Very little is known about Leonardo's childhood and much is shrouded in myth, partially because of his biography in the frequently apocryphal Lives of the Most Excellent Painters, Sculptors, and Architects (1550) by 16th-century art historian Giorgio Vasari. [27] [28] Tax records indicate that by at least 1457 he lived in the household of his paternal grandfather, Antonio da Vinci, [11] but it is possible that he spent the years before then in the care of his mother in Vinci, either Anchiano or Campo Zeppi in the parish of San Pantaleone. [29] [30] He is thought to have been close to his uncle, Francesco da Vinci, [3] but his father was probably in Florence most of the time. [11] Ser Piero, who was the descendant of a long line of notaries, established an official residence in Florence by at least 1469 and had a successful career. [11] Despite his family history, Leonardo only received a basic and informal education in (vernacular) writing, reading and mathematics, possibly because his artistic talents were recognised early, so his family decided to focus their attention there. [11] Portable audio control surface includes 12 premium touch sensitive flying faders, channel LCDs for advanced processing, automation and transport controls plus HDMI for an external graphicsdisplay.

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White, Michael (2000). Leonardo, the first scientist. London: Little, Brown. p.95. ISBN 0-316-64846-9. Pedretti, Carlo, ed. (1987). Leonardo Da Vinci: Drawings of Horses and Other Animals from the Royal Library at Windsor Castle. London: Harcourt Brace. p.185. ISBN 0384-45284-1. Fig 111 and 112 Unpublished fragmentary wax model of an equestrian portrait of Charles d'Amboise attributed to Leonardo, said to have come from the Melzi estate at Vaprio d'Adda. London, Private collection (formally Sangiorgi collection in Rome). Ottino della Chiesa, Angela (1967). The Complete Paintings of Leonardo da Vinci. Translated by Jay, Madeline. New York: Harry N. Abrams. p.85. Salaì, or Il Salaino ("The Little Unclean One", i.e., the devil), entered Leonardo's household in 1490 as an assistant. After only a year, Leonardo made a list of his misdemeanours, calling him "a thief, a liar, stubborn, and a glutton," after he had made off with money and valuables on at least five occasions and spent a fortune on clothes. [94] Nevertheless, Leonardo treated him with great indulgence, and he remained in Leonardo's household for the next thirty years. [95] Salaì executed a number of paintings under the name of Andrea Salaì, but although Vasari claims that Leonardo "taught him many things about painting," [‡ 3] his work is generally considered to be of less artistic merit than others among Leonardo's pupils, such as Marco d'Oggiono and Boltraffio. Masters, Roger (1998). Fortune is a River: Leonardo Da Vinci and Niccolò Machiavelli's Magnificent Dream to Change the Course of Florentine History. Simon & Schuster. ISBN 978-0-452-28090-8.Leonardo da Vinci, (born April 15, 1452, Anchiano, Republic of Florence—died May 2, 1519, Cloux, France), Italian Renaissance painter, sculptor, draftsman, architect, engineer, and scientist. Leonardo's love of animals has been documented both in contemporary accounts as recorded in early biographies, and in his notebooks. Remarkably for the period, he even questioned the morality of eating animals when it was not necessary for health. Statements from his notebook and a comment by a contemporary have led to the widely held view that he was vegetarian. Additionally, he categorized humans as being in the same set of species as apes and monkeys, just as he did with other animals in their respective genus. [53] He also dissected dead animals for the purpose of comparative anatomy. [54] If so, the people who leapt on this obscure work and acclaimed it as a Leonardo were not naive, let alone dodgy. They were right. Syson, now director of the Fitzwilliam Museum in Cambridge, tells me the story he fails to get across in The Lost Leonardo: how, as a young Renaissance expert at the National Gallery, he made what seemed the discovery of a lifetime. It started, he remembers, with an old-fashioned slide shown to him by his boss. “You get sent stuff as an art historian at a big institution,” he says. “More often than not, the theory that this is by X – especially if it’s Leonardo or Raphael or Michelangelo – is going to be pretty mad.” Why did experts fall head over heels for this painting in 2008? Were they really just elitist monsters? Clayton, Martin (2006). Ten Drawings by Leonardo da Vinci: An Exhibition to Celebrate the Eightieth Birthday of Her Majesty The Queen. Royal Collection Publications. ISBN 9-781902-163017. a b Vasari, Giorgio (2006). The Life of Leonardo da Vinci. Kessinger Publishing. ISBN 1-4286-2880-0.

