J Dilla turned what one generation deemed musical error into what the next knew to be musical innovation. In this splendid book, Dan Charnas offers an uncanny mix of research and vision, documentation and interpretation, plenitude and momentum. Dilla Time is definitive. And exhilarating’ – Margo Jefferson, author of Negroland The book’s heart is its rich, evocative musicological analysis, complete with rhythm diagrams, of Dilla’s beats. . . Charnas’s engrossing work is one of the few hip-hop sagas to take the music as seriously as its maker.” — Publishers Weekly (starred review) This book is a must for everyone interested in illuminating the idea of unexplainable genius.” —QUESTLOVE

In the way that J Dilla’s music was a portal for us to hear our world and feel the pulse of life anew, Charnas has made a portal through which to understand our time—historical time, musical time, and James Yancey’s own time—in a new way. Dilla Time is a book that will be read and reread with as much pleasure as we have listened and relistened to Dilla’s music. A masterpiece.” —JEFF CHANG, author of Can’t Stop Won’t Stop This book is a must for everyone interested in illuminating the idea of unexplainable genius.” (QUESTLOVE) The book’s heart is its rich, evocative musicological analysis, complete with rhythm diagrams, of Dilla’s beats. . . Charnas’s engrossing work is one of the few hip-hop sagas to take the music as seriously as its maker.” J Dilla turned what one generation deemed musical error into what the next knew to be musical innovation. In this splendid book, Dan Charnas offers an uncanny mix of research and vision, documentation and interpretation, plenitude and momentum. Dilla Time is definitive. And exhilarating.” This is the story of a complicated man and his machines; his family, friends, partners, and celebrity collaborators; and his undeniable legacy. Based on nearly two hundred original interviews, and filled with graphics that teach us to feel and “see” the rhythm of Dilla’s beats, Dilla Time is a book as defining and unique as J Dilla’s music itself.All in all, this book was an education on the evolution of Hip-Hop after J Dilla got his hands on it. It was a walk through Detroit and other spaces and places. It was an exploration of the international landscapes that he touched from the UK & Australia to Hip-Hop loving markets in Japan, etc. I loved Chapter 15: Descendants and Disciples, my fave chapter - it was sooo good! There were layers and layers of information about adjacent artists and musicians and Dilla's influence on their style and what-begat-what-begat-what... each layer was delicious, so interesting, mindbending, fun, and unique. I gotta go look for the playlist someone's made on this book on Spotify, it's bound to be dope. Detailed, well-researched, and passionate analysis of the music and life of the influential hip-hop composer, producer, and musician… Charnas has His foundational understandings of music were also a notable theme through these chapters. In addition, Charnas details a deep history on the incorporation of machines into music. From metronomic machines to synthesizers to beat machines, each evolution in machine was complimented by a new musical development: Techno in Detroit forming alongside House (Chicago) and Electro (NYC). I've been reading @ethanhein since before I ever conceived "Dilla Time," so this was a treat. https://t.co/NV7V4xTkJ3 At the 2023 PEN Awards, Dilla Time won the PEN/Jacqueline Bograd Weld Award for Biography. [12] Film adaptation [ edit ]

There are two reasons why my fellow academics should be engaging closely with J Dilla’s music. The first is just cultural literacy; Dilla was influential and is more widely imitated with every passing year. The second is maybe more important: there are not widely used analytical tools for studying this music, and there is a whole world of microrhythm and groove out there that the music academy has been neglecting. Right now, “music theory” classes are mostly harmony and voice-leading classes, and that harmony is too often limited to the historical practices of the Western European aristocracy. But rhythm is at least as important as harmony, and in some musics, significantly more so. There is a persistent belief that rhythm is “less intellectual” or “more instinctive” than harmony and therefore less worthy of serious study. That is pure atavistic racist nonsense, but it also means that it’s hard to do better, because we don’t have the vocabulary or the methods to study rhythm in the depth that it deserves. If we can figure out how to talk about Dilla time, then that will open up a lot of other kinds of time as well. In that regard, I found Dilla Time to be nothing short of a holy scroll, a bold, brilliant testimony, a clinic in dot-connecting, musical-mapping, and hip-hop nerd sh*t. The story woven within is a profound portrait of a confounding pioneer, a thorough education, rumination, and stimulation, a game-changing historical document and love letter to a lost prophet. In the book, Charnas aims to dispel several myths about J Dilla. For one, according to Charnas, many musicians reduce J Dilla's time-feel as simply "loose" and "not quantizing," but the book describes this as an oversimplification, detailing the nuances that defined J Dilla's technique. [7] The book also debunks the misconception that J Dilla produced his 2006 album Donuts in the hospital, instead explaining that the album was born from an earlier beat tape and edited by Jeff Jank of Stones Throw Records while J Dilla was in the hospital. [4] Cover artwork [ edit ] Before this book I knew and loved Jay Dee, but I didn’t realize quite how deep his influence reached in the music I love. Dilla Time has existed across genres since I first began getting serious about music in high school, so while I’ve always thought of him as one of the best - I didn’t realize he was also the original.Troubling rumors and accusations are investigated with transparency, be they financial, medical, or even domestic, each specific instance or event reported in respectful yet thorough detail. The author writes honestly—and, occasionally, painfully—about Dilla’s relationships with the mothers of his children, and his two young daughters. We get an intimate peek into James’s close-knit bond with his own mother, whom he called Maureen, but whom the rest of us affectionately know as Ma Dukes. An ambitious, dynamic biography of J Dilla, who may be the most influential hip-hop artist known by the least number of people. . . A wide-ranging biography that fully captures the subject’s ingenuity, originality, and musical genius.” Damn, that’s crazy,” James replied. “I’m surprised.” Something about this gesture didn’t compute for James: a producer promoting someone who could potentially be competition. But Q-Tip was from a different school of thought: brotherhood. Pierre, Alphonse (16 December 2022). "A Chaotic List of the Best Rap Stars, Scenes, Trends, Freestyles, and Mixtapes of 2022". Pitchfork . Retrieved 5 March 2023. I basically devoured this book and thoroughly enjoyed the stories about Dilla’s work with Common, Slum Village and others. It was fascinating to learn about some of the deeper meaning around the sample choices on Donuts and I came away with greater context around why and how Dilla made the beats that he made.

