Every filmmaker knows that every film starts with a solid base. A film needs a foundation to build on before all the intricate details are added later. To create this firm ground, a cinematographer needs to sit down and plan out how they are going to cover a scene, which includes discussing which camera angles and shot size would be best for each scene.

Putting differently, this type of camera shot shows an amalgamation of the body actions and the facial expressions. In today’s digital world, there are many ways to create what looks like a single-camera sequence without using more than one camera – for example, editing together footage from different sources or combining time lapses with shots taken over intervals with still cameras. In modern filmmaking, however, there are many different types and lengths that films use for their master shots which means that their definition has become more open-ended than before . Still it is a single, static camera angle that encompasses the whole scene. This wide-angle lens captures everything in front of it with equal importance, which can create an interesting sense of balance. As you gain more confidence in the scene, you move through the space and capture casual conversations in a medium shot. Move the camera closer and closer to the actors with each new setup to capture the angles needed while obtaining the needed footage to cut the scene together.Every good story is ultimately about change. At the end of your scene, your characters and audience should feel differently than they did when the scene began.

This is the first shot I took, I then noticed the DOF was too shallow for the rifle to be visible so I corrected and shot 3, 4 more but the moment was lost. He became more camera aware.If you think you might need an extra take, run it. It costs five minutes to do an extra take that is already setup. It costs at least half an hour to move on to the next setup.