All three cameras have the same maximum ISO in expanded mode, but the FX6 has a higher base ISO and dual native ISO technology with base ISO levels at ISO 12,800. It sounds as if the A7S III and FX3 might be using the same basic tech, but that the FX6 has more advanced dual-circuit noise control. 3. Color The FX3 features 5-axis optical in-body image stabilization – highly effective for handheld shooting. A high precision stabilization unit and gyro sensors have made it possible to provide an Active Mode v that is dedicated to movie shooting in each format, including 4K. In-body image stabilization means that effective stabilization can be achieved with a wide range of E-mount lenses, including those that do not include stabilization on their own. Alternately, the FX3 records image stabilization metadata that can be adjusted during post-production using Catalyst Browse/Prepare viii. Creators need more than just refined features and performance; they also need reliability and durability. The FX3 combines a fan for active cooling with effective heat dissipation resulting in uninterrupted 4K 60p recording without thermal shutdown. The newly developed fan provides high-efficiency cooling. Because it's designed for solo, run-and-gun filmmaking, the FX3 also has in-body image stabilization (IBIS) along with an electronic Active Mode, which gives you even stronger stabilization at the expense of a 10% crop.

You will Need a dedicated adapter cable, which is sold separately, to connect to the timecode source equipment. Precautions when updating from Ver.1.01 or earlier In addition to standard VGA (640x480) motion image recording, the FX3 also records stunning full-size movies in 16:9 wide VGA (848x480) at 30 fps. Shooting is one thing but viewing is another, and you will be suitably impressed by the 16:9 moving image when it is displayed on a wide screen TV. The brightness level of these moving images is also enhanced as a result of the pixel-mixed readout method performed by the CCD. x USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adapter used and camera operating conditions. Allows you to display a function menu by swiping upward on the monitor on the shooting standby screen. I only tried the ZV-E1 with the new 20-70mm F4 lens during testing. It’s a versatile lens that performed really well for video in my tests, although I found it a tad big for such a small camera – it obstructed a large part of the flip-out screen from my view when doing video selfies.S-Cinetone™ look profile which is inspired by the digital motion picture camera VENICE’s colour science, also used in FX9 and FX6 Cinema Line cameras, and records up to 4K 120p Beyond the physical design just being compact, it’s also built to maximize efficiency and operability through the inclusion of an articulating 3.0″ touchscreen LCD, a removable shoe-mounted top handle with dual XLR mic inputs, and 5-axis mechanical image stabilization for smoother handheld recording. New Cinematic Freedom You will be able to connect to the Imaging Edge Mobile app more easily. After pairing the app with the camera, you can transfer images and shoot remotely just by operating the app. Refer to Pairing the camera with a smartphone (Smartphone Regist.) in the Help Guide for detail. Along with this, the NFC one-touch connection function used up to Ver.1.01 of the camera will no longer be available. For uninterrupted 4K 60p recording, the FX3 features an innovative heat dissipation structure, including a unique Sony Σ (sigma) shaped graphite-alloy heatsink. A complete internal redesign optimised airflow and placement of heatsinks. When required, a silent cooling fan provides ventilation for continuous recording at full resolution, with intake and exhaust air structurally isolated to maintain strong dust and moisture resistance.

Adds the Monitor Flip Direction feature which can select reversed display of image and menu screens depending on how the monitor is opened and oriented. Adds Log shooting mode, which allows you to shoot while displaying the monitor image with your favourite LUT (Look-Up table).*1Creators can record in 4K at up to 120 frames per second ii. Extraordinarily smooth slow-motion imagery vi (up to 5x) at QFHD (3840 x 2160) resolution with autofocus provides new expressive capability.