www.audible.com/blog/playlisted/many-voices-of-jim-dale/, http://www.jim-dale.com, www.nndb.com/people/658/000116310/, http://jim-dale.com

STORYTELLERS highlights artists who use narrative to communicate personal stories and universal truths. The next section, Good Vibrations (Beach Boys, 1966), traces the migration of many of these young artists from the East Coast to the West Coast where they joined California’s vibrant artistic community and connected with Sandra Sakata’s Obiko. A pair of colorful denim hand-embroidered mini shorts by Anna VA Polesny embroidered while traveling conveys this new youthful spirit. Pacific Rim influences are evident in the Japanese kimono form as a blank canvas offering infinite possibilities for pattern and design. Marika Contompasis’s machine-knitted kimono made of rectangular sections, Trout-Magnolia Kimono, 1977, and Janet Lipkin’s Mexico at Midday, a coat made in 1988 are exceptional examples. The section also looks at the art of performance, reflected in Ben Compton and Marian Clayden’s Nocturnal Moth, 1974, inspired by Federico Fellini’s film La Dolce Vita (1960). A range of counter-culture influences, evoking ceremony and spirituality, pervade this section. Wellington, Elizabeth (2019-11-16). "That embroidered skirt you love? It started with the pioneers of the art-as-fashion movement". Philly Inquirer . Retrieved 2021-11-29. liquid architecture is a symphony of space, but a symphony that never repeats and continues to develop, is an extension of our bodies, and like us, it has an identity. (Marcos Novak) Craft in America Craft in America - Julie Schafler Dale". www.craftinamerica.org . Retrieved 2021-09-04.

Golden Globe Award – Best Music, Original Song – Georgy Girl (shared with Tom Springfield for the song "Georgy Girl") I really do think it was part of the change in art education in the ’60s and ’70s,” said curator Dylis Blum. “Art classes became much more unstructured. You could do anything with any materials. There was a whole different attitude to education. That changed in the mid-70s when things became more structured again.” a b "Capturing your life, stitch by stitch: The art to wear movement on display at Philly art museum". WHYY . Retrieved August 30, 2021.

All the works are one-of-a-kind pieces. Although some artists used industrial equipment like computerized knitting machines to make complex patterns, none of the pieces were manufactured or duplicated for the marketplace.The champions of Art to Wear during the early years were a few forward-thinking museums, among them New York’s Museum of Contemporary Crafts (Museum of Art and Design), collectors, and galleries such as Sandra Sakata’s Obiko, founded in 1972 in San Francisco, and Julie Schafler Dale’s Julie: Artisans Gallery, which opened the following year on Madison Avenue in New York. For over 40 years, Dale’s gallery was a premier destination for presenting one-of-a-kind wearable works by American artists. Through her gallery installations and rotating window displays, she gave visibility to the Art to Wear movement. In 1986, she brought further recognition to the art form by publishing the seminal book Art to Wear—from which the title of this exhibition is taken—which provided in-depth profiles of artists alongside photographs by Brazilian fashion photographer Otta Stupakoff. Dale’s gallery closed in 2013.

Craft in America | Julie Schafler Dale on her collection and book | Season 12 , retrieved 2021-09-04 Many of the pieces on display use bold graphics and patterns to express something to the viewer. A kimono decorated with images of guns and flamingos evokes Miami gang violence. “Combat Vest” by Sheila Ghidini has several dozen green toy soldiers affixed to it as plastic armor. Debra Rapoport’s Fibrous Raiment in the Off the Wall: American Art to Wear Exhibit. (Kimberly Paynter/WHYY)

Chosen as first and fourth-place winners from thousands of entries, winning garments were exhibited at museums from San Francisco and New York to Amsterdam and Brussels. Now, the two Levi’s® artworks are on display again as part of the Off the Wall: American Art to Wear exhibit at the Philadelphia Museum of Art. It showcases decorated Levi’s® pieces among one-of-a-kind works by more than 60 artists, celebrating the creativity and ingenuity of those who created a distinctly American art form. At the age of 17, Dale became one of the youngest professional comedians in Britain, touring all the variety music halls. [13] [14]

Reviewing the situation" ebscohost.com, article from Variety, 4 September 1995. Retrieved 16 June 2014 BAFTA Academy Award – Most Promising Newcomer to Leading Film Roles – Adolf Hitler: My Part in His Downfall S. Mit zahlreichen Farbfotos. Inhalt: Nadel- und Webarbeiten / Federarbeiten, Lederarbeiten, Mischtechniken, Materialkombinationen, Veredelung / Flächengestaltung, Abstraktionen und räumliche Formen. - Gues Exemplar. Sprache: Deutsch 4°, OLwd. mit OU. in OPp./Lwd.-Schuber.Anna’s International Levi’s® became a signature work of art. She says her cutoffs symbolize love, freedom, the exuberance of youth and her interest in color as an emerging artist. Details include a satin-stitched “IANNA” on the waistband, added “not as a narcissistic statement, but as an intertwining of my name and Ian, my boyfriend at the time,” she said. Other details include the blue Volkswagen beetle she drove, the New York skyline of her home state, flowers, stars and colorful swirls. “They are about the joy of life at that time,” Anna said. a b Off the wall: American art to wear. Dilys Blum, Mary Schoeser, Julie Schafler Dale, Philadelphia Museum of Art. Philadelphia, PA. 2019. ISBN 978-0-87633-291-7. OCLC 1107150573. {{ cite book}}: CS1 maint: location missing publisher ( link) CS1 maint: others ( link) a b Billington, Michael. "Young Vic at 40: the Young and the restless" The Guardian, 19 October 2010