Ryan waves as he goes to school, 18 November 2016. Nikon D810, Nikon 70-200mm f/2.8 FL at 70mm, f/5 at 1/125 at Auto ISO 100. bigger or full-resolution file to explore on your computer. I don't use converters with zooms; I use the 80-400mm if I need to get to 400mm instead of fiddling with converters. Engraved and filled with paint on a little piece glued into a recess on the bottom of the tripod collar.

Most cameras also allow you to program, in the camera's custom functions menus, to have these buttons do other things, like start AF. Sharpness has little to do with real image quality, but if you count your pixels, skip the TC-20E with the 70-200mm VR. The pictures below illustrate the focal length range from wide to telephoto, on FX (35mm full-frame) and DX (APS-C) camera bodies:

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Its macro ability is unmatched by any other Nikon f/2.8 tele zoom, with a super-close 1:4.76 maximum reproduction ratio.

Golf Course. Palm Trees and Mountains, 21 November 2016. Nikon D810, Nikon 70-200mm f/2.8 FL at 135mm at f/8 at 1/250 at Auto ISO 100. bigger or full-resolution file to explore on your computer. This 70-200/2.8 is lighter and focuses closer than any other 70-200/2.8. Yes, it's at least as sharp as any other 70-200, but when you earn your living with it every day, what really matters is weight and close focus instance All pro 70-200mm lenses are ultrasharp, but that doesn't matter if the subject is too close to get in focus! If you're a tripod-hugger who demands the very highest sharpness in the corners at 200mm, you'll prefer the 200mm f/4 AF Micro-NIKKOR instead at 200mm. Normal people and pros love the 70-200 VR.Botts' Dots, 21 November 2016. Nikon D810, Nikon 70-200mm f/2.8 FL at 78mm at f/22 hand-held at 1/30 at Auto ISO 100. bigger or camera-original file to explore on your computer. SPORT is for use in a helicopter, sand rail, or motorcycle. SPORT is also OK for hand-holding while still, and intended for use from an unstable platform. These are the slowest speeds at which I get perfectly sharp shots 50% of the time. See Why VR Matters for details. It is soft at 200mm in the farthest corners on FX. This isn't a problem for pros who actually own and use the 70-200mm every single day, but if you're shooting landscapes on a tripod with a D3X, try something else, like the manual focus 80-200mm f/4.5n AI instead. Falloff on FX and 35mm is invisible, except at 200mm at f/2.8 if you leave Vignette Correction OFF, which is the same way just about every Nikon f2.8 tele zoom has been since the 1980s.