Handle length varies as well. If you are working in oil, alkyd or acrylic you may often find yourself painting at a distance from your surface, so a long-handled brush would be best. If you are a watercolourist then it is likely you will work closer to your painting, making a shorter handle a good choice. Cost Best hog has the stiffest hair, plenty of flags, allowing it to carry more colour, and is extremely resilient – so the brush keeps its working edge and shape for longer. Winsor & Newton Artists’ Hog Brushes are made with the highest quality hog.

Flow Control - The color flows evenly and consistently from the point, with enough color carrying capacity in the belly of the brush to allow flowing gestural strokes. Flow Control - The colour flows evenly and consistently from the point, with enough colour carrying capacity in the belly of the brush to allow flowing gestural strokes. Walk into any artists’ store and the sheer number of brushes on display can seem overwhelming at first. Should you choose natural or synthetic fibres? Which head shape is most suitable? Is it best to go for the most expensive? Fear not: by exploring these questions just a little more you can narrow down the number of choices you need to make and find the right tool for the job. Hair type Both ranges are 100% FSC ® certified; the Birchwood used for the uniquely fashioned ergonomic handles is obtained from sustainable sources and ongoing consideration is given to the growth of responsible forest management. Blends Squirrel brushes carry colour very well because they can hold a lot of water. They are very good as mop and wash brushes, as they do not point as well as sable.The Artists’ Oil Synthetic Hog is created with flagged bristles which replicate the flags of a natural hog hair bristle, allowing for shape retention, firm bristles and an excellent colour carrying capacity.

Stay away from detergent, as this will damage the individual bristles on your brush. Another thing to avoid is paint stripper. Many artists use it to resuscitate a brush with dried paint on it, but this often takes the shape away from your brush. Most importantly, Series 7 fulfills the essential qualities that define the finest watercolor brush for artists: If you’re using oil or acrylic, natural hog hair brushes are a good choice. They are naturally stiff and each bristle is split into two or three at the tip. These splits are called flags and they allow the brush to hold on to more paint and apply it evenly. Remember, hog brushes come in different shades; if they are white, you need to make sure this is natural and not bleached, which will have weakened the bristle. Hog hair comes in different in qualities.

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The Professional Watercolour Synthetic Sable brush delivers excellent colour carrying capacity, the ability to make a variety of marks and resilient spring and shape retention.

Adhere to the following three standards of brush care and you’ll be well equipped with the knowledge to keep your prized materials in a state to produce stellar results. How to clean your brushes thoroughly and properly Different media, such as watercolour or acrylic or traditional oil, require different types of brushes, and they come in four main types: With watercolour and acrylic brushes, it’s important to remove excess water, dry ferrules and handles, reshape brush heads, and rest them with the bristles facing upwards to dry off. Don’t worry if you notice a stain in your bristles – this has no effect on the performance or life of the brush. When it comes to storage, you should place the brushes in a pot or jar with the bristles facing upwards, only storing them when they are completely dry. When pigment particles build up at the base of the brush, it pushes hairs apart and stops the point from forming. To avoid this, wipe your watercolour brush clean with a lint-free rag and rinse it under running water. Then, using mild soap and cool water, swirl the soapy brush in the palm of your hand and rinse. Repeat the washing and rinsing process until the waters run clear. Goat brushes also have a good colour carrying capacity but tend not to release the colour as well as squirrel or sable, and have no point.

Most importantly, Series 7 fulfils the essential qualities that define the finest watercolour brush for artists: Two new ranges of synthetic brushes have been launched by Winsor & Newton: the Professional Watercolour Synthetic Sable brush and Artists’ Oil Synthetic Hog brushes . After rigorous artist testing, we developed an innovative synthetic bristle blend which offers the quality and performance you’d typically see in natural sable and hog brushes. Looking after an acrylic brush is in some ways similar to looking after a watercolour brush. But there are also some differences. If you are using solvent-based varnishes, these should be removed using Winsor & Newton Artists’ White Spirit, whereas water-based varnishes can be removed with soap and water. Cleaning your acrylic brush with mild soap and cool water still applies. For a thorough clean, soak the brush overnight in Winsor & Newton Brush Cleaner, which will remove any dried acrylic colour. Repeat the washing and rinsing process until the water runs clear. What to avoid

If you’ve been working with oils, use a rag to wipe away as much colour as possible from your brush. Then rinse any remaining colour using Winsor & Newton Artists’ White Spirit or Brush Cleaner. Next, as you would when cleaning your hands, create a lather and rinse the brush under warm, not hot, water until the water runs clear of colour and soap. If you prefer an alternative to natural hair or are on a budget, then it is worth considering synthetic brushes. Driven by innovation and our unique brush-making expertise, our synthetic brushes perform at a professional level. They can be soft or stiff; the soft brushes work well with watercolour, while the stiff brushes work best with oils. Synthetic brushes often have an excellent point and can carry colour very well. Winsor & Newton offers a wide range of synthetic brushes including Monarch Brushes, Cotman Brushes and Galeria Brushes. The most important thing to remember about caring for your acrylic brushes is not to let paint dry after you’ve used it. The paint is not soluble in this state and will produce a plastic-like dried texture. So be sure to wash your acrylic brushes immediately after use. If you cannot wash acrylic brushes while painting, leave them in water, at the very least, during your practice. How to reshape, dry and store your brushes properly Brushes are some of the most essential artists’ tools, so it’s imperative they’re properly looked after – allowing them to perform to their highest potential. Over time, taking care of your brushes can save you time and money. Good quality brushes, such as those in our iconic Series 7 range, can last a lifetime if treated well. Sable brushes maintain a perfect point, allowing for great control, and are excellent for precision marks. Sable hair strands are conical, springy, and covered in tiny scales. The combination of the three factors increases the brush’s surface area and allows it to soak up a lot of colour . Sable brushes are very high quality, with the best – such as Winsor & Newton Series 7 brushes – handmade from the tip of the tail of the Siberian kolinsky sable.

Watercolour brushes are delicate, and strong soap may damage the bristles by removing natural oils. Keep your water warm, but not hot, as hot water may cause any remaining paint to clot. Sable and synthetic blends such as Sceptre Gold II provide a performance that is close to sable at a price that is close to synthetic. Head shape and size Brushes come in different sizes and these sizes are given numbers. However, each number does not necessarily equate to the same size brush in different ranges, and this is particularly noticeable between English, French and Japanese sizes. Consequently, if you are choosing a brush it is important that actual brushes are compared rather than simply relying on the sizes of the brushes you currently own.