The Lion and the Unicorn: Socialism and the English Genius

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The Lion and the Unicorn: Socialism and the English Genius

The Lion and the Unicorn: Socialism and the English Genius

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As soon as one considers any problem of this war – and it does not matter whether it is the widest aspect of strategy or the tiniest detail of home organization – one sees that the necessary moves cannot be made while the social structure of England remains what it is. Inevitably, because of their position and upbringing, the ruling class are fighting for their own privileges, which cannot possibly be reconciled with the public interest. It is a mistake to imagine that war aims, strategy, propaganda and industrial organization exist in watertight compartments. All are interconnected. Every strategic plan, every tactical method, even every weapon will bear the stamp of the social system that produced it. The British ruling class are fighting against Hitler, whom they have always regarded and whom some of them still regard as their protector against Bolshevism. That does not mean that they will deliberately sell out; but it does mean that at every decisive moment they are likely to falter, pull their punches, do the wrong thing. In intention, at any rate, the English intelligentsia are Europeanized. They take their cookery from Paris and their opinions from Moscow. In the general patriotism of the country they form a sort of island of dissident thought. England is perhaps the only great country whose intellectuals are ashamed of their own nationality. In left-wing circles it is always felt that there is something slightly disgraceful in being an Englishman and that it is a duty to snigger at every English institution, from horse racing to suet puddings. It is a strange fact, but it is unquestionably true that almost any English intellectual would feel more ashamed of standing to attention during ‘God save the King’ than of stealing from a poor box. All through the critical years many left-wingers were chipping away at English morale, trying to spread an outlook that was sometimes squashily pacifist, sometimes violently pro-Russian, but always anti-British. It is questionable how much effect this had, but it certainly had some. If the English people suffered for several years a real weakening of morale, so that the Fascist nations judged that they were ‘decadent’ and that it was safe to plunge into war, the intellectual sabotage from the Left was partly responsible. Both the New Statesman and the News Chronicle cried out against the Munich settlement, but even they had done something to make it possible. Ten years of systematic Blimp-baiting affected even the Blimps themselves and made it harder than it had been before to get intelligent young men to enter the armed forces. Given the stagnation of the Empire, the military middle class must have decayed in any case, but the spread of a shallow Leftism hastened the process.

