Singers get right up on the mic during live performances, and the screen did a nice job in catching most of it, but some heavily emphasized P’s still popped through. The 103 third parties who use cookies on this service do so for their purposes of displaying and measuring personalized ads, generating audience insights, and developing and improving products.

and i stand correct that hiss is either coming from the source, mic, preamp, mis-use of processing or from level mis-match between gear in the analog domain (which may happen at the very last stage though): the amps then only make it louder. The SR314 is not only designed to capture its source with absolute clarity, but also to reject off-axis material in a natural-sounding way. Its microphones notoriously reproduce clean, crisp, and accurate sound with an ultra-fast transient response, extended frequency range, and very low noise. Especially since you're not a quiet singer in a loud rock band, trying to scrape as much GBF from the mic.In the USA, for example, it costs the same as rivals such as the Neumann KMS 104 and 105 and the Shure KSM9, and is considerably more affordable than DPA's d:facto.

It’s designed to have low handling noise to perform well on stage, and can withstand up to 145dB SPL. It can accept sound pressure levels of up to 145dB, though Earthworks don't state what level of distortion is reached at that point, and sensitivity is a comfortable 10mV/Pa.Please give us the reason for your assessment in the following text box and – if possible – your e-mail address for further questions. pounds, the solid feel of the SR314 inspires confidence—it’s built like a tank—so you’ll need to make sure that your mic stand is securely locked into place to prevent slipping.

Only downside is insufficient pop filtering, however can be mitigated by the usual means and also depends on user's mic technique. i admit that phantom power was occasionally an issue back in the late 80's and i therefore either carried a symmetrix preamp or a neumann phantom power unit quite regularly). it seems it's something in the midrange that makes it butter smooth on my vocals, and it seems that it have a lot more proximity effect.It’s not often that you find a practical and attractive design in a microphone intended for live use. While some microphones tend to get a bit clinical sounding if they’re heavily focused on accuracy, the SR314 does an excellent job of providing a musical and vivid sound. The sonic character embodies the amazing speed, clarity and definition that EW is so famous for; but there is something very special about this mic. Quicker soundchecks and better monitor and in-ear mixes let artists focus on what matters most - the music.

The SR314’s frequency response is flat, but don’t let that lead you to think that the microphone lacks personality.If you have any experience with Earthworks microphones, this falls very much into the same family of natural, balanced, and detailed sound. The SR314 has a wide sweet spot, captures plenty of detail, and effectively controls proximity effect.