As an actor he appeared most notably in the award-winning Edge of Seventeen and at HBO’s Aspen Comedy Festival. Written by Paul Dini and drawn by Alex Ross on pages the size of an average human head, it goes without saying that this is the shit.

Batman: War on Crime - Wikipedia

The source of the story is Aaron Black, who reveals in the televised interview that Stephanie was not only Spoiler, but also Robin, and that she could have survived her vicious torture at Black Mask's hands if given proper medical care.

Despite being a mortal man, he leans into his mythical persona by suggesting that bullets cannot harm him, that he (like justice itself) cannot be escaped. Molto importante, dal mio punto di vista, è l'uso dell'identità segreta di Batman, ossia Bruce Wayne, per operare contro alcune delle cause che producono la tendenza al crimine.

Batman: War on Crime - The Slings and Arrows Batman: War on Crime - The Slings and Arrows

It was entertaining enough to finish, but not anything I'd go out of my way to recommend to someone. The complete anthology will be localized to the following international territories: North America, France, Spain, Italy, Germany, the Czech Republic, Russia, Poland, Turkey, Mexico, Brazil, China, Korea, and Japan. Batman does what he can to help the kid, but he knows from experience what he's been through and resolves to check up later. Paul Dini and Alex Ross really understand the character in and out of costume and that’s why they delivere one of the best Graphic Novels about the Caped crusader.Por mucho que pueda valorarse la voluntad y determinación de Bruce Wayne en tanto pudo resistirse a la tentación de frivolidad cínica y casi orgánica de su propia casta social , inteligentemente presentada en el personaje de Randall Winters, lo cierto es que la existencia final de Batman hubiera sido impensable sin un enorme colchón económico detrás que brindase al menos la posibilidad de focalizar la ira de ese modo y poderlo mantener en el tiempo. De hecho, no hay un villano tangible sino que, al mejor estilo Batman: Ego , el "antagonismo" clásico es dejado a un lado y la intriga de la historia recae en un cuestionamiento interno del propio personaje de Bruce Wayne quién debe presenciar en Marcus (niño pobre de Bayside en Gotham) una hipotética historia alterna de lo que hubiera sido su vida si la perdida de sus padres le hubiera ocurrido en una situación de vulnerabilidad económica radicalmente distinta, lejos de los recursos para financiarse un Batmobil, tecnología superior al de las agencias de inteligencia o el viaje iniciático en donde conoció a personajes vitales como Henry Ducard o Ra's al Ghul. I would have preferred more of a story, but I appreciate the more subtle approach, the more nuanced 'adult' take on the problem of crime, what causes it and how to prevent it (and the problem of identifying who the real criminals are sometimes). The graphic novel follows an older Batman as he fights to bring justice to Gotham, while also combatting fascism that has spread across the USA. There's a prequel to War Games, War Drums, but not in my opinion it's definitely the weakest of the three.