An Inspector Calls and Other Plays (Penguin Modern Classics)

£4.995
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An Inspector Calls and Other Plays (Penguin Modern Classics)

An Inspector Calls and Other Plays (Penguin Modern Classics)

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Price: £4.995
£4.995 FREE Shipping

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Inspector: Yes, she was in great agony. They did everything they could for her at the infirmary, but she died. Suicide, of course. Sheila: I'd gone in to try something on. It was an idea of my own – mother had been against it, and so had the assistant – but I insisted. As soon as I tried it on, I knew they'd been right. It just didn't suit me at all. I looked silly in the thing. Well, this girl had brought the dress up from the workroom, and when the assistant – miss Francis – had asked her something about it, this girl, to show us what she meant, had held the dress up, as if she was wearing it. And it just suited her . She was the right type for it, just as I was the wrong type. She was very pretty too – with big dark eyes – and that didn't make it any better. Well, when I tried the thing on and looked at myself and knew that it was all wrong, I caught sight of this girl smiling at miss Francis – as if to say: 'doesn't she look awful' – and I was absolutely furious. I was very rude to both of them, and then I went to the manager and told him that this girl had been very impertinent – and – and – ( she almost breaks down, but just controls herself .) How could I know what would happen afterward? If she'd been some miserable plain little creature, I don't suppose I’d have done it. But she was very pretty and looked as if she could take care of herself. I couldn't be sorry for her. An Inspector Calls is a modern morality play written by English dramatist J. B. Priestley, first performed in the Soviet Union in 1945 [1] and at the New Theatre in London the following year. [2] It is one of Priestley's best-known works for the stage and is considered to be one of the classics of mid-20th century English theatre. The play's success and reputation were boosted by a successful revival by English director Stephen Daldry for the National Theatre in 1992 [3] and a tour of the UK in 2011–2012.

Inspector: After about a couple of months, just when she felt she was settling down nicely, they told her she'd have to go. Inspector: but if her story was true, if this boy had been giving her stolen money, then she came to you for help because she wanted to keep this youngster out of any more trouble – isn't that so? Gerald: (with an effort) Inspector, I think Miss Birling ought to be excused any more of this questioning. She'd nothing more to tell you. She's had a long exciting and tiring day – we were celebrating our engagement, you know – and now she's obviously had about as much as she can stand. You heard her.Birling: (cutting in) Just a minute, Sheila. Now, Inspector, perhaps you and I had better go and talk this over quietly in a corner--

He is the embodiment of the self-centred upper classes. Arthur Birling is an arrogant and dismissive character used by Priestley as a dramatic vehicle to criticise capitalism, the arrogance of the upper classes, and the ignorance of the elder generations. Mrs Birling: possibly. But it sounded ridiculous to me. So I was perfectly justified in advising my committee not to allow her claim for assistance. Birling: No, we won't. It's one of the happiest nights of my life. And one day, I hope, Eric, when you've got a daughter of your own, you'll understand why. Gerald, I’m going to tell you frankly, without any pretences, that your engagement to Sheila means a tremendous lot to me. She'll make you happy, and I’m sure you'll make her happy. You're just the kind of son-in-law I always wanted. Your father and I have been friendly rivals in business for some time now – though crofts limited are both older and bigger than Birling and company – and now you've brought us together, and perhaps we may look forward to the time when Crofts and Birlings are no longer competing but are working together – for lower costs and higher prices.Birling: Oh – that's it, is it? Well, we've several hundred young women there, y'know, and they keep changing . Gerald: And I don't really see that this inquiry gets you anywhere, Inspector. It's what happened to her since she left Mr Birling's works that is important. Sheila: we all started like that – so confident, so pleased with ourselves until he began asking us questions. Birling: Yes, my dear, I know – I’m talking too much. But you youngsters just remember what I said. We can't let these Bernard Shaws and H.G.Wellses do all the talking. We hard-headed practical business men must say something sometime . And we don't guess – we've had experience - and we know.



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