We have such different personalities and such different approaches,” says Alejandro,” but in the end we have a strong balance. That first song was the title track, with Alejandro’s delicate fretwork like a mirage on the horizon and Estevan’s chords rumbling like thunder in the distance.

A newsletter is sent out every Wednesday evening, aside from that just the odd update when necessary. Born from an Ecuadorian mother and a Swiss father, they grew up being forged by both cultures, bridging between two worlds, both of which are home. Limited to 500 copies, the VMP exclusive edition of El Bueno Y El Malo is pressed on 1LP 180g Blue-in-Black vinyl at Memphis Record Pressing.Records that aren't in picture sleeves will either be in a company sleeve or a generic plain sleeve.

They loved it so much they invited him to record it for them, even retitling that song “Tres Hermanos. In perhaps the most significant addition to their two-guitar sound, their producer even played on one song. The title of the album is, of course, a reference to Sergio Leone’s legendary 1966 spaghetti western The Good, the Bad, and the Ugly and especially its score by Ennio Morricone. We use cookies to give you the best possible experience on our site, provide personalised content and advertising, analyse our traffic, and ensure you see more of what you love.Certain items can take longer to source than the estimated week, particularly during busy trading periods and may take longer to arrive at our warehouse.

Then he went to Ecuador for a year, and as an expression of missing him, I started playing the guitar as well.In the mid 2010s Alejandro moved to Zurich, not too far from the small village where his brother lived. Eternamente is the perfect introduction to Hermanos Gutiérrez and their unique "Instrumental Western Sound". Their misgivings were quelled as soon as they arrived at Easy Eye Sound Studio, and within twenty minutes they were already recording—not that they were even aware that the sessions had started. But the phrase has a deeper meaning: “We think that everybody has a good side and a bad side,” says Estevan. It’s not a cynical idea, but one that celebrates the depths and dualities of humanity, and music—even music that does not include vocals or lyrics—is the perfect vehicle to explore such big ideas.