Previous winner Peter Beaumont and previously longlisted Lindsey Hilsum both pay tribute to Marie Colvin, killed in Syria this week When the nautical screw was first invented, there was a controversy that lasted for years as to whether screw-steamers or paddle-steamers were better. The paddle-steamers, like all obsolete things, had their champions, who supported them by ingenious arguments. Finally, however, a distinguished admiral tied a screw-steamer and a paddle-steamer of equal horse-power stern to stern and set their engines running. That settled the question once and for all. And it was something similar that happened on the fields of Norway and of Flanders. Once and for all it was proved that a planned economy is stronger than a planless one. But it is necessary here to give some kind of definition to those much-abused words, Socialism and Fascism. The effect of all this is a general softening of manners. It is enhanced by the fact that modern industrial methods tend always to demand less muscular effort and therefore to leave people with more energy when their day's work is done. Many workers in the light industries are less truly manual labourers than is a doctor or a grocer. In tastes, habits, manners and outlook the working class and the middle class are drawing together. The unjust distinctions remain, but the real differences diminish. The old-style ‘proletarian’– collarless, unshaven and with muscles warped by heavy labour – still exists, but he is constantly decreasing in numbers; he only predominates in the heavy-industry areas of the north of England. National characteristics are not easy to pin down, and when pinned down they often turn out to be trivialities or seem to have no connexion with one another. Spaniards are cruel to animals, Italians can do nothing without making a deafening noise, the Chinese are addicted to gambling. Obviously such things don’t matter in themselves. Nevertheless, nothing is causeless, and even the fact that Englishmen have bad teeth can tell something about the realities of English life. It expressed his opinion that the outdated British class system was hampering the war effort and that to defeat Nazi Germany, Britain needed a socialist revolution. Therefore, Orwell argued, being a socialist and a patriot were no longer antithetical, but complementary. As a result, "The Lion and the Unicorn" became an emblem of the revolution which would create a new kind of socialism, a democratic "English Socialism" in contrast to the oppressing Soviet totalitarian communism and also a new form of Britishness, a socialist one liberated from empire and the decadent old ruling classes. Orwell specified that the revolutionary regime might keep on the royal family as a national symbol but would sweep away the rest of the British aristocracy.But the general weakening of imperialism, and to some extent of the whole British morale, that took place during the nineteen-thirties, was partly the work of the left-wing intelligentsia, itself a kind of growth that had sprouted from the stagnation of the Empire. Do I mean by all this that England is a genuine democracy? No, not even a reader of the Daily Telegraph could quite swallow that. So “The Lion and the Unicorn” is a deeply flawed essay. Its confident predictions about the benefits of socialism for both economics and geopolitics were based more in starry-eyed idealism than in reality. But even so, the essay contains a large number of useful points and trenchant observations that can help us understand our own times. England is a country in which property and financial power are concentrated in very few hands. Few people in modern England own anything at all, except clothes, furniture and possibly a house. The peasantry have long since disappeared, the independent shopkeeper is being destroyed, the small businessman is diminishing in numbers. But at the same time modern industry is so complicated that it cannot get along without great numbers of managers, salesmen, engineers, chemists and technicians of all kinds, drawing fairly large salaries. And these in turn call into being a professional class of doctors, lawyers, teachers, artists, etc. etc. The tendency of advanced capitalism has therefore been to enlarge the middle class and not to wipe it out as it once seemed likely to do. And even the distinction between rich and poor dwindles somewhat when one regards the nation from the outside. There is no question about the inequality of wealth in England. It is grosser than in any European country, and you have only to look down the nearest street to see it. Economically, England is certainly two nations, if not three or four. But at the same time the vast majority of the people feel themselves to be a single nation and are conscious of resembling one another more than they resemble foreigners. Patriotism is usually stronger than class-hatred, and always stronger than any kind of internationalism. Except for a brief moment in 1920 (the ‘Hands off Russia’ movement) the British working class have never thought or acted internationally. For two and a half years they watched their comrades in Spain slowly strangled, and never aided them by even a single strike (2). But when their own country (the country of Lord Nuffield and Mr Montagu Norman) was in danger, their attitude was very different. At the moment when it seemed likely that England might be invaded, Anthony Eden appealed over the radio for Local Defence Volunteers. He got a quarter of a million men in the first twenty-four hours, and another million in the subsequent month. One has only to compare these figures with, for instance, the number of conscientious objectors to see how vast is the strength of traditional loyalties compared with new ones.

DV8 physical theatre company at the National Theatre Uses part of our event, ‘What can’t you speak about in the 21st Ce ntury?’When the nautical screw was first invented, there was a controversy that lasted for years as to whether screw-steamers or paddle-steamers were better. The paddle-steamers, like all obsolete things, had their champions, who supported them by ingenious arguments. Finally, however, a distinguished admiral tied a screw-steamer and a paddle-steamer of equal horsepower stern to stern and set their engines running. That settled the question once and for all. And it was something similar that happened on the fields of Norway and of Flanders. Once and for all it was proved that a planned economy is stronger than a planless one. But it is necessary here to give some kind of definition to those much-abused words, Socialism and Fascism. The legend of the two animals may have been intensified by the Acts of Union 1707 and it was one year later that William King (1663–1712) recorded a verse very similar to the first stanza of the modern rhyme. [1] This seems to have grown to include several other verses. Apart from those above only one survives:

