The narrative's slow-burn approach allows for character immersion, but when uncertainty persists without clarity, it can weigh down the experience. Based off the contents of the issue and the premise of the novel, we know that this story is going to be a particular kind of violent. Given that there is very little dialogue, it is down to Araujo’s fantastic artwork to emphasise Remender’s story.

For Marvel he has written titles such as Uncanny Avengers, Captain America, Uncanny X-Force , and Venom . It can be read in one sitting, which I’m sure makes some people feeblike they maybe haven’t received their money’s worth, but I think that kind of thinking is a little misguided. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others.

Normally, that would be kind of infuriating, but because this is a Remender book, chances are we'll get more volumes. Its best-known series include Spawn, Monstress, Paper Girls, Saga, Invincible, Chew, and The Walking Dead.

I have no issue with this at all, in fact I prefer reading in trade or at least longer form storytelling than 20-odd pages, but from a review perspective I’m going to let this one complete its first arc and then come back for the full thing. This might not be doing anything exactly brand new – again, it's kind of hard to say for sure – but it is doing it in a calm way that heightens the drama when it happens, and in a way that proves action gives character where text often fails to.

I wanted to produce things at a certain pace and I was hopeful that being this the second book, I’d be able to hit the ground running. As I said last week , this current batch of pages is a particularly important part of the book, so it feels amazing to be fleshing it out and seeing it come to life. This is different from a lot of my usual comics, but intriguing enough that I’ll be checking out the second issue. It guides the reader from beginning to end, leaving a feeling of worry with a final bloody footprint.