The Warden, an Alpha-Minus, the talkative chief administrator for the New Mexico Savage Reservation. He is blond, short, broad-shouldered, and has a booming voice. [26]

In 1932, the book was banned in Ireland for its language, and for supposedly being anti-family and anti-religion. [46] [47]

Martine de Gaudemar (1995). La Notion de nature chez Leibniz: colloque. Franz Steiner Verlag. p.77. ISBN 978-3-515-06631-0. Forgotten Actors: Charlotte Lawrence". Forgottenactors.blogspot.ca. 4 December 2012 . Retrieved 11 August 2016. Russell, Robert (1999). Zamiatin's We. Bristol: Bristol Classical Press. p.13. ISBN 978-1-85399-393-0. In Brave New World, Huxley contrives to exploit the anxieties of his bourgeois audience about both Soviet Communism and Fordist American capitalism. He taps into, and then feeds, our revulsion at Pavlovian-style behavioural conditioning and eugenics. Worse, it is suggested that the price of universal happiness will be the sacrifice of the most hallowed shibboleths of our culture: "motherhood", "home", "family", "freedom", even "love". The exchange yields an insipid happiness that's unworthy of the name. Its evocation arouses our unease and distaste. Kiakimé, a native girl whom John fell for, but is instead eventually wed to another boy from Malpais.

Bernard, Helmholtz, and John are all brought before Mustapha Mond, the "Resident World Controller for Western Europe", who tells Bernard and Helmholtz that they are to be exiled to islands for antisocial activity. Bernard pleads for a second chance, but Helmholtz welcomes the opportunity to be a true individual, and chooses the Falkland Islands as his destination, believing that their bad weather will inspire his writing. Mond tells Helmholtz that exile is actually a reward. The islands are full of the most interesting people in the world, individuals who did not fit into the social model of the World State. Mond outlines for John the events that led to the present society and his arguments for a caste system and social control. John rejects Mond's arguments, and Mond sums up John's views by claiming that John demands "the right to be unhappy". John asks if he may go to the islands as well, but Mond refuses, saying he wishes to see what happens to John next.

After the Age of Utopias came what we may call the American Age, lasting as long as the Boom. Men like Ford or Mond seemed to many to have solved the social riddle and made capitalism the common good. But it was not native to us; it went with a buoyant, not to say blatant optimism, which is not our negligent or negative optimism. Much more than Victorian righteousness, or even Victorian self-righteousness, that optimism has driven people into pessimism. For the Slump brought even more disillusionment than the War. A new bitterness, and a new bewilderment, ran through all social life, and was reflected in all literature and art. It was contemptuous, not only of the old Capitalism, but of the old Socialism. Brave New World is more of a revolution against Utopia than against Victoria. [38] The Daily Telegraph, 5 February 1932. Reprinted in Donald Watt, "Aldous Huxley: The Critical Heritage. London; Routledge, 2013 ISBN 1136209697 (pp. 197–201). a b Huxley, Aldous (1932). Brave New World. New York: Harper & Brothers. p.253. ISBN 978-0-06-085052-4.

Hawkins, Amy; Wasserstrom, Jeffrey (13 January 2019). "Why 1984 Isn't Banned in China". The Atlantic . Retrieved 23 November 2021. Soma doesn't merely stupefy. At face value, the happiness it offers is amoral; it's "hedonistic" in the baser sense. Soma-fuelled highs aren't a function of the well-being of others. A synthetic high doesn't force you to be happy for a reason: unlike people, a good drug will never let you down. True, soma-consumption doesn't actively promote anti-social behaviour. Yet the drug is all about instant personal gratification.In 1982, Polish author Antoni Smuszkiewicz, in his analysis of Polish science-fiction Zaczarowana gra ("The Magic Game"), presented accusations of plagiarism against Huxley. Smuszkiewicz showed similarities between Brave New World and two science fiction novels written earlier by Polish author Mieczysław Smolarski, namely Miasto światłości ("The City of Light", 1924) and Podróż poślubna pana Hamiltona ("Mr Hamilton's Honeymoon Trip", 1928). [59] Smuszkiewicz wrote in his open letter to Huxley: "This work of a great author, both in the general depiction of the world as well as countless details, is so similar to two of my novels that in my opinion there is no possibility of accidental analogy." [60] Freemartins, women who have been deliberately made sterile by exposure to male hormones during foetal development but are still physically normal except for "the slightest tendency to grow beards." In the book, government policy requires freemartins to form 70% of the female population.

The following include specific instances of when the book has been censored, banned, or challenged: A passage in Crome Yellow contains a brief pre-figuring of Brave New World, showing that Huxley had such a future in mind already in 1921. Mr. Scogan, one of the earlier book's characters, describes an "impersonal generation" of the future that will "take the place of Nature's hideous system. In vast state incubators, rows upon rows of gravid bottles will supply the world with the population it requires. The family system will disappear; society, sapped at its very base, will have to find new foundations; and Eros, beautifully and irresponsibly free, will flit like a gay butterfly from flower to flower through a sunlit world." In place of the Nine Years' War — the calamity that brought the society of Brave New World into being — Huxley points to the danger of overpopulation as the trigger for tyranny. Just as the fictional war brought the call for a totalitarian World State, the chaos caused by overpopulation may be demanding control through over organization. Instead of many little businesses producing necessities, an over-organized society allows big business to mass-produce anything and everything saleable, while controlling consumer spending through commercials and social pressure. The resulting programmed consumption — "Ending is better than mending" — of Brave New World had already begun to take over the post-war world, at least in the West.In BNW, happiness derives from consuming mass-produced goods, sports such as Obstacle Golf and Centrifugal Bumble-puppy, promiscuous sex, "the feelies", and most famously of all, a supposedly perfect pleasure-drug, soma. H. G. Wells' novel The First Men in the Moon (1901) used concepts that Huxley added to his story. Both novels introduce a society consisting of a specialized caste system, new generations are produced in jars and bottles where their designated caste is decided before birth by tempering with the fetus' development, and individuals are drugged down when they are not needed. [54] For his part Wells published, two years after Brave New World, his own Utopian Shape of Things to Come. Seeking to refute the argument of Huxley's Mustapha Mond—that moronic underclasses were a necessary "social gyroscope" and that a society composed solely of intelligent, assertive "Alphas" would inevitably disintegrate in internecine struggle—Wells depicted a stable egalitarian society emerging after several generations of a reforming elite having complete control of education throughout the world. In the future depicted in Wells' book, posterity remembers Huxley as "a reactionary writer". [20] The Director of Crematoria and Phosphorus Reclamation, one of the many disappointed, important figures to attend Bernard's party. Still, Huxley argues, the future will look more like Brave New World than 1984. In the West, pleasure and distraction, used by those in power, control people's spending, political loyalties, and even their thoughts. Control through reward poses a greater threat to human freedom because, unlike punishment, it can be introduced unconsciously and continued indefinitely, with the approval and support of the people being controlled.