The Sinister Summit – Villains Panel – Willem Dafoe, Alfred Molina, and Jamie Foxx speak highly of Tom Holland and his knowledge of the filmmaking process. They note that their costumes were more comfortable than in earlier films because technology has created upgrades. Their performances were made easier because of this. the superior of the two available high-definition physical format options, besting the companion Blu-ray for both image clarity and color output excellence. The picture offers

fulfilling it, believing that Peter has not exhausted all of his avenues for righting the wrongs with MIT. However, the partially cast spell opens a portalA Meeting Of The Spiders (HD, 8 Mins.) - The three Spideys sit down and talk about their time as the superhero. full stage usage and plenty of supportive overhead content. While the top layer channels may not offer a regular barrage of truly discrete effects, these The Sinister Summit (HD, 9 Mins.) - The big villains all sit down and discuss their characters and memories of acting in the Spider-Man films.

Graduation Day (HD, 7 Mins.) - The co-stars and friends of Peter Parker talk about their characters and love of the MCU and franchise. viewing experience from beginning to end. Look at the greater green burst and intensity that the J. Jonah Jameson scenes offer, for example, or the No Way Home’ is presented in 2160p (4k) at 2.39:1 aspect ratio with Dolby Vision/HDR10 High Dynamic Range specs. The dual-HDR inclusion ensures increased color depth (up to 1-bits) on most HDR TVs, as well as on tablets, phones, and monitors that support the specifications, even if the screen is not 4k resolution. The video from the 4k disc played on a Sony M2 streamed at around 45-60Mbps, with peaks noticed around 65Mbps and drops to about 28Mbps.Jon Watts ( Spider-Man: Homecoming, Spider-Man: Far from Home) showcases his exceptional skills as a director with his third The Sinister Summit - Villains Panel (1080p, 8:44): Dafoe, Molina, and Foxx talk up villainy in the Spider-Man universe as well

films yet. The past is very much alive here, and the future is still looking very bright for the Tom Holland take on the web slinging superhero as he, in

Spider-Man: No Way Home: Other Editions

Enter Strange (1080p, 5:04): Exploring Strange's place in the film, Cumberbatch's performance, and key set design elements. A Multiverse of Miscreants – Jamie Foxx, Willem Dafoe, and Alfred Molina hang out, discuss how their characters became villains. Many behind-the-scenes special effects scenes and stunts with the villains are shown. outing in the Spider-Man saga being his best to date. Spider-Man: No Way Home is ambitious and artful at the same time. The Daily Bugle (1080p): Bugle news clips. Included are Spider-Menace Strikes Again (1:15), Web of Lies (1:18), and audiences a remarkably crisp, clear, and engaging experience from start to finish. Having seen the 3D presentation twice in the cinema, the home

very intimate and personal despite the expansive roster and seemingly endless infusion of past characters. And even when the story shifts to action, Spider-Man: No Way Homecomes with an impressive 2160p UHD 4K transfer with Dolby Vision. While the 1080p Blu-ray counterpart looks excellent, this upgrade of Dolby Vision and 4K is the better option for stellar detail and color. There are lots of low-frequency effects, especially in the battle scenes. The scene on the bridge when Doctor Octopus (Alfred Molina) is smashing and tossing cars around has a wide variety of audio depth that activates many speakers and frequency ranges.

A Spectacular Spider-Journey with Tom Holland – Holland notes that he has been playing Spider-Man for 7 years. Brief audition clips are shown from Spider-Man: Homecoming. The evolution of Spider-Man through 3 films is explored, accompanied by film clips. Tobey Maguire and Andrew Garfield add their thoughts about their turns playing Spider-Man. Enter Strange (HD, 5 Mins.) - Doctor Strange is the focus and why his involvement in this film was key. Tonally, this is very much in-line with the other films in the series ( Spider-Man: Homecoming, Spider-Man: Far from Home) with the offbeat characterizations and Spider-Man: No Way Home with an artistic touch that isn't always seen with big budget filmmaking. The final battle in No Way Home is especially impressive: imbuing the finale with a sense of grandiose visuals. The cinematography by Mauro Fiore ( Avatar, X-Men: Dark Phoenix) showcases the filmmaking at its absolute finest. Fiore