a b c Lentini, Liza (1 February 2022). "Dan Charnas's Dilla Time: The Life And Afterlife Of J Dilla, The Hip-Hop Producer Who Reinvented Rhythm". Spin . Retrieved 5 March 2023. Q-Tip wanted everyone in a room, working together as partners. Ali Shaheed Muhammad wanted to support Q-Tip’s vision and liked James’s beats, but he suspected it was going to be awkward—he, Tip, and James sharing one drum machine. He and Q-Tip took their time making music, methodically going through records and experimenting with different ways to chop samples. They were deliberative, meticulous, collaborative. There are some rhythmic things that I find interesting, but harmony is way more important, at least to me. (This is a big part of the reason I don’t really listen to rap. Alice in Chains, for example, did a lot of cool stuff with meter (having sections of the same song in different meters, using exotic time signatures like 7/8, etc…) It’s no ordinary book. . . equal parts biography, musical analysis and cultural history delving deep not only into Dilla’s history and music but also into the histories of rhythm and his hometown of Detroit.” — VarietyI look at J Dilla as a man who redefined the word ‘innovative.’ This book makes you feel like you traveled his journey every single step.” —DJ PREMIER There's this feeling you get when you read something by someone who really cares, like realllllllllly cares about what they're sharing. An ambitious, dynamic biography of J Dilla, who may be the most influential hip-hop artist known by the least number of people. I listened to the audio book, narrated by author Dan Chanas in a way that flowed well with the book's content. When I learned that the written book includes diagrams I got a copy of that also, but I found that Chanas has done such a good job talking about "time" in music that the diagrams were unnecessary for my understanding! This is one of the book's biggest strengths - explaining in a clear and persuasive way what was unique about J Dilla's beat - and how it relates to musical styles that came before, how it influenced hip hop and a lot of popular music, how Dilla created it, how it evolved, etc. Musical TIME is a main character of this book just as much as Dilla is (as the title, Dilla Time, suggests). This is a huge strength of the book, and it's why it works as a fairly long biography of someone with a short life.

I love that Dan Charnas didn't shy away from the realities of J Dilla's life and personality, which could sometimes be so incredibly volatile that I'm surprised he had as many connections as he did! Charnas didn't shy away from the shambles Dilla left all his communities in with his disorganization and untimely passing. His music was incredible, and he'll forever be unforgettable for what he did with sound and how he changed various genres for the better. In 1999, writer Dan Charnas met J Dilla and Common while the two musicians were working on Common's album Like Water for Chocolate at J Dilla's home studio in Conant Gardens, Detroit. [4] [5] Charnas cites this meeting as "the real origin of the book." [5]With this assiduously researched, stirringly told, and expansively elucidated accounting of J Dilla’s life as muse, mythos, and generationally transformative composer of hip-hop beats, Dan Charnas has provided readers with an alchemist’s cookbook of its titular, wizardly subject.”— GREG TATE, author of Flyboy in the Buttermilk As the two bandmates’ chests heaved from exertion and fury, their hair and clothing ruffled, James tried to defuse the situation. Charnas begins examining Glasper and Lamar and (sort of an odd choice) Hiatus Kaiyote but stops before he really gets going. One can't blame him -- this is hardly the real subject of the book -- but it makes the whole last section feel lopsided and unfitting as a coda.