The entrance to our building is through double glass doors. There are automatic doors at both entrances and these are also staffed when the building is open to the public. The publication of An Atlas of Es Devlin coincides with the artist’s 30-year archive exhibition at Cooper Hewitt, Smithsonian Design Museum in New York, and her recent project credits include Beyoncé’s Renaissance tour – which has become the highest-grossing tour by a female artist in history. She also designed the visuals for U2’s opening performance at the groundbreaking MSG Sphere Las Vegas. Her sculptures have been displayed at the Serpentine, V&A, Barbican and Tate Modern, and her professional accolades include Olivier, Tony and Emmy awards, as well as an Ivor Novello and a CBE. Dior's S/S 2022 menswear show looked to arid landscapes of Texas, the birthplace of the French brand's latest collaborator, rapper and style iconTravis Scott Generous support is provided by Amita and Purnendu Chatterjee, Lisa Roberts and David Seltzer, Kimberly Schuessler, and Morgan M. Schuessler, Jr. So much beauty, precision, love and compassion’: Benji Reid: Find Your Eyes. Photograph: Oluwatosin Daniju

Devlin creates large-scale sculptural installations that combine light, music and language. Her work is rooted in a lifelong practice of reading and drawing, from the plays, song lyrics and opera libretti that have informed her performance sculptures, to the works of fiction, poetry, geo-philosophy, anthropological economics, biology and climate science that have formed the foundation of her art and activism over the past decade. She views an audience as a temporary society and encourages profound cognitive shifts by inviting public participation in communal choral works. Her temporary participatory sculptures have been displayed at Tate Modern, Serpentine, V&A, Barbican, Imperial War Museum and Trafalgar Square. New Antonio Citterio book chronicles the Milanese architect's most celebrated designs, from Technogym's sleek product range to furniture for Flexform, Cassina and more

Es Devlin’s ‘Your Voices’ at Lincoln Center, commissioned by Moët & Chandon, is an ode to the 700 languages spoken in New York City There are a small number of Blue Badge spaces along Water St and Quay St. Otherwise head towards Liverpool Road, Great John St and Lower Byrom St – close to our neighbours, the Science and Industry Museum where there are a small number of additional Blue Badge spaces. Reflecting on a three-decade career with a client list that reads like the guestlist of the Grammys, even Es Devlin can’t resist the urge to flirt with what could have been. Having studied English Literature and Fine Art at Bristol University and London’s Central Saint Martins, respectively, Devlin admits that her hunger for visual ingenuity and flair for the poetic almost led her into the headline-grabbing world of 1990s contemporary art. Remembering the way she looked up to the divisive YBA movement of the era, she recognises how close she came to making steps in their direction. “I had a job on a little opera project that Damien Hirst was doing in Scotland that was sort of entering into that little world, but I didn’t go that way because, at the time, I guess I felt uncomfortable with the commodification of art,” she says today. As visitors enter the galleries, they will be invited into a replica of Devlin’s London studio to sit at her desk surrounded by tools, materials and works in progress. As the studio lights dim, projections will bring the objects and walls of the studio to life, encompassing viewers in Devlin’s voice and imagination. An Infinite Archive These are embellished with in-depth interviews with her many ‘collaborators’ (Devlin preferring the term over ‘clients’), including Hans Ulrich Obrist, Pharrell Williams, Brian Eno, and many more. Throughout these conversations and the wider volume, the artist details her views on the audience as a form of ‘temporary society’, her current engagement with the cultural response to our climate and civilizational crisis, and the dialogue between music, poetry and the physical manifestation of ideas in her sculpture.

A giant projection of Devlin’s hand appears to slice through one of the studio walls, inviting a journey through Devlin’s archive of never-before-seen paintings, drawings, paper sculptures, sketches and revolving cardboard models. Projected imagery transforms many of the humble cardboard sculptures into replicas of the final large-scale luminous edifices. An Atlas—A FilmThe soundscapes created by Polyphonia aka composers Jade Pybus and Andy Theakstone include music from Es Devlin’s hugely popular immersive artworks A Forest of Us (2021) at Superblue, Miami, BLUESKYWHITE (2021) at 180 Studios, London, and several new works that will be shown in her new exhibition at Cooper Hewitt, Smithsonian Museum of Design, New York (2023).