In​-ear แบบถอดสายได้​ ขั้ว​ 2​ Pin ช่องเสียบตามภาพครับ​ เราสามารถซื้อสายอัพเกรดเปลี่ยนได้​ตามความชอบ​ (แนะนำอย่าถอดเข้าถอดออกบ่อย​ เพราะรูมันจะหลวม)​ The ES4 is made out of a hard plastic shell and comes with a removable cable. These earphones feel pretty solid, but with such a hollow and large casing I would be afraid to step on them. Comfort is rather good, I especially like the ergonomic shape and the lighter weight of the plastic casing compared to metal earphones that often fall out.

KZ ES4 is the latest in firm’s growing line-up of hybrid

With an EQ you will be able to customize their lower mids and male vocals into absolutely clear and free of mid-bass bleed. Higher mids can be EQ’ed to calm down some of their harshy peaks without getting recessed. Extremely tight, if you are moving from single dynamic driver. It extends when required and doesn't interfere with musicality. But when called for, it shakes. Bass drops and bass line is crazy plus it stops somewhat pretty correctly. KZ ZSA: in terms of technicalities, the ZSA are very similar to the ES4: instrument separation is largely comparable, while soundstage appears slightly larger on the ZSA. There’s no clear winner, though. The ZSA have a much more pronounced V shape in their sound, with prominent bass and treble that really stand out. The upper mids spike is way worse on the ZSA than on the ES4. KZ ES4 the latest release from KZ with a dual hybrid configuration, detachable cables and plastic housings.Like the ZS10 before it, the AS10 does not offer a high level of passive isolation from external noise, providing just a bit of reduction in volume and not much more. Using foam tips helps reduce noise a bit, but they can’t replace the isolation that the shells do not offer.

KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip รีวิว KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip

The KZ ES4 is the newer updated version of the KZ ES3 , inheriting some of their main technical specifications like: dual driver, plastic housings, detachable cables. I would like to say that KZ finally nailed it with the ES4. Alas, that would not be true. The KZ ES4 is still plagued by a superficial tuning job that does not unchain the true potential of the drivers. This is not to say that it sounds bad, though, as I enjoyed listening to it and I still think this may well be one of the best earphones made by KZ – I consider it way better than the ZS10 in terms of tuning. The KZ ES4 mids have full bodied sound with a warm personality and very crisp higher mids. Lower vocals sound energetic and alive despite a mild presence of mid-bass bleed. If you were not into KZ’s new approach with the tuning of the KZ ZS10, you will be happy to know that the KZ ES4 has KZ’s sound signature that everybody loves. The KZ ES4 has a very strong output and if you crank the volume you will feed their crisp higher mids into some harshness. BA ให้รายละเอียดที่คมชัด เนื้อเสียงชุ่มฉ่ำ เสียงร้องชัดถ้อยชัดคำ ฟังสนุก เสียงออกแนวหวานกังวาลใส ส่วนเสียงสูงก็ทอดออกไปได้ไกลกำลังดี เนื้อเสียงหวานเช่นกัน รายละเอียดครบถ้วน เนื้อเสียงไม่แห้งมีสากเสี้ยนบาดหู ปลายเสียงเก็บไวไม่แตกพร่า ทำให้ฟังได้นานไม่รู้สึกปวดแก้วหู ตรงจุดนี้ต้องยกความดีความชอบให้ไดรเวอร์ Balanced Armature จริง ๆ ที่ทำจุดเด่นออกมาได้ดีขนาดนี้ ส่วนเวทีและมิติเสียง มีขนาดกลางกำลังดี ไม่แคบ จัดวางเครื่องดนตรีได้ดี เสียงร้องพุ่งออกมาข้างหน้า เครื่องดนตรีย่านต่ำคลออยู่โดยรอบฟังสนุก เนื้อเสียงมีความสมจริงมาก ๆ แนวเพลงที่เหมาะสม

Front-facing lights are designed with a 1.5w high-brightness LED light to illuminate the path ahead of you and to increase your visibility to others around you. The cables are the same one that comes with the KZ ED15 and KZ ZS10 with a dual double helix braided design and very rubberized finish. The connector of the cable is the same bi-pin 0.75mm of all KZ earphones with detachable cables; specifically they use the angled connector (like the KZ ZSR , KZ ZST and KZ ZS10) and not the straight connector that came with the KZ ZS6 , KZ ZS5 and KZ ZS3. Midrange is certainly recessed, but not as much so as to sound distant or as to make you wish for more volume. The signature is balanced enough to leave midrange enough room to breathe; instruments (including voices) are placed in the mix so that they are always clearly audible. Tonally-wise, midrange is on the warm side, but gently so: mids stay balanced and the upper range is not too far behind the lower range. This presentation is quite relaxing and enjoyable, especially if you listen to acoustic instruments. It’s decent even if we take a few other matters into account: detail is good enough to deliver the necessary nuances, but you never get to taste the finer ones. Even a few smaller details get lost in the mix, though that’s to be expected. Speed is good, though, so fast transients are rendered with impressive accuracy for the price range the KZ ZSN are in.