Die Anschlagsdynamik der Pads war nicht gut kalkulierbar, dazu trägt auch bei daß die von vorn herein extrem unterschiedliche Empfindlichkeit hatten. Das kann man in der Software zwar ein bischen kalibrieren, ein User hat sich sogar die Mühe gemacht mittels Lego-Technik einen Anschlagsroboter zu bauen um eine möglichst präzise Kalibrierung vornehmen zu können aber das Ergebnis dieser Kalibrierung war leider ernüchternd. To be honest, I don’t use all the features that it offers in my musical work. But still, I know 100% for sure that I will be able to do whatever I request not only in the digital domain but also in the hardware synths world is really cool! On the right-hand side, you have your controls for saving and recalling presets. Under the “ Keyboard” tab, you can basically edit the behaviour of the keyboard. The “ Controller” tab allows you to assign additional notes, Tilt CCs and Pressure settings for individual keys. Lastly, you have your “ CV” tab where you can edit the CV input and output! Despite everything that it makes possible, MIDI isn't without its shortcomings. MPE was developed to allow finer control of sounds on a per-note basis—but what does that mean?

Preset B (Press + Tilt): Pressure is set to modulation, and Tilt is set to pitch bend. Prepared for a more exciting and expressive playing experience. With the MIDI controller market so saturated, it takes a lot to stand out. That’s not to suggest that there’s anything wrong more traditional offerings – most of us still need standard keyboards, faders and pad controllers from time to time – but with so many great options already on the market, it takes a lot to offer something truly unique. Keith McMillen Instruments specialises in exactly that.

Connections

Designed for music-makers, by music-makers, QuNexus offers you everything you want out of a keyboard now, and anything you can imagine in the future. Keith set out to create a deeply expressive and adaptable keyboard that can be personally programmed by each artist, but can also withstand the realities of daily use and abuse. The result is QuNexus, the toughest and smartest keyboard on the market. The Morph's magnetic silicone overlays allow you to change its behavior at a moment's notice: just place an overlay on the Morph and it will suddenly adapt to suit the layout of the overlay you've selected. With available overlays including a piano-like layout, MPD-style pads/knobs/sliders layout, drum pads, and even an overlay based on the rare experimental Buchla Thunder MIDI controller, Morph offers a huge range of options for how you interact with sound. Connect the QuNexus Mini port (Labelled as MIDI Expander) to the USB ‘Expand’ port on your MIDI Expander by using a USB A-to-Mini cable. There’s also a “ Bend” button on the left-hand side to use for pitch-bending purposes. Note that you can also adjust the range of this button within the editor. It turns out there's 12 sensors for each KBP4 key that, should you wish to, you can individual tailor to your touch. For experts only, I would hazard. OK K-Board

Preset D (Drums & Clips): Lastly, this preset is designed for triggering drums and clips when particular VSTis or software are mapped to the general MIDI standards. QuNexus Editor

Misc

As I always say, it’s up to you what to choose. But I can honestly tell you that it’s worth every penny in my opinion.

Das ist alles sehr schade, weil der eingebaute Sequenzer zwar eine ebenfalls gewöhnungsbedürftige Bedienung hat, dafür aber mit ein paar coolen Funktionen und 3 Spuren aufwartet und die Konnektivität des winzigen Bretts ziemlich gut ist. A separate control layer that allows each key to map to its own notes and/or CCs for intricate control You can also use a similar approach and connect your QuNexus to MIDI hardware by powering it via your computer. You will also need to get yourself the MIDI Expander. Providing unique features, and extreme customization options while being the toughest yet ultra mini controller, Keith McMillen QuNexus definitely stand out among its competitors. The Keith McMillen lineup should be familiar: QuNeo and QuNexus have been around for the better part of the last decade. And while these amazing controllers were flexible coming right out of the gate, in 2021 KMI upgraded these designs to the QuNeo Red and QuNexus Red: MPE-capable versions of these modern classic designs.

Here at Perfect Circuit, we've seen a ton of inventive MIDI controllers over the years that embrace the expressive potential of MPE, short for MIDI Polyphonic Expression. These are often controllers that look nothing like instruments of the past, and go all-in on a forward-thinking mindset in function and aesthetics. Yet somewhere in the middle, there lies a happy medium between the bold, new sounds of the future and the familiarity of existing controllers. I am really looking forward to seeing the new Kboard Pro when KMI get it out the door. It could be a game changer for affordable multi-dimensional keyboard control. My Midas Venice 320 endcaps are fine but they are just hard plastic so no issues there.I think that is the case here...