Chapter 2 - New York: Blast off to adventure as James Mangold showcases the re-creation of 1969 Manhattan for the Moon Parade chase. This featurette spotlights Helena (Phoebe Waller-Bridge) as John Williams conducts his beautiful new theme for this compelling character. Chapter 4 – Sicily – Meet Renaldo (Antonio Banderas) as he guides our heroes on a perilous underwater treasure hunt! Catch up with Harrison Ford and Phoebe Waller-Bridge on location in Sicily and explore the caverns, traps, and bugs surrounding Archimedes’ tomb!

front, and a handful of studio and format logos top and bottom. The top is the same as the spine minus the studio and format logos. The bottom is

The box doesn't seem particularly robust; it's not as bas the CBS/Paramount Mission: Impossible box but it's a wonder why Paramount didn't offer

The new English Dolby Atmos mix from Ben Burtt delights yet again here. As with the earlier films, the soundstage is big and wide up front, with expansive use of the surround and height channels for immersion. Dialogue is clean, Williams’ score is offered in outstanding fidelity, and the panning is smooth and natural. The fight aboard the boat (when we first catch up with adult Indy) is an assault on the ears, with crashing waves sweeping in thunderously from seemingly every direction. Subtle cues abound—softly chirping birds during the establishing shot of Marshall College, for example, the clamor of anxious students in the surrounds when Indy skips out on his office hours, or the airy echo of conversation in the church library. The canal chase in Venice is a highlight too, as the freighter’s spinning propeller chops Indy’s boat into pieces. Gunfights, cannon fire, the Nazi rally in Berlin, motorcycle chases, air combat, the belly of the zeppelin with its distant humming propellors, the metallic rumble of the interior of the tank—there’s great spacial work in virtually every scene. This is a brilliant object-based surround mix. Additional audio options include Spanish, French, Italian, and Japanese 5.1 Dolby Digital, and Japanese and Russian 2.0 Dolby Digital. Subtitles are available in English, English for the Hearing Impaired, Cantonese, Danish, Spanish, French, Italian, Japanese, Korean, Mandarin, Dutch, Norwegian, Russian, Simplified Chinese, Finnish, Swedish, and Thai.Shanghai, 1935. Indiana Jones survives a double cross by a crime boss named Lao Che, with the unwitting help of an American nightclub singer named Willie Scott (Kate Capshaw) and some deft driving by his young assistant, Short Round (Ke Huy Quan). But it turns out the cargo plane they escape on is owned by Lao Che, whose pilots bail out over the Himalayas, leaving Indy and his accomplices to crash. Fast thinking and an inflatable raft saves their lives, but the trio soon finds themselves in northern India, where the locals who help them reveal that tragedy has befallen their village. A sacred stone was taken from their shrine by forces from the nearby Pankot Palace. The stone protected their village, and soon after their children were stolen too. Indy believes it might be one of the legendary Sankara stones, given to humanity by the gods long ago, so the trio sets off to Pankot to investigate. Though they’re welcomed by its young Maharaja and his prime minister, Indy soon discovers that all is not as it seems at Pankot, and that an ancient evil may have returned to spell the doom of all. Ben Burtt’s English Dolby Atmos mix is the star of this show, however, and once again it’s phenomenal. At the risk of repeating myself, it offers a big wide front soundstage, lots of lively panning and movement, clear dialogue, and plenty of immersive use of the surrounds. The atomic test, the Sabre flyover, and the waterfall drops all use the height channels to full advantage. Williams’ score is brassy and blustery, presented in excellent fidelity. Mutt’s rumbling motorbike engine has pleasing low end heft. Simply put, every Atmos mix in this box set is a demo-worthy surround sound experience. Additional audio options on the 4K disc include English Audio Description, along with Spanish, French, Italian, Japanese, and Russian 5.1 Dolby Digital. Available subtitles include English, English for the Hearing Impaired, Cantonese, Danish, Spanish, French, Italian, Japanese, Korean, Mandarin, Dutch, Norwegian, Russian, Simplified Chinese, Finnish, Swedish, and Thai.

Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge. Get ready for edge-of-your-seat thrills in Indiana Jones and the Raiders of the Lost Ark. Indy (Harrison Ford) and his feisty ex-flame Marion Ravenwood (Karen Allen) dodge booby-traps, fight Nazis and stare down snakes in their incredible worldwide quest for the mystical Ark of the Covenant. Experience one exciting cliffhanger after another when you discover adventure with the one and only Indiana Jones. INDIANA JONES AND THE TEMPLE OF DOOM s U-571 is coming to 4K Ultra HD Blu-ray in the UK this September, with extra features too: more details here.

pattern with the film's title center, a blank top, and Paramount and UltraHD logos in light gray at the bottom. Now this is more like it. Indiana Jones and the Last Crusade is not only a better film than Temple of Doom, it’s arguably the second best film in this franchise to date. It seems that you just can’t have a great Indy film without a Nazi menace, so they do indeed return to keep up with (and torment) the Joneses. Once more, the story features an iconic relic of antiquity imbued with divine power. And two of the franchise’s best supporting characters, Sallah and Brody, are along for the ride this time to add to the fun. But the highlight of this film is unquestionably Sean Connery, who serves as the perfect comic foil for Harrison Ford’s deadpan delivery and accidental action hero performance. The two actors play off one another beautifully, with Connery stealing scene after scene. The film’s set pieces—including a boat chase, a zeppelin escape, and a struggle abroad a World War I tank—are thrilling. Spielberg’s direction and pacing are far more brisk, and composer John Williams delivers a score that’s at once brassy, but also more personal. The Last Crusade is not quite on the same level as the original film, but it’s definitely a welcome return to form for the series. In a year that has spoiled us with some phenomenal BD releases – Jaws, Lawrence of Arabia– and a slew of astounding boxsets – Bond, Universal Monsters– the Indiana Jones set really is the icing on the cake. The films are absolutely perfect entertainment through and through. And whilst the Ark, the Sankara Stones and the Grail are peerless milestones in the annals of action cinema, we can argue about the worth of Crystal Skulls until the day when we all need a handy fridge to avoid some nuclear blast, but the first three films are justifiably legendary and will doubtlessly last forever as the truest embodiment of thrilling adventure. Behind the Scenes: A whole slew of featurettes covering a range of cool elements from the series. We have -