This full-featured direct-drive turntable is still highly collectable today. To maintain a stylish, clean look, the integrated strobe light was mounted under a flush-mounted glass window, revealing a mirror for viewing the strobe marks etched underneath the platter. What’s more, an onboard bubble level made it easy to dial in the adjustable feet for perfect leveling.

A continuous variable loudness control, which was much more flexible than the industry’s common “loudness” on-off switch. Continuously variable loudness remains a popular feature in Yamaha products today, almost 50 years since its introduction. Ds that I reu, I immediately loved, was the time of writing it is not yet lapped but otherwise I immediately find the sound that I liked.

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Just a few short years after entering the U.S. Hi-Fi market, Yamaha upped their game with the introduction of this still highly-prized second-generation stereo receiver. Building on the success of the CA-1000 integrated amplifier (see above), the CR-2020 added three meters — one of them a multi-function display. With a button press, the second meter switched to a FM signal Q meter for fine tuning. After tuning in the station, the user would press the button again and the meter would resume indicating amplifier power. Different from the more commonly seen signal strength meters of the day, “Q” displayed the measured noise of the intermediate frequency (IF) stage in the tuner circuit before the FM signal was converted to audio. While signal strength and quality are not necessarily interchangeable, Yamaha focused on quality, which is a better method for receiving the best possible audio performance. NS-10M Speakers (1978) Yamaha NS-10M speakers.

Don’t be deceived by its small physique, this speaker has proved its excellent sound and its superb compatibility. In addition to its compact size and shape, it produces a high quality sound for every music lover. There was also a third member of this family — the rarer UC-1 optional meter and speaker switching unit that could be attached to the front of the B-1 or set on a special wood tabletop stand with a special connection cable. The ability to switch between five different speaker systems, all with volume trim settings, made this unit popular with Hi-Fi dealers to help the customer audition and select the right pair of speakers to complete their system. NS-1000M Speakers (1974) Yamaha NS-1000M speakers. The HP-1 represented the company’s first entry into the headphone market. Like many Yamaha audio products introduced in the U.S. in the 1970s, these had many unique features. The creative skills of Mario Bellini were once again tapped to design the look and feel of these headphones. Their open headband and fabric head strap made them light and comfortable, good for hours of non-stop listening. It’s a good thing, too, because the sound from the orthodynamic diaphragms (known today as planar magnetic diaphragms) was extraordinary. Yamaha engineers developed a manufacturing method to sandwich a very thin polyester diaphragm imbedded with a thin copper conductor in-between two specially designed magnet structures. Similar in concept to the electrostatic speakers being experimented with at the time, the sound was open, full range and very musical. CR-2020 Stereo Receiver (1977) Yamaha CR-2020 stereo receiver. Although Golding argues that people are fundamentally savage, drawn toward pleasure and violence, human beings have successfully managed to create thriving civilizations for thousands of years. So that disproves Golding's theory about human nature being savage, right? Wrong. The famous psychologist Sigmund Freud argued that without the innate human capacity to repress desire, civilization would not exist. In Lord of the Flies, Golding makes a similar argument. He depicts civilization as a veil that through its rules and laws masks the evil within every individual. So even while civilizations thrive, they are merely hiding the beast. They have not destroyed it.This little piggy comes loaded with a 4-inch sub, bass reflex system, two tweeters, two 1.5-inch mid-range drivers, a sound stabilization system, and plenty more. . A powerful 12-pole brushless DC-Servo direct-drive motor provided precise speed control, and there were separate speed trims for 33 and 45 RPM (revolutions per minute) play. The static balanced S-type tone tonearm was selected for the lowest possible tracing distortion. There was even an ultra-smooth oil-damped cueing mechanism, which provided an elegant feel when dropping the needle onto vinyl. HP-1 Headphones (1976) Yamaha HP-1 headphones.

In this article, we’ll look at some of the many iconic Yamaha products from that decade and see how the company earned its reputation for quality Hi-Fi gear. CA-1000 Integrated Amplifier (1973) Yamaha CA-1000 integrated amplifier.

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stereo audio-in connection for connection with a computer or other auxiliary audio devices such as an iPod MP3 MP4 player, CD, PSP, iPod, Discman and the like. The iPig is compatible with most Apple iPods. Plus, thanks to the auxiliary input, it also works with MP3 and MP4 players, portable game consoles (PSP, Nintendo DS), gaming consoles (PS2, PS3, Wii, Xbox, Xbox360), portable and non portable CD and DVD players, televisions, personal computers (desktop and laptops), and mobile phones with audio-playing capabilities. .