Selected Poems: 1957-1981, Faber and Faber, 1982, enlarged edition published as New Selected Poems, Harper, 1982, expanded edition published as New Selected Poems, 1957-1994, Faber and Faber, 1995. Five Autumn Songs for Children’s Voices, illustrated by Phillida Gili, Gilbertson (Crediton, Devon, England), 1968. Winter Pollen: Occasional Prose (essays), edited by William Scammell, Faber and Faber, 1994, Picador USA (New York, NY), 1995. When things turn into a national disaster and get out of hand, the children, Lucy and Hogarth, who reappears from The Iron Man, beg the Iron Woman to stop. Eventually the men emerge from the water, with their hair turned white. Hughes’s urgency for that same “deep change” (Hughes, 1993, p. 85) voiced by the Iron Woman, to save Western society, comes in the form of a healing miracle to save nature and humankind. Overnight strange yellow webs grow, dissolving the waste from the factory and turning it into a magic non-toxic fuel. Curiously enough, the same day that Hughes sent The Iron Woman to his publisher at Faber, he read in New Scientist that two Japanese scientists claimed to have found a way to convert plastics into fuel (Morrison, 1999, p. 166).

Flowers and Insects: Some Birds and a Pair of Spiders, illustrated by Leonard Baskin, Knopf (New York, NY), 1986.Hughes was appointed Poet Laureate in December 1984, following Sir John Betjeman. A collection of animal poems for children had been published by Faber earlier that year, What is the Truth?, illustrated by R. J. Lloyd. For that work he won the annual Guardian Children's Fiction Prize, a once-in-a-lifetime book award. [48] Hughes wrote many works for children and collaborated closely with Peter Brook and the National Theatre Company. [49] He dedicated himself to the Arvon Foundation which promotes writing education and runs residential writing courses at Hughes's home at Lumb Bank, West Yorkshire. [49] In 1993, he made a rare television appearance for Channel 4, which included him reading passages from his 1968 novel The Iron Man. He also featured in the 1994 documentary Seven Crows A Secret. [50] Nikolajeva, Maria. (2016). Recent Trends in Children’s Literature Research: Return to the Body. International Research in Children’s Literature, 9(2), 132–145. Selected stories from Hughes' How the Whale Became and The Dreamfighter were adapted into a family opera by composer Julian Philips and writer Edward Kemp, entitled How the Whale Became. Commissioned by the Royal Opera House, the opera was premiered in December 2013. [89]

With Ruth Fainlight and Alan Sillitoe) Poems, Rainbow Press (London, England), 1967, reprinted, 1971. Contemporary Literary Criticism, Volume 2, 1974, Volume 4, 1975, Volume 9, 1978, Volume 14, 1980, Volume 37, Gale (Detroit, MI), 1986. Crow: From the Life and Songs of the Crow, Faber and Faber (London, England), 1970, Harper, 1971, revised edition, Faber and Faber, 1972, Harper, 1981. Gerald Hughes, brother of Ted – obituary". The Telegraph. 15 August 2016. Archived from the original on 12 January 2022 . Retrieved 1 December 2018– via www.telegraph.co.uk. The book began as a series of 'talks' that Hughes wrote, and read, for the BBC Schools Broadcasting radio series "Listening and Writing". The five surviving programmes, 'Capturing Animals', 'Moon Creatures', 'Learning to Think', 'Writing about Landscape' and 'Meet my Folks!' are available on the BBC British Library CD: "Ted Hughes: Poetry in the Making". The Spoken Word. British Library. 2008. ISBN 978-0-7123-0554-9Richard Price, Ted Hughes and the Book Arts". Hydrohotel.net. 17 August 1930 . Retrieved 27 April 2010. Seeling, Beth J. (2002). The Rape of Medusa in the Temple of Athena: Aspects of Triangulation in the Girl. International Journal of Psychoanalysis, 83, 895–911. Translator, with Assia Gutmann) Yehuda Amichai, Selected Poems, Cape Goliard Press (London, England), 1968; expanded edition published as Poems, Harper. This poetry collection was written between 1966 and 1969. This followed the three years after Plath's death when Hughes barely wrote. The poems feature the crow as a character throughout the collection. Adapter) The Story of Vasco (libretto; based on a play by Georges Schehade; produced in London, 1974), Oxford University Press, 1974.

Haraway, Donna. (1985). Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s. Socialist Review, 15(2), 65–107. As Plath's literary executor, it was revealed that he had destroyed some of Plath's journals and heavily edited her collection Ariel (1965). This was seen by some as a form of censorship. Ted Hughes: poems And author of introduction) Keith Douglas, Selected Poems, Faber and Faber, 1964, Chilmark Press (New York, NY), 1965.Sylvia Plath, Crossing the Waters: Transitional Poems, Harper, 1971, published as Crossing the Waters, Faber and Faber, 1971.