Leonardo da Vinci (1452 - 1519) | National Gallery, London Leonardo da Vinci (1452 - 1519) | National Gallery, London

a b c Stephane Fitch DaVinci's Fingerprints, 12.22.03 accessed 7 July 2009. Martin Kemp, the expert on Leonardo's fingerprints, had not examined the painting when the article was written. In 1506, da Vinci returned to Milan, remaining there until 1513. This was followed by three years based in Rome. In 1517, at the invitation of the French king Francis I, Leonardo moved to the Château of Cloux, near Amboise in France, where he died on 2 May 1519. Saplakoglu, Yasemin (4 May 2019). "A Portrait of Leonardo da Vinci May Reveal Why He Never Finished the Mona Lisa". Live Science . Retrieved 5 May 2019. Delieuvin, Vincent, ed. (2012). Saint Anne: Leonardo da Vinci's Ultimate Masterpiece. Milan, Italy: Officina Libraria. ISBN 978-8897737025.

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That this horror of inflicting pain was such as to lead him to be a vegetarian is to be inferred from a reference which occurs in a letter sent by Andrea Corsali to Giuliano di Lorenzo de' Medici, in which, after telling him of an Indian race called Gujerats, who neither eat anything that contains blood nor permit any injury to any living creature, he adds "like our Leonardo da Vinci". [55] [56] Melzi accompanied Leonardo in his final days in France. On Leonardo's death he wrote a letter to inform Leonardo's brothers, describing him as "like an excellent father to me" and goes on to say: "Everyone is grieved at the loss of such a man that Nature no longer has it in her power to produce." [18] Bodkin, Henry (4 May 2019). "Leonardo da Vinci never finished the Mona Lisa because he injured his arm while fainting, experts say". The Telegraph . Retrieved 6 May 2019. Widely accepted Modern scholars still debate the attribution and it is not as widely accepted as other portraits like Ginevra de' Benci, Portrait of a Musician, and Lady with an Ermine. [12] [13]

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A profile portrait in the Pinacoteca Ambrosiana in Milan is generally accepted to be a portrait of Leonardo, and also depicts him with flowing beard and long hair. This image was repeated in the woodcut designed for the first edition of Vasari's Lives of the Most Excellent Painters, Sculptors, and Architects. [67]Leonardo died at Clos Lucé on 2 May 1519 at the age of 67, possibly of a stroke. [88] [87] [89] Francis I had become a close friend. Vasari describes Leonardo as lamenting on his deathbed, full of repentance, that "he had offended against God and men by failing to practice his art as he should have done." [90] Vasari states that in his last days, Leonardo sent for a priest to make his confession and to receive the Holy Sacrament. [‡ 4] Vasari also records that the king held Leonardo's head in his arms as he died, although this story may be legend rather than fact. [s] [t] In accordance with his will, sixty beggars carrying tapers followed Leonardo's casket. [50] [u] Melzi was the principal heir and executor, receiving, as well as money, Leonardo's paintings, tools, library and personal effects. Leonardo's other long-time pupil and companion, Salaì, and his servant Baptista de Vilanis, each received half of Leonardo's vineyards. [92] His brothers received land, and his serving woman received a fur-lined cloak. On 12 August 1519, Leonardo's remains were interred in the Collegiate Church of Saint Florentin at the Château d'Amboise. [93] Drawing of the Château d'Amboise ( c. 1518) attributed to Francesco Melzi

Leonardo da Vinci - 205 artworks - painting - WikiArt.org Leonardo da Vinci - 205 artworks - painting - WikiArt.org

Codex Urbinas and lost Libro A". Universal Leonardo. University of the Arts, London . Retrieved 12 April 2012. Vezzosi, Alessandro (1997) [1996]. Leonardo da Vinci: Renaissance Man. ‘ New Horizons’ series. Translated by Bonfante-Warren, Alexandra. London: Thames & Hudson. ISBN 978-0-500-30081-7. Includes everything in the free version plus the DaVinci Neural Engine, dozens of additional ResolveFX, temporal and spatial noise reduction, stereoscopic 3D, film grain, optical blur and mist effects, and more. It also supports 10‑bit video at up to 120 frames per second and resolutions beyond4K. So this is a heretical and subversive work? That sounds like the Leonardo I know and love. On screen, Modestini seems defeated in her search for the truth about the lost masterpiece, until finally she reads the Louvre report. “They completely accepted it, with no reservations whatsoever. Various authors disagree on the date, but otherwise there’s no, ‘Well, maybe this part is by …’” Kemp adds: “The Louvre had no reason to produce a spurious report. If they’d done so, they would have been in real trouble.” Paris Manuscript B". Universal Leonardo. University of the Arts, London . Retrieved 3 November 2012.Leonardo da Vinci: The Marvellous Works of Nature and Man. Oxford, England: Oxford University Press. ISBN 978-0-19-920778-7.