Peter Cordwell and Carl Picton at Greenwich Theatre Some of the songs are on YouTube Nineteen Eighty-Four at Foyles In England all the boasting and flag-wagging, the ‘Rule Britannia’ stuff, is done by small minorities. The patriotism of the common people is not vocal or even conscious. They do not retain among their historical memories the name of a single military victory. English literature, like other literatures, is full of battle-poems, but it is worth noticing that the ones that have won for themselves a kind of popularity are always a tale of disasters and retreats. There is no popular poem about Trafalgar or Waterloo, for instance. Sir John Moore’s army at Corunna, fighting a desperate rearguard action before escaping overseas (just like Dunkirk!) has more appeal than a brilliant victory. The most stirring battle-poem in English is about a brigade of cavalry which charged in the wrong direction. And of the last war, the four names which have really engraved themselves on the popular memory are Mons, Ypres, Gallipoli and Passchendaele, every time a disaster. The names of the great battles that finally broke the German armies are simply unknown to the general public. It is quite true that the English are hypocritical about their Empire. In the working class this hypocrisy takes the form of not knowing that the Empire exists. But their dislike of standing armies is a perfectly sound instinct. A navy employs comparatively few people, and it is an external weapon which cannot affect home politics directly. Military dictatorships exist everywhere, but there is no such thing as a naval dictatorship. What English people of nearly all classes loathe from the bottom of their hearts is the swaggering officer type, the jingle of spurs and the crash of boots. Decades before Hitler was ever heard of, the word ‘Prussian’ had much the same significance in England as ‘Nazi’ has today. So deep does this feeling go that for a hundred years past the officers of the British army, in peace time, have always worn civilian clothes when off duty. And now look at the results. After 1934 it was known that Germany was rearming. After 1936 everyone with eyes in his head knew that war was coming. After Munich it was merely a question of how soon the war would begin. In September 1939 war broke out. Eight months later it was discovered that, so far as equipment went, the British army was barely beyond the standard of 1918. We saw our soldiers fighting their way desperately to the coast, with one aeroplane against three, with rifles against tanks, with bayonets against tommy-guns. There were not even enough revolvers to supply all the officers. After a year of war the regular army was still short of 300,000 tin hats. There had even, previously, been a shortage of uniforms – this in one of the greatest woollen-goods producing countries in the world! It follows that British democracy is less of a fraud than it sometimes appears. A foreign observer sees only the huge inequality of wealth, the unfair electoral system, the governing-class control over the press, the radio and education, and concludes that democracy is simply a polite name for dictatorship. But this ignores the considerable agreement that does unfortunately exist between the leaders and the led. However much one may hate to admit it, it is almost certain that between 1931 and 1940 the National Government represented the will of the mass of the people. It tolerated slums, unemployment and a cowardly foreign policy. Yes, but so did public opinion. It was a stagnant period, and its natural leaders were mediocrities.

