Onda, David. "Greatest Unscripted Movie Moments". Xfinity. Archived from the original on August 17, 2012 . Retrieved September 20, 2012. Duke, Brad (July 1, 2008). Harrison Ford: The Films. McFarland. ISBN 9780786440481– via Google Books. Quartet Records, in collaboration with Metro-Goldwyn-Mayer, Capitol Records, Universal Music Enterprises and the Phil Ramone estate, present an expanded 2-CD edition of the iconic score for the landmark film MIDNIGHT COWBOY, directed by John Schlesinger in 1969, starring Dustin Hoffman and Jon Voight, and winner of three Academy Awards, including Best Picture.

The musical score of MIDNIGHT COWBOY presented a new concept, widely used in the last decades, but not in the late sixties—a combination of songs and original music wisely developed into a perfect underscore. Renowned British composer John Barry, who had already won three Oscars in 1969, appeared under the credit of “Music Supervisor,” but also composed a series of original cues and supervised the entire musical concept of the film, along with legendary American producer Phil Ramone. Awards Winners". Writers Guild of America. Archived from the original on 2012-12-05 . Retrieved 2010-06-06. John Barry, the compose was my cousin.. I am Boston born. Sure would have liked to have met the musical genius Barry. Quartet Records, in collaboration with Metro-Goldwyn-Mayer, Capitol Records, Universal Music Enterprises and the Phil Ramone estate, present an expanded 2-CD edition of the iconic score for the landmark film Midnight Cowboy, directed by John Schlesinger in 1969, starring Dustin Hoffman and Jon Voight, and winner of three Academy Awards, including Best Picture. One month earlier on November 1st, 1969 it entered Billboard's Hot Top 100 chart; eventually it peaked at #10 and spent 15 weeks on the Top 100...Heylin, Clinton (1991). Dylan: Behind The Shades: The Biography. New York: Viking Books. p.193. ISBN 978-0-6708-36024. AnonymousThis movie had the most memorable music of any... Lyrics, melodies, arrangement scores, voicing by the incomparable Nilsson. Blake Gopnik, Warhol: A Life as Art London: Allen Lane. March 5, 2020. ISBN 978-0-241-00338-1 p. 629 At the 42nd Academy Awards, the film won three awards: Best Picture, Best Director and Best Adapted Screenplay. Midnight Cowboy is the only X-rated film ever to win Best Picture. [3] [4] It has since been placed 36th on the American Film Institute's list of the 100 greatest American films of all time, and 43rd on its 2007 updated version.

Midnight Cowboy". Box Office Mojo. Archived from the original on January 30, 2012 . Retrieved February 26, 2012. RPM Top 100 Singles - January 17, 1970" (PDF). Archived (PDF) from the original on June 12, 2012 . Retrieved February 19, 2019. Midnight Cowboy Film Locations". On the Set of New York. Archived from the original on January 7, 2015 . Retrieved February 14, 2015. The song “Everybody’s Talkin’,” written by Fred Neil in 1966, was selected as a main theme for the film, newly recorded with arrangements by George Tipton and performed by Harry Nilsson. It became an instant classic and ultimately a generational symbol.Joe receives oral sex from a meek young man in a movie theater in an attempt to make money, but the man cannot pay. Joe threatens him, but releases him unharmed. The next day, Joe spots Rico at a diner and angrily confronts him. Rico manages to calm Joe and invites him to share his squalid, condemned apartment squat. Joe reluctantly accepts, and the two begin a "business relationship" as hustlers. Rico asks Joe to call him "Rico" instead of "Ratso", but Joe does not oblige. They struggle with severe poverty, stealing food and failing to get Joe work. Joe pawns his radio, while Rico's persistent cough worsens during winter without heat. a b Kent, David (1993). Australian Chart Book 1970–1992 (illustrateded.). St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. Monaco, Paul (2001). History of the American Cinema: 1960–1969. The Sixties. Vol.8. New York: Charles Scribner's Sons. p.166. ISBN 9780520238046. The musical score of Midnight Cowboy presented a new concept, widely used in the last decades, but not in the late sixties—a combination of songs and original music wisely developed into a perfect underscore. Renowned British composer John Barry, who had already won three Oscars in 1969, appeared under the credit of "Music Supervisor," but also composed a series of original cues and supervised the entire musical concept of the film, along with legendary American producer Phil Ramone.

Smith, Grady (August 10, 2012). "Monitor: August 10, 2012". Entertainment Weekly. Time. p.27. Archived from the original on March 8, 2021 . Retrieved February 27, 2021. Barry was employed by EMI from 1959 - 1962 arranging for its singers including Adam Faith. He also composed songs and scores for movies starring Faith. His first film was Beat Girl in 1960. Barry also composed the music for another Faith film, Never Let Go, orchestrated the score for Mix Me a Person, and composed, arranged and conducted the score for The Amorous Prawn. Mitchell, David (2014). "Gay Pasts and Disability Future(s) Tense". Journal of Literary & Cultural Disability Studies. 8 (1): 1–16. doi: 10.3828/jlcds.2014.1. S2CID 145241198. Ditmore, Melissa Hope (2006). "Midnight Cowboy". Encyclopedia of Prostitution and Sex Work. Vol.1. Westport: Greenwood Publishing Group. pp.307–308. ISBN 9780313329685.

Ferrante & Teicher's version, by far the most successful, reached #10 on the U.S. Billboard Hot 100, #2 Easy Listening chart. [53] Outside the US, it went to #11 in Canada [54] and #91 in Australia [55] :110 in 1970. Wear, Mike (October 8, 1969). "Sept. Totals Soar to High Plateau; 'Cowboy,' 'True Grit,' 'Easy Rider,' 'Daddy,' 'Oliver,' 'Curious' Leaders". Variety. p.7.