Each scene slides past the poet so fast that he cannot notice each one of them totally. That’s why he says that the things he sees are like a momentary glimpse or clips of a motion picture.

The poem is written in iambic tetrameter with a number of variations. Each line more or less contains four iambs; an unstressed foot is followed by a stressed foot. The implementation of trochees (stressed-unstressed) and long anapests (unstressed-unstressed-stresses) imitates the rising and falling rhythm of a train. For instance, the first line can be read as “ Fast-er/ than fai- ries,/ fast-er/ than witch(e)s.” It begins with a trochee followed by an anapest. Then another trochee is followed by an iamb. This fusion of can be seen throughout the text:

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At last, the speaker describes each piece of scenery as a “glimpse” that stays for a short period and then fades forever. While traveling by train, none can notice a particular scene next time. Thus, each journey becomes unique, unraveling newer scenes against the changing canvas of nature. Robert Louis Stevenson’s poem “From a Railway Carriage” begins with the description of the train’s speed. The reference to “fairies” and “witches” signifies the speaker is a child, familiar with the characters of fairy tales. He rejects the fact quite straightforwardly that this train he is riding is way faster than the winged fairies and magical witches. In the last two lines of the first stanza, the speaker informs readers that he has been riding before the narration has begun. Thus, the painted stations “again” slid past his carriage. Stevenson uses an auditory image of the whistling sound coming from the stations when the train crosses them.

This device is used in two instances in the last stanza: “And there is the green for stringing the daisies!” and “Each a glimpse and gone for ever!” These lines convey the speaker’s amazement at the scenes. The rhyme scheme of “From a Railway Carriage” is AABB. It means each two lines end with similar rhyming words; for instance, the first two lines contain end rhymes: “witches” and “ditches”. This scheme is followed throughout the text. The rhyming pairs of words include: This device is used in a number of instances; in the first stanza, there is a repetition of “and” throughout. Such repetition is also called polysyndeton. The recurrence of the conjunction signifies a sense of continuity. In the second stanza, Stevenson uses the word “Here” at the beginning of alternative lines until line 5. Rhetorical Exclamation Stevenson uses several personal metaphors in the poem. For instance, there is a personal metaphor in the phrase, “the green for stringing the daisies!” The “green,” representing grass, is portrayed as a thread to string daisies. To be specific, there is only one instance of metaphor, and it occurs in the last two lines: This great resource provides learners with their very own copy of ‘From a Railway Carriage’ by the famous Scottish author, Robert Louis Stevenson. The poem describes the view from a railway carriage as it speeds through the countryside. It’s a great way to introduce your learners to poetry, thanks to its simple rhyme scheme and clear imagery. The sheet even includes a fun illustration of a train that pupils can colour in!

The “mill” and “river” are compared to a “glimpse”. They are liked small clips of the motion picture seen from the railway carriage. Alliteration The final two programmes focus on classic poetry and include a selection of well-known poems often taught at Key Stage 2. These poems are read by the actors Maxine Peake and Julian Rhind-Tutt. Using the audio The poem “From a Railway Carriage” was first published in Robert Louis Stevenson’s collection of children’s poetry, A Child’s Garden of Verses, in 1885. It is one of the most popular children’s works. This poem is inspired by Stevenson’s extensive traveling experience across Europe. Due to his ill health, he occasionally had to move to warmer climates to recover. His experience of traveling by train is captured in this poem from the perspective of a child speaker. This piece also describes how it felt while traveling in a railway carriage car in the 19th-century.

In the first example, the moving train is compared to troops marching for a battle, and the sights of apparently moving “hill” and “plain” are compared to “driving rain.” Metaphor The repetition of a similar sound at the beginning of neighboring words is called alliteration. It is used to create internal rhyming. This device is used in the following instances: The repetition of the same word or phrase at the beginning of consecutive lines is called anaphora. It occurs in:Robert Louis Stevenson is an incredibly famous writer, and learners are sure to come across his writing as they move through school. Because he’s most famous for his novels, poems like ‘From a Railway Carriage’ give us an idea of another side of the writer - he really was multi-talented! Night Journey” by Theodore Roethke — Read how it feels while traveling by train at midnight. Roethke beautifully describes the nocturnal beauty of nature in this poem. Journey to the Interior” by Margaret Atwood — In this poem, Atwood describes the road she often takes to roam into the thrilling regions of her mind.