To Ochaco) "Listen Ochaco, when I think about the people I love it makes me wanna become them. This desire to take all their blood for myself gushes up till I just can't stand it. I get all emotional just thinking about it. That's how I am, but other people aren't like that. It's so hard for me to live like this." [34] All For One • Cider House • Dictator • Ending • Gashly • Giran • Habit Headgear • Hanzo Suiden • Hawks • Kunieda • Kyudai Garaki • Lady Nagant • Mihaera • Moonfish • Muscular • Overhaul • Sludge Villain • Starservant • Steel Bulwark • Tajima • Yuga Aoyama

As Camie to Izuku) "Looks like we both want to learn about each other, huh? So now... Your turn. Why are you hoping to become a hero? Honor? Pride? For someone else's sake? I want to know... all about you." [30] U. Rothe (2009). Dress and Cultural Identity in the Rhine-Moselle Region of the Roman Empire, Oxford. Concept art of Himiko already depicted her as an archetypal "yandere" (Japanese lingo used to describe a character who's dangerously obsessive towards another). One potential design included a different, plainer face with short pigtails instead of the messy hair buns present in the current Himiko design. She also had an entire row of sharp teeth instead of just prominent canines.

Comments

S. Stone (1994). “The Toga: From National Costume to Ceremonial Costume”, in J. L Sebesta, L. Bonfante, eds., The World of Roman Costume. Madison, 13-45; C. Vout (1996). “The Myth of the Toga: Understanding the History of Roman Dress”, G&R 43, 204-20. While Himiko's Quirk was revealed 46 chapters after her proper debut in Chapter 68, it was hinted by her introductory quote to Tomura, where she stated her desire "to be Stainy". To Mr. Compress) "Where do they draw the line? If Heroes are supposed to save people, then was Jin not considered a person? Will they kill me too? That's what I want to ask Izuku and Ochaco. Depending on their answer I'll be fine." [33] The specific goal set for the book by Rothe is to explore the toga both as a material garment and as an identity-building symbol, combining literary, iconographic and archaeological sources. The author notes that previous studies on the toga all focus on one type of material, mostly sculptural depictions. The present book also aims to widen the outlook outside the elite circles and provincials beyond Italy. It builds on Rothe’s earlier work on Roman provincial dress, with an especially good discussion of the ethnic and non-Roman aspects throughout the book. [1] Rothe’s most central aim here is to counter the scholarly tendency to the see the toga as a symbol rather than a garment and to demonstrate that it was, instead, very much present in everyday life.

During the the Final War after drinking a portion of Twice's blood, she was able to completely turn the tables by utilizing his Double Quirk to make hundreds of copies of herself to overwhelm the Heroes. In the past, Himiko was noted by her family and former classmates to be, "a cheerful, reasonable, well-mannered girl" whose subsequent turn to a life of crime surprised everyone who knew her. However, her own recollections imply that this was merely an act she put on to try and fit in with what society deemed "normal." She believes the way she acts presently is her own normal and that she shouldn't be forced to conceal it. [13] Himiko's surname contains the kanji for "migrate" ( 渡 , to ?) and "self" ( 我 , ga ?), and her first name contains "wear, put on" ( 被 , hi ?), "somebody" ( 身 , mi ?), and "child," which is also a feminine name suffix ( 子 , ko ?). [25] V. D. Launitz (1865). Über die Toga der Römer und die Palla der Römerinnen, Heidelberg; L. M. Wilson (1924 ). The Roman Toga, Baltimore; H. R. Goette. (1990). Studien zu römischen Togadarstellungen, Mainz. Himiko is the first character in the series to have her name revealed in katakana rather than kanji. This was likely done to avoid hinting at her Quirk.Skill Release ( 解除 , Kaijo ?): Himiko uses Ochaco's Zero Gravity to negate the gravitational pull of objects, then release the effect on them, causing them to barrel toward the ground. [16]