The Lion And The Unicorn

One rapid but fairly sure guide to the social atmosphere of a country is the parade-step of its army. A military parade is really a kind of ritual dance, something like a ballet, expressing a certain philosophy of life. The goose-step, for instance, is one of the most horrible sights in the world, far more terrifying than a dive-bomber. It is simply an affirmation of naked power; contained in it, quite consciously and intentionally, is the vision of a boot crashing down on a face. Its ugliness is part of its essence, for what it is saying is ‘Yes, I am ugly, and you daren't laugh at me’, like the bully who makes faces at his victim. Why is the goose-step not used in England? There are, heaven knows, plenty of army officers who would be only too glad to introduce some such thing. It is not used because the people in the street would laugh. Beyond a certain point, military display is only possible in countries where the common people dare not laugh at the army. The Italians adopted the goose-step at about the time when Italy passed definitely under German control, and, as one would expect, they do it less well than the Germans. The Vichy government, if it survives, is bound to introduce a stiffer parade-ground discipline into what is left of the French army. In the British army the drill is rigid and complicated, full of memories of the eighteenth century, but without definite swagger; the march is merely a formalized walk. It belongs to a society which is ruled by the sword, no doubt, but a sword which must never be taken out of the scabbard. In the short run, equality of sacrifice, ‘war-Communism’, is even more important than radical economic changes. It is very necessary that industry should be nationalized, but it is more urgently necessary that such monstrosities as butlers and ‘private incomes’ should disappear forthwith. Almost certainly the main reason why the Spanish Republic could keep up the fight for two and a half years against impossible odds was that there were no gross contrasts of wealth. The people suffered horribly, but they all suffered alike. When the private soldier had not a cigarette, the general had not one either. Given equality of sacrifice, the morale of a country like England would probably be unbreakable. But at present we have nothing to appeal to except traditional patriotism, which is deeper here than elsewhere, but is not necessarily bottomless. At some point or another you have got to deal with the man who says ‘I should be no worse off under Hitler’. But what answer can you give him – that is, what answer that you can expect him to listen to – while common soldiers risk their lives for two and sixpence a day, and fat women ride about in Rolls-Royce cars, nursing pekineses? In 1993, British Prime Minister John Major famously alluded to the essay in a speech on Europe by stating, "Fifty years from now Britain will still be the country of long shadows on county grounds, warm beer, invincible green suburbs, dog lovers and pools fillers and – as George Orwell said – 'old maids bicycling to Holy Communion through the morning mist'." [3]

Politics and the Press, 4pm, Sunday 1 April: Gaby Hinsliff, Martin Moore, Lance Price, chaired by Jean SeatonAs soon as one considers any problem of this war—and it does not matter whether it is the widest aspect of strategy or the tiniest detail of home organisation—one sees that the necessary moves cannot be made while the social structure of England remains what it is. Inevitably, because of their position and upbringing, the ruling class are fighting for their own privileges, which cannot possibly be reconciled with the public interest. It is a mistake to imagine that war aims, strategy, propaganda and industrial organisation exist in watertight compartments. All are interconnected. Every strategic plan, every tactical method, even every weapon will bear the stamp of the social system that produced it. The British ruling class are fighting against Hitler, whom they have always regarded and whom some of them still regard as their protector against Bolshevism. That does not mean that they will deliberately sell out; but it does mean that at every decisive moment they are likely to falter, pull their punches, do the wrong thing. Orwell wrote literary criticism, poetry, fiction, and polemical journalism. He is perhaps best known for his dystopian novel Nineteen Eighty-Four (1949) and the allegorical novella Animal Farm (1945). His non-fiction works, including The Road to Wigan Pier (1937), documenting his experience of working class life in the north of England, and Homage to Catalonia (1938), an account of his experiences in the Spanish Civil War, are widely acclaimed, as are his essays on politics, literature, language, and culture. In 2008, The Times ranked him second on a list of "The 50 greatest British writers since 1945". Here are a couple of generalizations about England that would be accepted by almost all observers. One is that the English are not gifted artistically. They are not as musical as the Germans or Italians, painting and sculpture have never flourished in England as they have in France. Another is that, as Europeans go, the English are not intellectual. They have a horror of abstract thought, they feel no need for any philosophy or systematic ‘world-view’. Nor is this because they are ‘practical’, as they are so fond of claiming for themselves. One has only to look at their methods of town planning and water supply, their obstinate clinging to everything that is out of date and a nuisance, a spelling system that defies analysis, and a system of weights and measures that is intelligible only to the compilers of arithmetic books, to see how little they care about mere efficiency. But they have a certain power of acting without taking thought. Their world-famed hypocrisy—their double-faced attitude towards the Empire, for instance—is bound up with this. Also, in moments of supreme crisis the whole nation can suddenly draw together and act upon a species of instinct, really a code of conduct which is understood by almost everyone, though never formulated. The phrase that Hitler coined for the Germans, ‘a sleep-walking people’, would have been better applied to the English. Not that there is anything to be proud of in being called a sleep-walker.



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