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Their Greatest Hits

Their Greatest Hits

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Sólo Éxitos 1959–2002 Año A Año: Certificados 1979–1990" (in Spanish). Iberautor Promociones Culturales. ISBN 8480486392. New Zealand album certifications – Bee Gees – Bee Gees Greatest". Recorded Music NZ . Retrieved 16 November 2019. The second modern standard the Bee Gees came up with in less than a year. Words’ bulletproof tune – and Barry’s fabulous vocal, at turns fragile and anguished – spawned more than 150 covers, including versions by Elvis Presley, Roy Orbison, Terry Wogan and Boyzone, alas not together. 8. Nights on Broadway (1975) It says something about the embarrassment of songwriting riches in the Bee Gees’ catalogue that a song as good as Run to Me – filled with shifts in tone from tender verses to anthemic choruses, plus a Top 10 hit to boot – feels overlooked. In anyone else’s oeuvre, it would be a showstopper. 6. Night Fever (1977)

January 1980/7502/ "Official Albums Chart Top 100". Official Charts Company. Retrieved 12 March 2013. An unexpected addition to the setlist of Barry’s 2013 Mythology tour, Kilburn Towers is a hidden gem on Idea. A beautiful evocation of the sun setting over Sydney on a summer’s evening, it drifts along on a warm breeze of acoustic guitar and mellotron. Slight, but irresistibly lovely. 24. Melody Fair (1969) Boogie Child" did appear in the box set Tales from the Brothers Gibb, but it was again passed over on the double disc set Their Greatest Hits: The Record from 2001. Billboard's unofficial policy states an album requires at least 33% new material to qualify as a new release; Greatest contains about 28% new material, thus making it a re-issue. The Bee Gees understood that much of the best disco has a tension at its heart – uplifting music chafing against emotionally wrenching lyrics. If I Can’t Have You is an utterly downcast tale of unrequited love that feels completely euphoric. Yvonne Elliman’s cover is definitive, but the original is fantastic too. 13. I’ve Gotta Get a Message to You (1968)Side two contains ballads and featured " How Deep Is Your Love", " Too Much Heaven", " Love So Right", " (Our Love) Don't Throw It All Away" and " Fanny (Be Tender with My Love)". Written for Odessa, but later used as the theme for the 1971 movie Melody, Melody Fair encapsulates the two competing impulses within the 60s Bee Gees. It starts out as parent-friendly MOR pop, then suddenly, thrillingly, dives into a heavy-lidded, stoned-sounding, Lennon-y chorus. 23. You Stepped into My Life (1976)

British album certifications – Bee Gees – Bee Gees Greatest". British Phonographic Industry . Retrieved 12 March 2013. Disco devotees may favour Melba Moore’s cover – more urgent, lush and dramatic than the original, it was a huge club hit in 1978. But You Stepped into My Life is a fantastic song regardless of the arrangement, its nagging hook and heady, spiralling melody evidence of the Bee Gees’ intuitive grasp of disco. 22. World (1967) Produced by Arif Mardin, Mr Natural is a transitional album that links the distinct phases of the Bee Gees’ career. While it still majored in ballads, Mardin encouraged the Gibbs’ love of rhythm and blues, hence the appealingly gentle funk of Dogs. It was unlike anything they had recorded before – and a signpost to the future. 29. I Started a Joke (1968)Almost all the Bee Gees’ 60s hits tend to the gloomy, but Robin’s songs amp up the sadness to the point where it becomes faintly disturbing. Which brings us to I Started a Joke, on which everything goes horribly wrong, until its protagonist dies, apparently to general rejoicing. 28. First of May (1969) The Bee Gees in 1967, with Vince Melouney (far left) and Colin Peterson (second right). Photograph: Pictorial Press/Alamy 21. Charade (1974)



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