He has an enviable sense of composition, balancing shape, color, line, texture, and type with a precision that makes it all seem effortless. You have to have a really good eye to do all that. And Martin O’Neill has the best. He is a true master of collage.” – Graham Rawle. June 2019 Tellingly, a number of those had also complained to the club’s hierarchy about his predecessor, Aitor Karanka, and this has been a recurring theme for Forest during 20 years of drift outside the top division: players turning against the manager and, in O’Neill’s case, the people in charge reluctantly concluding that the damage was irreparable. As he takes you through this momentous journey, it’s not difficult to be impressed with everything that he has achieved and it seems that he has done it with minimal collateral damage. So often you see public figures climb to the top of the mountain stepping on people as they go but O’Neils generous and warm personality makes for a winning account of triumph over adversity when facing very difficult odds. Because he sees the inherent value in every tiny piece, he develops a unique relationship with his archive. This makes all the difference when he brings everything together in an image because we feel what he feels; his passion is infectious. “

Martin O’Neill | Illustrator Artist (Cut it Out Studio) Martin O’Neill | Illustrator Artist (Cut it Out Studio)

As a manager, O’Neill took Wycombe Wanderers to the football league for the first time, led Leicester City to two League Cups, and his tenure at Celtic saw them win seven trophies and their glorious run to the UEFA Cup Final in 2003. Martin led Aston Villa to an unprecedented three consecutive top six Premier League finishes and he oversaw the Republic of Ireland reaching the Euros in 2016, when they made it to the second round for the first time in their history.

Some had made it clear behind the scenes that they did not enjoy working with him and that the atmosphere had deteriorated to the point they held little hope of it being a successful season. As an avid scavenger of ephemera, Martin O’Neill’s glorious compositions begin long before he assembles them as images. He seems to carry these found treasures in his head while the stowed physical pieces lie dormant in an erratic filing system of studio file drawers (…) until the right moment comes along.”

Martin O’Neill joins Twitter on eve of ‘On Days Like These,’ Martin O’Neill joins Twitter on eve of

O’Neill made it clear before taking the job that he regarded it as unfair to be branded a “dinosaur” and, to give him his due, he experimented with various formations since inheriting the team. Again, though, the style of play has not always been pleasing on the eye. His international clients encompass advertising, design, editorial, publishing, as well as regular contributions to the UK and US press including Sony Playstation, Faber Faber, Capital One, EMI Music, Wired USA, Camel & GQ India. And he will continue. “Working intuitively allows him to spot potential combinations, recognizing and then capitalizing on serendipity and the element of chance. While the final choices are informed by assiduously honed design skills.The flaw in that argument was that Guedioura had been left out of Algeria’s squad for their games against the Gambia and Tunisia. O’Neill was livid. There was a dressing-room confrontation and, perhaps unsurprisingly, Guedioura did not start another game for the two-times European Cup winner. Early on, I would have taken a bit of criticism but not nearly as much as Billy for making the choice. He never told me about it, he never said it bothered him. He was prepared to go for it when for an easier life he could have bypassed me.” But most of all he should head to Paradise, home of the Scottish Champions and where his work as a football manager is most appreciated. Martin O’Neill was a legend as a player for Forest but fans were not enamoured of his style of play as a manager. Photograph: Tony Marshall/Getty Images Martin O’Neill was born in London. The Graphic illustrator Artist creates collages for a wide range of International clients through publishing, advertising, design, and installation work.

On Days Like These: The incredible autobiography of a

Martin O’Neill speaks honestly about the decision to retire as a player, and making the transition to manager. He recalls finding early success with Wycombe Wanderers, and the move to the Premier League with Leicester City. He talks about his years with Celtic, where the team won seven trophies and reached the UEFA Cup Final in 2003, and at Aston Villa, where he achieved three consecutive top six Premier League finishes. He also speaks about managing the Republic of Ireland, and working alongside his mercurial assistant, Roy Keane. Written with O’Neill’s trademark honesty and humour,Martin’s capability relies on being an international contemporary illustrator by keeping his old school technique his strong point of recognition. O’Neill remains youthful in body and mind. If his days in the dugout are indeed over, he quite rightly refuses to fully concede as much. “Could I manage at the top level? I don’t think those things leave you. The spirit, the determination, the passion and drive … My last breath on this earth is when those things will leave me.” Mr. O’Neil takes us on a journey that includes his childhood, his professional football career and then his professional management history. A really fine footballer. Terrific. What he knew about management, you could box in a thimble. We all might have some sort of ego but it can’t all be about you.” Martin recognises that his days at Leicester City, where he won the League Cup, happened around a half a mile away from the club’c current home at Filbert Street. Martin might choose to post his next video from The City Ground in Nottingham, or even Villa Park where he did much better than their recent boss to say the least. He might even make the short hop across the Irish Sea to Dublin where he managed the Republic or up to Belfast where he played for the six counties.

Martin O’Neill: ‘I deserved criticism. But it was an absolute

O’Neill’s memories of a “mesmeric” Clough remain vivid, from the moment of their initial meeting in the winter of 1975. Clough instantly promoted O’Neill to the first team but was not of a mind to fawn. “Hey, you: Stop putting your mate in the shit. You look like a boy who would put your mate in the shit,” was the message in an early training session. Martin O’Neill is widely regarded as one of the most respected figures in football with a career spanning more than 50 years. A key part of Brian Clough’s legendary Nottingham Forest team in the ‘70s and early ‘80s, he represented Northern Ireland more than 60 times and led them to the 1982 World Cup. O’Neill is effusive in his praise of Keane, who has not managed since departing Ipswich in 2011. Bert Johnson, O’Neill’s youth coach at Forest, imparted advice which he believes applies to Keane. “You get a reputation in life for being an early riser and you can lie in bed all day,” he says. Graham Rawle is a writer, artist, and designer. He has produced regular series which include ‘Lying Doggo’ and ‘Graham Rawle’s Wonder Quiz’ for The Observer and ‘When Words Collide’ and ‘Pardon Mrs. Arden’ for The Sunday Telegraph Magazine and ‘Bright Ideas’ for The Times. He is a Visiting Professor in Illustration at the Norwich University of the Arts where in 2012 he was awarded an Honorary Doctorate for services to design. He lives in London.As for his critics in the dressing room, they grew to dislike his ideas. There have been complaints that his training methods were uninspiring and that, tactically, the squad were unsure about how he wanted them to play. Over the last week, as he led them on a series of punishing runs, attitudes have hardened. Yet the truth is a nucleus of senior players were unconvinced from the start. The relationship between O’Neill and the Irish football media during a five-year international tenure remains a source of fascination. We shall return to that later. It would be unfair, as some have suggested, to depict O’Neill’s memoir as a score-settling exercise. Yes, there is occasionally acerbic comment – one would surely expect no less – but an extraordinary career which scaled playing heights under Brian Clough before touching managerial greatness at Celtic and Leicester is depicted with an entertaining tone. There is self-deprecation throughout. For a complicated man, he played a very simple game. He was as good at tactics as anybody but that’s not how he is considered. He is considered a motivator, a shouter or a charmer. He knew the game inside out. He told us things tactically during games that stood the test of time. He would say something to you on a Monday, contradict himself on a Friday and you would believe both.”