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Slave Girl of Gor

Slave Girl of Gor

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A small brand that marks a convicted liar, thief, traitor, etc. This brand can be administered both to a slave and to a free person. The books are set in a parallel universe called Gor, which has become a platform for Norman to expound his philosophical and sociological views on modern society, taking cues from Nietzsche, Homer, and Freud. Sometimes, Masters, as a discipline, rent their girls out to employers to perform repetitious,trivial tasks.' " Sexual roleplayer in a kajira pose at Folsom Street Fair. The woman is posing in an approximation to nadu, the typical position of a " pleasure slave".

The skin comes in 15 color options, 6 Glam Affair tones and 9 Velour tones. Here I've used Sunkiss. M = pearl:::M= jewels M = pearl:::M= jewels Jawahir (jah-WAH-hair)/Jawharrah, also Jauhar/Gauhar K [ ] Kadife T = velvet Kadri/Kadriya T = Kader/destiny Kanwal M = water lily Kaela (kay-ehl-lah) A, H short form of Kalila, Kelila Kahina (kah-HEE-nah) F-Berber leader, prophetess and warrior princess. Died in Tunisia AD.703 Kahire (kah-heer-eh) T = city of Cairo Kala/Cala A = fortress, castle, also listed as a Buddhist saint's name (if pronounced cha-lah) Kardelen T = snowdrop (flower) Kartane T = snowflake Kasia/Kassia Jewish/Polish = form of Catherine Kayra T (no special meaning) Kelia/Kayla H = crown, laurel Khalida M = immortal; surviving/alive Khawala M = servant, dancer Kamila/Kaamilah (kah-MEE-lah) M = complete, perfect Kamaria (kah-mah-REE-ah) F-Swahili, Somali= like the moon Kamra (kam-rah) M=Moon Karima/Kareemah (kah-ree-mah) M = generous lady, bountiful; something invaluable:::R-Am Gypsy = godmotherM = good fortune:::T (no special meaning) M = good fortune:::T (no special meaning) Sura T [ ] Tabitha G/Aramic = roe, a gazelle Tahmina (tah-MEE-nah) P=Rustam's wife in famous poem Tahira/Tahirah (tah-HEER-ah) M = pure, chaste, pious, clean Tahiyyah M = greeting, cheer Tajah M = crown Talia H = dew Taliah H = lamkin Talibah M = seeker of knowledge Talor/Talora H = dew of the morning Talya T (no special meaning) Tamar/Tamara/Tamarah( H) Tamra (tam-rah) P= date (fruit) yeilding palm tree Tania Russian = the fairy queen Taslimah M = salutation, peace Tavi/Tavita H = fem. form of David, i.e. "Beloved" Temirah H = tall, erect, "like a palm" Tayyibah (tah-YEE-bah) M = good, sweet, agreeable, pure, chaste; "halaal" Tarana (tuh-rah-nuh) P= melody Thalia G = to flourish, to bloom Thurrayya M = star; the Pleiades Timora H = tall (as the palm tree) Tikvah H = hope Tira H = encampment/enclosure Tirza/Tirzha/Tirsa H = pleasant Tomris T (no special meaning):::M = present, gift coarse-grained. The beauty ate it eagerly. She had not known if she was to be fed that day. sometimes the slave is not fed. this might occur for aesthetic reasons, as, for example, if her measurements, which are generally carefully kept, should minutely depart from her master's conception of her ideal curvatures; sometimes merely to remind her of on whom she depends, totally, for her very life; sometimes as a training or disciplinary measure; sometimes merely to startle or puzzle her; what has she done; she is not told; has she not been sufficiently pleasing; she is not told; the girl, frightened, anxious, redoubles her efforts to please in all the thousand spheres of her

Besides I did not know him. I did not wish to do him dishonor, whoever he might be. 'Does your master know you are begging in the streets?' I asked. 'No,' she said, frightened. 'Then,' said I, 'perhaps I should have your hands tied and write that upon your body.' " You have an admirer," Targo told her, "a Captain of Tyros, who glimpsed you in Lydius last fall. He has contracted to buy you privately in Ar, to be taken to his pleasure gardens on Tyros. He will pay one hundred pieces of gold." I had been thrown to my Master's men. One after another had raped and beaten me, and thrown me to the next. I was handed about as an object fierce was the discipline that they handed me."

Other Brands

Prominent among their chosen platforms is “the Palace,” a 2-D image-based chat program that came to prominence in the 1990s. It reached its apex in 2000, when metal band Korn hosted a palace where fans could listen to its music; it’s has been on a downward trajectory ever since. Would you rather this be done on the platform of public shame in the great square of Vonda, where you might bring shame upon the Home Stone?" inquired the prefect. Clute, John; Grant, John (1999). The Encyclopedia of Fantasy. New York: St. Martin's Griffin. pp.692–693. ISBN 0-312-19869-8. I have wondered upon occasion why brands are used on Gorean slaves. Surely Goreans have at their disposal means for indelibly but painlessly marking the human body. My conjecture, confirmed to some extent by the speculations of the Older Tarl, who had taught me the craft of arms in Ko-ro-ba years ago, is that the brand is used primarily, oddly enough, because of its reputed psychological effect. In theory, if not in practice, when the girl finds herself branded like an animal, finds her fair skin marked by the iron of a master, she cannot fail, somehow, in the deepest levels of her thought, to regard herself as something which is owned, as mere property, as something belonging to the brute who has put the burning iron to her thigh. Most simply the brand is supposed to convince the girl that she is truly owned; it is supposed to make her feel owned. When the iron is pulled away and she knows the pain and degradation and smells the odor of her burned flesh, she is supposed to tell herself, understanding its full and terrible import, I AM HIS.

In one way or another, those living out Gorean fantasies are looking to embrace the key tenet of Gor’s inequality-based morality. Doing so allows them to understand their role in life and thus be fulfilled. wooden frame to which the condemned person is tied before it is set adrift in the Vosk River so that he may die of exposure and/or dehydration if he is not eaten by tharlarion or other carnivorous reptiles. Yes, Master," she said. Her authority, as that of any slave, could be overruled by any free person. Please Master,' she said 'Take pity on me. Take pity on the miserable needs of a slave girl.''You are not mine " I told her, " You are a pretty little thing, but I do not own you.'

The Branding

I think, pretty clearly, the three major influences on my work are Homer, Freud, and Nietzsche. Interestingly, however obvious this influence might be, few, if any, critics, commentators, or such, have called attention to it.

Please,' she said.'Your master,' I said, 'if he chooses, will satisfy your needs. If he does not, he will not.' For all I knew she might be under the discipline of deprivation. If that were so, I had no wish to impair the effectiveness of her master's control over her. This cute carriage shaped handbag comes with the options 2 change the colors of the metal, the pearl and the diamonds. It has 2 pose options 4 both ur right and left hand. colors + details options is what you get with the fatpact of this adorable set, that is made for Reborn, Juicy, Juicy Rolls and Legacy.He smiled. I supposed he knew how cruel Tupita had, been to me, how we were enemies. On the other hand, I had told Tupita I would speak for her. Too, she had not belly chained and braceleted me as tightly as she might have, the night before last. However, when people apply the rules of a fictional world to real life they can find themselves engaging in truly bizarre practices. Slaves in Gor are marked with a brand: kejiras are marked with a “kef,” a stylised K. The kef is commonly tattooed on female Goreans with some going as far as acquiring an actual brand.The personal blogs where Goreans have posted pictures of these brands both give outsiders a glimpse of this radical lifestyle and help normalize extreme behaviors to others who might be considering getting more involved in the lifestyle.



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