Clan Of Victor Hugo Denounce Disney Film". Chicago Tribune. Paris. March 11, 1997. Archived from the original on September 19, 2015 . Retrieved December 8, 2014. Laster, Arnaud (January 1997). "Waiting for Hugo". Animation World Magazine. Vol.1, no.10. Archived from the original on October 11, 2012 . Retrieved August 19, 2007. Hartl, John (June 19, 1994). "The Lion King' Gives A New Voice To Disney Storytelling". The Seattle Times. Archived from the original on December 26, 2019 . Retrieved December 6, 2014. Animation Guild, TAGInterview GaryTrousdale 2, archived from the original on July 2, 2021 , retrieved December 7, 2018 Clopin's Music Box Adds to Old-World Charm of Fantasy Faire at Disneyland Park". Archived from the original on February 23, 2021 . Retrieved September 26, 2020.

Siskel, Gene (June 21, 1996). "Schwarzenegger Solidifies His Action-star Status With 'Eraser' ". Chicago Tribune. Archived from the original on December 5, 2014 . Retrieved November 30, 2014.

A world based on the movie, "La Cité des Cloches" (The City of Bells), made its debut appearance in the Kingdom Hearts series in Kingdom Hearts 3D: Dream Drop Distance. It was the first new Disney world confirmed for the game. [ citation needed] A Plac Maubert dośó przecież wielki! – zauważył jeden z aplikantów, umieszczony na zastawie okienicznej. AFI's Greatest Movie Musicals Nominees" (PDF). Archived (PDF) from the original on January 12, 2012 . Retrieved August 13, 2016. No Singing For Demi Moore". Tribune Media Services. Sun-Sentinel. April 19, 1996. Archived from the original on December 5, 2014 . Retrieved December 1, 2014.

Bates, James; Apodaca, Patrice (June 20, 1996). "Stalking the King of Animation". Los Angeles Times. Archived from the original on June 24, 2021 . Retrieved June 21, 2021. Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform. Tego, co ma nastąpić? – przerwał Gringoire. – Ależ, mej Boże! w tym celu najlepiej jest słuchać przedstawienia. Notre damn". The Advocate. Here. July 23, 1996. Archived from the original on July 2, 2021 . Retrieved February 16, 2015. Chaney and Laughton are both quite effective as Quasimodo, each giving an interpretation of the character that corresponds to the actor's skills. Laughton brings out Quasimodo's feelings and perspective quite well. In this version, for example, the flogging scene is longer and more detailed, and it is one of Laughton's most effective scenes. Chaney is particularly good at reacting to the other characters and their actions. Both give the character a distinctive and memorable look.Gdzie zaś! – odparł nieznajomy – toż dyalog! Nie trzeba mieszać rodzajów. Gdyby to była krotochwila, a! to rzecz inna. Some audiences expressed concerns about whether the film was appropriate for children. [79] Jason Alexander said that while "Disney would have us believe this movie's like the Ringling Bros., for children of all ages," he would not take his then-four-year-old child to view the film. [12] However, some newspaper publications reported child audiences being unaffected by the mature content and praising the film. [79] [80] Some audiences criticized the film for having "homosexual undertones," noticeably with the song "Out There," being the name of a gay pressure group and as a call to come out of the closet. [81] [82]

Due to her deeper voice than actresses who had previously played Disney heroines, [29] Demi Moore was cast as Esmeralda, and met with Alan Menken and Stephen Schwartz on singing. After several singing demos, the actress said, "You'd better get someone else," according to Schwartz. New York City cabaret singer Heidi Mollenhauer was selected to provide the singing voice. [30] For the role of Phoebus, co-director Kirk Wise explained that "As we're designing the characters, we form a short list of names...to help us find the personality of the character." Subsequently, the filmmakers modeled his portrayal on the personalities of Errol Flynn and John Wayne, and "One of the names on the top of the list all the time was Kevin Kline." [8] Moore and Kline were the only actors to have the role directly offered to them instead of auditioning. [21] British actor Tony Jay, who declared his role as Frollo as his "bid for immortality," [31] was cast after the directors had worked with him in Beauty and the Beast (1991). Anthony Hopkins was originally considered for the role, but he turned down the offer. [21] After watching his portrayal as Uncle Ernie in the musical The Who's Tommy, Broadway actor Paul Kandel was selected to voice Clopin. [29] Animation McNary, Dave (June 7, 1998). "Lion's share; Walt Disney video sequels mining gold". Los Angeles Daily News. Archived from the original on June 4, 2013 . Retrieved December 8, 2014– via The Free Library. Disney Signs Up More Toon Talent". Variety. November 5, 1995. Archived from the original on December 26, 2014 . Retrieved November 30, 2014.Since Who Framed Roger Rabbit (1988), other animators hired by Disney Feature Animation were from Germany, France, Ireland, and additional ones from Canada were involved in providing animation duties at the recently opened satellite studio, Walt Disney Animation Paris, [18] of which about 20 percent of the film was done. [35] Meanwhile, at the Feature Animation Florida studio, which had been working on Mulan (1998), their first in-house production, at least seven animators penned about four minutes of screen time, which mostly involved Frollo and Quasimodo. The studio had also provided additional layout, cleanup, and special-effects animation. [36] Bates, James (July 23, 1996). "Quasi-Successful". Los Angeles Times. Archived from the original on December 22, 2014 . Retrieved December 8, 2014. The Gospel According to Disney explains that "while Frollo's stated goal is to purge the world of vice and sin, according to the opening song, he 'saw corruption everywhere except within.'" Because "killing the woman on the steps has put Frollo's soul in mortal danger," he has to take the child and look after him as penance. Even then, he absolves himself of agency in the murder by claiming "God works in mysterious ways," and ponders whether "the child may be of use to him one day." During the song "God Help the Outcasts," Esmeralda wonders if "Were you once an outcast too?" while looking at a statue of Mary with the infant Jesus, referencing the Flight into Egypt. [45]