It’s one of the story’s many ironies that Kreon sees Antigone as the arch-conspirator of the title, which in some senses she is and isn’t: she is kept out of the conspiracy and acts either entirely alone or with only Haemon’s help, but she is also the person whose defiance of, and unjust punishment by, Kreon shatters the stability of his regime. Arch-Conspirator is a gut punch of a story. Roth takes everything fragile about love, everything powerful about certain doom, and blooms with it. You'll be holding your breath until the very last word." - Olivie Blake, New York Times bestselling author of The Atlas Six I was on a balcony, nestled in ivy that grew only here, in the High Commander’s courtyard, where no amount of water scarcity in other parts of the city could convince Kreon to sacrifice beauty. People will permit a High Commander his small indulgences, I had heard him say once. It is such a difficult job. I got the eARC for Arch-Conspirator earlier this year and was pretty excited. Somehow I haven’t read anything by Veronica Roth since Divergent, even though I have another eARC still haha. This is a novella so that seemed like a fast read, but was it also an enjoyable one? Let’s take a look!

Arch-Conspirator - Macmillan

The earth is a barren landscape, nothing survives, and nothing grows. Funny – I could imagine this coming to be in a few decades/generations, climate change is already in full force, is this what we have to look forward to – ground unfit for purpose and the women used for nothing but vessels? Sounds absolutely bleak if you ask me. The rest of the story could be more straightforward, but the amount of information is too much for a tiny novella-length story. I had difficulty sifting through all the elements of Greek mythos and science fiction to make a cohesive story. I like Veronica Roth, Insurgent and Carve the Mark are exciting and well-thought-out storylines. Arch-Conspirator is a good idea that aimed for too much and fell short. It has just too much going on for me to recommend it. One man, High Commander or no, doesn’t have the right or the power to declare cruelty to be morality just because something has affected him personally. There is a word for the man who tries…tyrant.’ A] taut, defiant reenvisioning of Sophocles's Antigone.... The plot preserves the shape of the original without ever losing the capacity to surprise and, more importantly, prod reflection and recognition. This powerful tale of reproductive oppression is sure to wow." - Publishers Weekly (starred review)Speaking of Kreon, I think it was interesting that Roth changed him from being Jocasta’s brother to being Oedipus’. Honestly, it kind of makes sense—being Oedipus’ brother makes a more direct foil between those two, and Antigone’s relationship with her brother. It was kind of clever, and I can’t complain. The ending of the story, though likely not a spoiler (this is an ancient Greek tragedy, after all), feels somewhat disappointing. After getting to know Antigone, you wish for a different ending for her. But the rather hollow victory that Kreon has, also laced with sorrow and pain, lends a decent amount of complexity to the situation. It’s not that the villain wins, it’s that no one really does. But at the same time, if you look at it a certain way, Antigone wins. I asked my father, once, why he chose to curse us before we were born. Because to be born as my siblings and I were was to be doomed from the start. We were unique among our people, pieced together from whatever random combination of genes our two parents provided. Table-scrap children.

Veronica Roth Bio - Veronica Roth

This is not my usual type of book. I have no prior knowledge of Antigone and her siblings. I didn't know this was a retelling of a play. I saw Veronica Roth's name and I said bet, get me a copy. If you have read Antigone, then I think you have a good chance of enjoying Arch-Conspirator by Veronica Roth. This is not a retelling with a specific lens (feminist, marxist, post-structuralist, etc) - instead it is what it says on the tin, a sci-fi reimagining. Seven houses crumbling on a Theban street. One’s got no fire, one’s got no heat. One’s got no water; one’s got no meat.’ Roth's performance is intelligent but less emotive: set in a future dystopian world, this makes use of Creon's one-note politics and takes up questions of female bodily autonomy. I especially like the way this re-writes the previous transgression of Oedipus and Jocasta: here they refuse to have 'designer' babies by gene splicing and editing so their crime is not incest but natural conception, tainting their children in a world where the naturally-born are labelled 'soulless'. So when Kreon told us we were welcome to live in his house, I knew what the consequences would be: he would let Polyneikes and Eteocles and Ismene and me live, but we would do so at his pleasure. We would live in his house, lending legitimacy to his rule, and he would keep his eye on us.I think my main issues with the book were twofold. First, I just wish it had been expanded. Not in the way that the ending was - I love a good bittersweet and uncertain ending (and I can make up a happy ending in my head and no one can tell me otherwise!) I mostly want to know more about this world and understand more about Ichor and the Archives and just figure out how the world got to the way it was portrayed in the book. I want to know more about the system of government and the rebellions they kept mentioning and generally learn about the worldbuilding that the author started and gave us the barest hints of.