Blu-ray Audio: English DolbyAtmos, English Descriptive Audio, Spanish 5.1 Dolby Audio, French 5.1 Dolby Audio

Train Like A Killer (HD, 6 Mins.) - The training and rehearsal footage is discussed here with some footage from the sessions. Video Disclaimer: Screen captures used in the review are from the standard Blu-ray disc, not the 4K UHD Blu-ray disc.

Conclusion

Making A Killing (HD, 7 Mins.) - The look and cinematography are touched on here with interviews and behind-the-scenes footage. Making A Killing (HD, 6:25) – Set design, layout and choreography to use the environment during the action is the focus of this one. Killing at the Speed of Traffic (HD, 10:10) – This is a special behind the scenes look at the circle car, vehicular mayhem sequence in the finale of the film. Train Like A Killer: A six-minute piece in which the cast and creative team look at the intense training regimen that goes into these movies, the stunts and more. replaced by Wes Anderson (wouldn't that have been interesting) due to the prevalence of symmetrical framings on display throughout the

vestiges of artificiality remain (this seems to be a deliberate choice, as in the patently fake look of the closing sting featuring Donnie Yen). As is One Killer Shot: A three-minute exploration of how the team pulled off one of the most ambitious sequences in the movie. Audio: English DolbyAtmos, English Descriptive Audio, French 5.1 Dolby Audio, Spanish 5.1 Dolby Audio The Psychology of a Killer (HD, 5 Mins.) - The cast and crew examine the anti-hero elements throughout each character of the franchise.One Killer Shot (HD, 3 Mins.) - Here is a funny and great look at how one of the big action beats was made. discussed in some of the supplements, a lot of this film takes place at night, and while HDR and/or Dolby Vision offer a slew of really beautiful new reliance on purples and teals and a noticeable push toward blues and yellows. I almost jokingly thought maybe director Chad Stahelski had been storytelling despite that baseline simplicity, including any number of characters who are shall we say on the hyperbolic side. But certainly one of Killing At The Speed Of Traffic: A ten-minute featurette which takes a closer look at how the team pulled off the sequence at the Arc de Triomphe and how it established the stakes for the film.

the bat with some thundering effects as John pummels his training device. The cavernous sounds of the Bowery King's domain offer some clearKilling At The Speed of Traffic (HD, 10 Mins.) - This examines how that big fight scene in traffic was filmed and executed. The combination of lightning and thunder at 57 minutes is one of the best surround moments of the film, hitting low frequencies and high dynamics simultaneously.

Killing at the Speed of Traffic (HD; 10:10) looks at another great sequence at the Arc de Triomphe. smart "meta" issues. That includes things like an absolutely delightful "riff" on one of the most legendary edits in the history of film, the epic cut Low Frequency Extension: The subwoofer hits in all kinds of degrees with precise impact on horse clip clopping, explosions, punches, gunshots, stabbing, glass shattering, doors slamming and more.

fine detail levels are impressive, and even some of the more obvious CGI elements tend to sharper than might be expected, though admittedly some A Shot in the Dark (HD, 6 Mins.) - Nighttime is a big factor in this film where the crew talks about the challenges of lighting the darkness for the camera. Making a Killing (HD; 6:25) is kind of a grabbag dealing with this fourth installment's production design, location work and