ultra-reliable. The L-8 features six independent Zoom preamps, built to handle anything from a whisper to a raucous debate. Key Features

HEAR YOURSELF TALK

Zoom’s new LiveTrak L-8 takes this same ‘go-anywhere’ ethos and applies it to the relatively terrestrial world of studio/podcast peripherals, and the results are liberating to say the least. I happen to own the Zoom U24 so that’s why I went that route. Another solution would be to use something like Rogue Amoeba’s Loop program. You can basically do the routing in Software. We bought it for our online live shows so that we have control over the mix as we play and can add effects such as reverb or delay and eq. Step 3: Having your ZOOM Livetrak turned off, plug in your USB cable from "DEVICE" to your laptop/computer -> Have the "MODE" set to "Audio Interface" -> Under "CLASS COMPLIENT MODE" select "OFF" for Windows and "ON" for iOS (Be sure to have all appropriate drivers installed on your computer so your ZOOM Livetrak can be recognized as a soundcard. Turn on ZOOM Livetrak.