Rohter, Larry (16 August 2010). "Museum Acquires Storied Trove of Performances by Jazz Greats". New York Times . Retrieved 30 October 2010. DJ mixers are small audio mixing consoles specialized for DJing. Most DJ mixers have far fewer channels than a mixer used by a record producer or audio engineer; whereas standard live sound mixers in small venues have 12 to 24 channels, and standard recording studio mixers have even more (as many as 72 on large boards), basic DJ mixers may have only two channels. While DJ mixers have many of the same features found on larger mixers (faders, equalization knobs, gain knobs, effects units, etc.), DJ mixers have a feature that is usually only found on DJ mixers: the crossfader. The crossfader is a type of fader that is mounted horizontally. DJs used the crossfader to mix two or more sound sources. The midpoint of the crossfader's travel is a 50/50 mix of the two channels (on a two-channel mixer). The far left side of the crossfader provides only the channel A sound source. The far right side provides only the channel B sound source (e.g., record player number 2). Positions in between the two extremes provide different mixes of the two channels. Some DJs use a computer with DJ software and a DJ controller instead of an analog DJ mixer to mix music, although DJ software can be used in conjunction with a hardware DJ mixer.

Human Traffic – about early UK rave counter-culture featuring music and performances by celebrated DJs Fatboy Slim, CJ Bolland, Carl Cox, and Mad Doctor X. Broughton, Frank, and Bill Brewster. How to DJ Right: The Art and Science of Playing Records. New York: Grove Press, 2003. In 1982, the Compact Disc (CD) format was released, popularizing digital audio. In 1998, the first MP3 digital audio player, the Eiger Labs MPMan F10, was introduced. In January of that same year at the BeOS Developer Conference, N2IT demonstrated FinalScratch, the first digital DJ system to allow DJs control of MP3 files through special time-coded vinyl records or CDs. [60] While it would take some time for this novel concept to catch on with the "die-hard Vinyl DJs", this would become the first step in the Digital DJ revolution. Manufacturers joined with computer DJing pioneers to offer professional endorsements, the first being Professor Jam (a.k.a. William P. Rader), who went on to develop the industry's first dedicated computer DJ convention and learning program, the "CPS (Computerized Performance System) DJ Summit", to help spread the word about the advantages of this emerging technology. As tablet computers and smartphones became widespread, DJ software was written to run on these devices in addition to laptops. Tonkatsu DJ Agetarou – a Japanese anime, originally a manga, about a fictional character named Agetarou who aspires to be a DJ master with the help of his friends and mentor, Big Master Fry.

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Main article: Turntablism DJ Spooky at the Sundance Film Festival in 2003, using two Technics SL-1200 turntables and a DJ mixer Rodgers, Tara (2010). Pink Noises: Women on Electronic Music and Sound. Duke University Press. ISBN 978-0822346739. One key technique used for seamlessly transitioning from one song to another is beatmatching. A DJ who mostly plays and mixes one specific music genre is often given the title of that genre; for example, a DJ who plays hip hop music is called a hip hop DJ, a DJ who plays house music is a house DJ, a DJ who plays techno is called a techno DJ, and so on. [ citation needed]

Jordss: I was always that go-to music person. I was always making CDs for friends and family. At parties, I was always playing the music so DJing felt like the natural progression. I’ve been DJing now for about eight years maybe professionally. Ableton’s Link technology adds to its appeal as a performance tool. This is an open software tool that allows developers to add wireless sync to their applications. You can find Link as part of a host of DJing apps, iOS tools, DAWs and plugins, making it easier than ever to jam with multiple laptops or tablet devices. Luke Crisell; Phil White; Rob Principe (14 April 2009). On the Record: The Scratch DJ Academy Guide. St. Martin's Publishing Group. pp. 23–. ISBN 978-1-4299-6623-8.In the past, being a DJ has largely been a self-taught craft but with the complexities of new technologies and the convergence with music production methods, there are a growing number of schools and organizations that offer instruction on the techniques. [35] Miming edit falkmanbeatz -break bboy / bgirl channel- (8 January 2014), The Freshest Kids: The History of the B-Boy (Full Documentary), archived from the original on 21 April 2014 , retrieved 26 April 2017 Main article: DJ mixer A Numark DM2002X Pro Master DJ mixer. This three-channel mixer can have up to three input sound sources. The gain control knobs and equalization control knobs allow the volume and tone of each sound source to be adjusted. The vertical faders allow for further adjustment of the volume of each sound source. The horizontally-mounted crossfader enables the DJ to smoothly transition from a song on one sound source to a song from a different sound source.

DJ software requires specialized hardware in addition to a computer to fully take advantage of its features. The consumer-grade, regular sound card integrated into most computer motherboards can only output two channels (one stereo pair). However, DJs need to be able to output at least four channels (two stereo pairs, thus Left and Right for input 1 and Left and Right for input 2), either unmixed signals to send to a DJ mixer or the main output plus a headphone output. Additionally, DJ sound cards output higher-quality signals than the sound cards built into consumer-grade computer motherboards. Mark J. Butler (2014). Playing with Something that Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance. Oxford University Press. pp. 111–. ISBN 978-0-19-539362-0. Music – GEA – Gender and Education Association". genderandeducation.com. Archived from the original on 3 March 2016 . Retrieved 12 March 2016. The Do's and Don'ts of Being a Weekly Resident DJ". Complex. 14 November 2013 . Retrieved 9 February 2017. Chang, Jeff. Can't Stop Won't Stop: A History of the Hip-Hop Generation. St. Martin's Press, New York: 2005. ISBN 978-0-312-42579-1 p. 79.Ncube, Dumisani. "The Monitor :: Variety Of Talent At Next Big EDM DJ". The Monitor . Retrieved 9 February 2017.