The second and parallel theme of the series is the story of Jan and Tom's upstanding son Leo Howard and his touching on-and-off relationship with a girl from the neighbourhood, Abby Urquhart. If Jan and Tom were to be reunited despite all the ups and downs, then it would be logical to expect a similar conclusion for the younger couple. As well as many on-screen romances, Jan Harvey and Stephen Yardley became more than just good friends, as did Tracey Childs and Tony Anholt who played super-smooth tycoon Charles Frere. The show is rated PG for Parental Guidance in Australia and PG in New Zealand for violence and coarse language. I remember the acting being somewhat variable, especially from the children, Leo and Lynne, although Jan Harvey (Jan Howard) , Susan Gilmore (Avril Rolfe) and Tony Anholt (Charles Frere) as the baddy were most entertaining. Even so, it was excruciatingly hammy in places

I've actually got the full 6 series box set on DVD somewhere but have still managed to be caught up by the reruns on Drama and the catchups on the UKTV play app ! Stupid I know Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. I was obviously not alone in my assertion of the appalling manner of the acting as I cannot remember any of the cast being in anything after Howard's Way. Top of the "they should never work again" list was the oily fashion victim Ken Masters (Stephen Yardley) closely followed by Kate "Dahhhhling" Howard (Dulcie Gray) and the over-the-top-meistress, Kate O'Mara. Other major characters introduced during the first series are Kate Harvey ( Dulcie Gray), Jan's sensible and supportive mother, the millionaire businessman Charles Frere ( Tony Anholt) and the wealthy but unhappy Urquhart family. Gerald ( Ivor Danvers) is the right-hand man of Charles Frere. Polly ( Patricia Shakesby), a friend of Jan, is a bored corporate wife preoccupied with preserving her social status, and their daughter Abby ( Cindy Shelley) is a socially awkward young woman who has returned to Tarrant after completing her education at a Swiss finishing school and who establishes a friendship with Leo Howard. Unlike the comparatively close and secure Howard family, the Urquharts have secrets to hide. Gerald and Polly's marriage is a sham—an arrangement to cover the fact that Gerald is bisexual, to give him respectability in the business world and give a name to Abby, Polly's illegitimate daughter after an affair at university. Abby herself is pregnant, after a brief relationship in Switzerland. No-one is madder than Polly. A bored trophy wife, she's rather sympathetic from time to time. She fails to understand why Jan is upset when Polly sets up another company using Jan's name, and then starts trying to expand to America. The writers must have had a brainstorm that day. Actually, there may be someone madder than Polly. Sarah Foster is utterly barking.

Side guide

When I watched this series in the 1980's, I could never make out if Howard's Way was meant to be a comedy, a soap or trying to be a serious drama. After watching the whole series recently on UK drama, I've definitely come to the conclusion that it's a comedy. Ken masters clothes set the tone with some extraordinary combinations and the way he wore them, sleeves rolled up! All he needed to complete the look was a red nose and he'd be the perfect clown. The designs of Jan Howard's fashion house were pretty awful too, but she still manages to expand at an incredible rate, opening shops, factories and boutiques everywhere, ending up taking her company public. Some of the cast would fit perfectly into a sailing club sit-com. Thirty odd years down the road and I still have a strangely soft spot for this - not always well written, with annoying contradictions, baffling plots and some hurried directing leading to some rather indifferent acting - yet highly entertaining series.

The ridiculous notion that Southampton was a financial hub and the focus of the fashion world beggared belief. I cannot believe that anyone of the viewing millions actually understood anything Charles Frere, Gerald Urquhart and Edward Frere were talking about when it came to "big" business. And how did Jan Howard go from bored housewife to top fashion house proprietor in about three weeks ?! The story of Leo and Abby begins as perhaps the most heart-warming thread in the series. How could the scriptwriters let us down so badly? Sunday night ..winter , this was brilliant viewing...classic 1980s drama ...a story of redundancy...starting over again...social position , changing times ...almost Jane Austin The original working title for the series was "The Boatbuilders", which was ultimately rejected when it was felt that it sounded like a documentary series and wouldn't grab viewers' attention.Southampton Town Hall became a Swiss bank, Rhode Island was recreated at Warsash on the River Hamble, and Claude and Lynne’s romance on the QE2 was filmed partly on the Isle of Wight ferry and partly on a decidedly unglamorous dredger in the Solent. Totally implausible plots, big shoulder pads, badly acted, intrusive syrupy incidental music and characters with no redeeming features whatsoever (aside possibly from Avril Rolfe, played by Susan Gilmore). It made for unmissable TV. I don't think it was meant to be a comedy, but it certainly made me laugh. Although derided by critics [ who?] as a cheesy melodrama, Howards' Way nevertheless proved to be a hugely popular programme for the BBC, both domestically and in overseas sales. While the series was unable to compete with the likes of Dallas and Dynasty in terms of opulence, its stylistic aspects did develop as it went on, with the staging of powerboat races and fashion shows, and extensive location filming in Guernsey, Malta and Gibraltar as the storylines dictated. The series combined standard melodramatic storylines involving family drama, romance and extramarital affairs (Tom and Avril, Jan and Ken) with business-related plots of corporate intrigue and scheming for power, climaxing with an end-of-series cliffhanger. Look out for some wonderful guest stars and guest characters: Catherine Schell, Pamela Salem, Michael Cochrane, a young Anthony Head, boo-hiss Francesca Gonshaw, a gozzy-eyed animal rights baddie, Stephen Grief as his standard-issue "oily foreigner" character. So much of Howards Way is familiar, it fits like a glove.